Les inédits
The sense of senses: "The Lady with the Unicorn" (a wall hanging including six tapistries, dating from the end of the 15th century) National Museum of the Middle Ages, Hôtel de Cluny, Paris The Hôtel de Cluny in Paris, the French national museum of the Middle Ages, possesses a wall hangin...
| Otros Autores: | , |
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| Formato: | DVD |
| Idioma: | Francés |
| Publicado: |
[Paris] : [Issy-les-Moulineaux]:
Ed. Montparnasse ; Arte France développement
cop. 2007
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| Colección: | Palettes / une série écrite et réalisée par Alain Jaubert
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| Materias: | |
| Acceso en línea: | Ver más información |
| Ver en Universidad de Navarra: | https://unika.unav.edu/discovery/fulldisplay?docid=alma991000692099708016&context=L&vid=34UNAV_INST:VU1&search_scope=34UNAV_TODO&tab=34UNAV_TODO&lang=es |
| Sumario: | The sense of senses: "The Lady with the Unicorn" (a wall hanging including six tapistries, dating from the end of the 15th century) National Museum of the Middle Ages, Hôtel de Cluny, Paris The Hôtel de Cluny in Paris, the French national museum of the Middle Ages, possesses a wall hanging made up of six of the world's most famous tapistries. Reproduced in every way and form, these tapistries have come to symbolize a certain idea of the romanesque late Middle Ages. Splendid ladies clad in sumptuous gowns, exotic animals, flowers and trees: the tapistries all seek to please the eye. But once the visitor has gotten over his initial amazement, he starts asking questions. What do the coats of arms, depicted several times on each tapistry, represent? What exactly are the ladies doing? Why is each lion accompanied by a unicorn? What do the trees, flowers, and different animals signify? Who had these splendid tapistries made? And what for? Who was the artist who sketched the plans? Which weaver wove them? Since George Sand rediscovered these tapistries in the 19th century, specialists have been speculating. Today, several questions have been answered, but not all: "The Lady with the Unicorn" has well kept part of her secret Figures de l'invisible: "Jaune-Rouge-Bleu" (1925) Centre Georges-Pompidou, Paris When Kandinsky painted this work, he was a teacher at the Bauhaus design school. He therefore applied the colour techniques that he taught his students to his painting. Kandinsky often said: "Form is an external expression of an internal content." But where do the differing subjective points of view of the spectator and the artist meet? What does the work really represent? These are only some of the many questions asked in this 26th film of the Palettes series Les Figures de l'excès: ''Trois personnages dans une pièce" (1964) Musée national d'art moderne, Centre Georges-Pompidou, Paris Steeped with allusions to Greek mythology as well as to the painter's private life, Francis Bacon's ''Three people in a Room'' triptych stages an abstract drama. How can horror be fascinating? How can violence and death be partly conjured by plastic beauty? These are some of the questions posed in this episode of Palettes, which also leads us to Bacon's London studio, an amazing chaos of objects and paintings |
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| Descripción Física: | 1 DVD (090 min.) : son., col. ; 12 cm |
| Público: | Para todos los públicos |
