Descubriendo a Valle-Inclán
ppreciate the distorted grotesque and absurd reality. The third work comes to hand of Yolanda Arencibia, where relates to Valle-Inclán and Pérez Galdós. In a first approach, she intends to show the difference between Galdós and Valle-Incláns temperament: a shy, discreet and modest Galdós, fac...
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| Otros Autores: | , , , |
| Formato: | Otros |
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Spain
Servicio de Publicaciones y Difusión Científica de la ULPGC
2013
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| Edición: | 1 |
| Materias: | |
| Acceso en línea: | Texto completo en Odilo |
| Ver en Universidad Loyola - Universidad Loyola Granada: | https://colectivo.uloyola.es/Record/Odilo00051189 |
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| Sumario: | ppreciate the distorted grotesque and absurd reality. The third work comes to hand of Yolanda Arencibia, where relates to Valle-Inclán and Pérez Galdós. In a first approach, she intends to show the difference between Galdós and Valle-Incláns temperament: a shy, discreet and modest Galdós, facing an open-minded, somewhat exhibitionist, sneering personality and bohemian tendencies. Lastly, the essay from José Manual González collects the aestheticism and commitment: Bardem reads Valle-Inclán, who analyses from the cinematic perspective. González affirms Valle-Incláns interest in cinema and the connection of his prose and drama, especially Esperpento, with cinematic forms: "the writer believes in the cinema." However, adaptations of his works to the big screen has not been satisfactory as well as public acceptance or specialized reviews. |
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| Descripción Física: | 1 piece Illustrations, color: 10 illustrations Halftones, unspecified: 0 illustrations |
| Público: | General/trade |
| ISBN: | 9788490420706 |
