| Sumario: | El silencio como palabra by Victoria Souto Carlevaro explores the complex relationship between silence and testimony, particularly in the context of historical horrors such as the Holocaust and Argentina's last military dictatorship. The book examines how memory and art can serve as tools for preserving and articulating the experiences of trauma. It challenges the conventional dichotomy between language and silence, suggesting that silence can inhabit articulated words. Through an essayistic approach, the author delves into the philosophical and ethical dilemmas of remembering atrocities and the role of artistic expression in this process. The book is intended for an audience interested in memory studies, philosophy, and the interplay between art and historical trauma.
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