New Music and Institutional Critique
This book, edited by Christian Grüny and Brandon Farnsworth, explores the intersection of new music and institutional critique, focusing on the evolution of aesthetic practices within and beyond traditional artistic fields. Drawing contributions from various scholars and artists, it examines contemp...
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| Format: | eBook |
| Language: | Inglés |
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Berlin, Heidelberg :
Springer Berlin / Heidelberg
2023.
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| Edition: | 1st ed |
| Series: | Ästhetiken X. 0 - Zeitgenössische Konturen ästhetischen Denkens Series
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| See on Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009781214806719 |
Table of Contents:
- Vorwort der Herausgeber/innen
- Acknowledgement
- Contents
- Contributors
- 1 Introduction
- 1 Prelude
- 2 Introduction
- 2.1 Denormalisation
- 2.2 Institutions as Form, Orientation, and Exclusion
- 2.3 Critique, the Arts, and New Music
- 2.4 New Music and Critique
- 2.4.1 Artistic Practices
- 2.4.2 Institutional Practices
- 3 Chapters
- References
- Part I Scholars
- 2 Institutions Against Art Music—Curation, Rehearsal, and Contemporary Art
- 1 Introduction
- 2 Re: Assembly—Curation Contra Art Music
- 3 Unlearning Art Music—Rehearsing Social Practice
- 4 Conclusion: Institutions Against Art Music
- References
- 3 Gender Issues as Criticism Within (New) Music Institutions
- 1 Introduction
- 2 Gender Issues as Criticism in Society and Institutions
- 3 Gender Issues as Institutional Critique in the Field of Music
- 4 Gender Issues as Institutional and Discourse Critique—Contemporary Music
- 5 Conclusion
- References
- 4 Darmstadt and Its Discontents
