| Sumario: | This book explores the intersection of art and politics through the lens of Situationism, a movement that originated in post-war Europe. It serves as a philosophical inquiry into the contemporary aesthetic issues that arose from the Situationist International, particularly focusing on the ideas of Guy Debord and the movement's critique of modern capitalist society. The book includes essays from various authors, all affiliated with the University of Buenos Aires, who examine the relationship between art, politics, and philosophy. Through this collective effort, the book investigates how Situationism and its legacy influence modern artistic and philosophical discourse, offering a genealogical perspective on avant-garde movements. It is intended for readers with an interest in philosophy, art history, and political theory.
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