Gender Performance and Spatial Negotiation in the Neo-Victorian Novel
The present volume examines Judith Butlers concept of gender performance in Angela Carters _Nights at the Circus_ (1984), Sarah Waterss ¬_Tipping the Velvet_ (1998) and Peter Ackroyds _Dan Leno and the Limehouse Golem_ (1994). All of them depict how female performers make use of the stage to exp...
| Autor principal: | |
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| Formato: | Otros |
| Publicado: |
Spain
Servicio de Publicaciones y Divulgación Científica de la Universidad de Málaga
2014
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| Edición: | New edition 1 |
| Colección: | Textos Mínimos
101 |
| Materias: | |
| Acceso en línea: | Texto completo en Odilo |
| Ver en Universidad Loyola - Universidad Loyola Granada: | https://colectivo.uloyola.es/Record/Odilo00051100 |
Solicitar por préstamo interbibliotecario:
Correo
| Sumario: | The present volume examines Judith Butlers concept of gender performance in Angela Carters _Nights at the Circus_ (1984), Sarah Waterss ¬_Tipping the Velvet_ (1998) and Peter Ackroyds _Dan Leno and the Limehouse Golem_ (1994). All of them depict how female performers make use of the stage to expose gender identity as an act performance and in doing so they destabilise the public/private dichotomy. |
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| Descripción Física: | 1 piece 179 pages |
| Público: | College/higher education |
| ISBN: | 9788497478670 |
