| Sumario: | This book explores the intricate relationship between aesthetics and politics in the social theory of Theodor Adorno. It delves into how aesthetic experiences and artistic practices can serve as critical tools against authoritarian ideologies. The author, Agustín Lucas, meticulously examines key concepts such as the negativity of aesthetic experience, the aura of art, and the sublime, drawing on the works of Kant, Hegel, Benjamin, and Adorno. The book addresses the potential of art to challenge societal norms and contribute to political discourse, offering insights into the role of art in modern society. Intended for scholars and students of philosophy, aesthetics, and social theory, it aims to transcend rigid boundaries between these disciplines.
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