Movie mutations the changing face of world cinephilia

At the beginning of the twenty-first century, formula-driven Hollywood blockbusters and bottom-line accounting seem to dominate the film world. In times like these can "the love of cinema" still flourish? This book shows that contemporary cinema--from Tawian and Iran to Brazil and the Balt...

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Detalles Bibliográficos
Autor Corporativo: British Film Institute (-)
Otros Autores: Rosenbaum, Jonathan (-), Martin, Adrian, 1959-
Formato: Libro
Idioma:Inglés
Publicado: London : BFI 2009
Edición:[1st ed.], repr
Materias:
Acceso en línea:Sumario
Ver en Universidad de Navarra:https://unika.unav.edu/discovery/fulldisplay?docid=alma991007395369708016&context=L&vid=34UNAV_INST:VU1&search_scope=34UNAV_TODO&tab=34UNAV_TODO&lang=es
Descripción
Sumario:At the beginning of the twenty-first century, formula-driven Hollywood blockbusters and bottom-line accounting seem to dominate the film world. In times like these can "the love of cinema" still flourish? This book shows that contemporary cinema--from Tawian and Iran to Brazil and the Baltic states--is, in fact, stunningly varied and rich. As Jonathan Rosenbaum and Adrian Martin show in this wide-ranging look at World Cinema, directors like Abbas Kiarostami, Hou Hsiao-hsien, and Tsai Ming-liang are now making extraordinary films equal to the great classics, previously unrecognized works from the past are being discovered, and new boundaries for the genre are being explored. Those who follow and share such work, as contributors from around the world demonstrate in these pages, are forming new communities that enable significant exchange between cultures at a time when other forces seem bent on keeping them isolated. Movie Mutations pronounces the art form alive, well, and continuing to developing in new and exciting directions
Descripción Física:XII, 196 p. ; 24 cm
Bibliografía:Incluye referencias bibliográficas e índice
ISBN:9780851709833
9780851709840