Movie mutations the changing face of world cinephilia

At the beginning of the twenty-first century, formula-driven Hollywood blockbusters and bottom-line accounting seem to dominate the film world. In times like these can "the love of cinema" still flourish? This book shows that contemporary cinema--from Tawian and Iran to Brazil and the Balt...

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Bibliographic Details
Corporate Author: British Film Institute (-)
Other Authors: Rosenbaum, Jonathan (-), Martin, Adrian, 1959-
Format: Book
Language:Inglés
Published: London : BFI 2009
Edition:[1st ed.], repr
Subjects:
Online Access:Sumario
See on Universidad de Navarra:https://unika.unav.edu/discovery/fulldisplay?docid=alma991007395369708016&context=L&vid=34UNAV_INST:VU1&search_scope=34UNAV_TODO&tab=34UNAV_TODO&lang=es
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Summary:At the beginning of the twenty-first century, formula-driven Hollywood blockbusters and bottom-line accounting seem to dominate the film world. In times like these can "the love of cinema" still flourish? This book shows that contemporary cinema--from Tawian and Iran to Brazil and the Baltic states--is, in fact, stunningly varied and rich. As Jonathan Rosenbaum and Adrian Martin show in this wide-ranging look at World Cinema, directors like Abbas Kiarostami, Hou Hsiao-hsien, and Tsai Ming-liang are now making extraordinary films equal to the great classics, previously unrecognized works from the past are being discovered, and new boundaries for the genre are being explored. Those who follow and share such work, as contributors from around the world demonstrate in these pages, are forming new communities that enable significant exchange between cultures at a time when other forces seem bent on keeping them isolated. Movie Mutations pronounces the art form alive, well, and continuing to developing in new and exciting directions
Physical Description:XII, 196 p. ; 24 cm
Bibliography:Incluye referencias bibliográficas e índice
ISBN:9780851709833
9780851709840