Outcasts signs of otherness in northern European art of the late Middle Ages
In this beautifully illustrated two-volume study, Ruth Mellinkoff has assembled and analyzed an extraordinary compilation of pictorial signs (motifs, attributes, and other artistic devices) used by medieval artists to identify and denigrate those figures deemed outcasts, such as Jews, heretics, Musl...
| Autor principal: | |
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| Formato: | Libro |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press
cop. 1993
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| Colección: | California studies in the history of art ;
32 |
| Materias: | |
| Ver en Universidad de Navarra: | https://unika.unav.edu/discovery/fulldisplay?docid=alma991003499169708016&context=L&vid=34UNAV_INST:VU1&search_scope=34UNAV_TODO&tab=34UNAV_TODO&lang=es |
| Sumario: | In this beautifully illustrated two-volume study, Ruth Mellinkoff has assembled and analyzed an extraordinary compilation of pictorial signs (motifs, attributes, and other artistic devices) used by medieval artists to identify and denigrate those figures deemed outcasts, such as Jews, heretics, Muslims, blacks, executioners, prostitutes, lepers, gamblers, footsoldiers, entertainers, and peasants. Among the signs treated are costume elements such as patterns and colors, and physical attributes such as skin and hair color, blemishes, and gestures. Mellinkoff focuses on art from northern Europe, with examples culled principally from the thirteenth into the middle of the sixteenth century. |
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| Descripción Física: | 2 v. : il. col. ; 32 cm |
| Bibliografía: | Incluye referencias bibliográficas (p. 317-340) e índice |
| ISBN: | 9780520078154 |
