Transcendental Style in Film Ozu, Bresson, Dreyer

With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camera...

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Detalles Bibliográficos
Otros Autores: Schrader, Paul. autor (autor)
Formato: Otros
Idioma:Castellano
Materias:
Acceso en línea:Acceso restringido con credenciales UPSA
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Descripción
Sumario:With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This seminal text analyzes the film style of three great directors—Yasujiro Ozu, Robert Bresson, and Carl Dreyer—and posits a common dramatic language used by these artists from divergent cultures. The new edition updates Schrader's theoretical framework and extends his theory to the works of Andrei Tarkovsky (Russia), Béla Tarr (Hungary), Theo Angelopoulos (Greece), and Nuri Bilge Ceylan (Turkey), among others. This key work by one of our most searching directors and writers is widely cited and used in film and art classes. With evocative prose and nimble associations, Schrader consistently urges readers and viewers alike to keep exploring the world of the art film.
Notas:Título tomado de la pantalla de presentación (consultado e 26/11/2024)
Proveedor del acceso electrónico: eBook Collection (EBSCOhost)
Posibilidad de descarga texto completo en formato PDF o Epub (requiere instalación de "Adobe Digital Editions" o equivalente)
Descripción Física:1 recurso en línea
ISBN:9780520969148
9780520296817
Acceso:Acceso restringido con credenciales UPSA.