The version that wanted to be written Writing the Nazi past as historiographic metafiction / Volume 13 Volume 13
The unification of Germany in 1990 set in train a number of dramatic changes in Germany's political, social and cultural landscape which gave rise to a series of hotly debated memory contests centred on the newly unified nation's approach to its common Nazi past. As an important medium of...
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| Format: | eBook |
| Language: | Inglés |
| Published: |
[s.l.] :
Erich Schmidt Verlag GmbH & Co
2021.
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| Series: | Transpositionen/Transpositions
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| Subjects: | |
| See on Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009720208806719 |
Table of Contents:
- No German identity without Auschwitz: Germans as perpetrators, Germans as victims, and the disrupting impact of historiographic metafiction
- If they were all monsters: the SS perpetrator Hanna Schmitz in Bernhard Schlink's Der Vorleser
- Where did all the murderers go? Germans as victims (?) in Ulla Hahn's Unscharfe Bilder
- Transformation work: viewing the Nazi past through the third generation prism in Tanja Dücker's Himmelskörper
- Every witness is a false witness: looking through the eyes of a perpetrator in Marcel Beyer's Flughunde
- The version that wanted to be written: historiographic metafiction and the perpetrator/victim dichotomy
