Digital restoration from start to finish how to repair old and damaged photographs

This third edition of Digital Restoration from Start to Finish walks you step-by-step through the entire process of restoring old photographs and repairing new ones using Adobe Photoshop, Photoshop Elements, GIMP and more. This best-selling guide is now updated with the latest software advancements,...

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Detalles Bibliográficos
Otros Autores: Ctein, author (author)
Formato: Libro electrónico
Idioma:Inglés
Publicado: New York, New York ; London, [England] : Routledge 2017.
Edición:Third edition
Materias:
Ver en Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009631646806719
Tabla de Contenidos:
  • Cover
  • Half Title
  • Copyright Page
  • Title Page
  • Table of Contents
  • Preface
  • What's New in the Third Edition
  • Introduction
  • Why Restore Digitally?
  • About This Book
  • About Other Books
  • Keeping in Touch
  • Acknowledgements
  • About the Author
  • Quick Diagnostic Guide to Restoration
  • Chapter 1: The Big Picture
  • Where Do You Want to Go Today?
  • Who Are You, and Whose Expectations Matter?
  • Who Are You Trying to Make Happy?
  • Are You Trying to Re-create a Historically Accurate Photograph?
  • How Important is the Photograph, and How Much Scrutiny Might it Be Subject To?
  • How Big Will the Restoration Be?
  • The Art (and Craft) of Restoration
  • Restoring Tone
  • Restoring Color
  • Fine-Detail Repairs and Cleanup
  • Major Damage Repairs
  • Repairing Uneven Damage
  • Fooling Around
  • A Modest Taxonomy of Restoration
  • Prints
  • Slides
  • Negatives
  • Newspaper Clippings
  • Take Your Time
  • Chapter 2: Hardware for Restoration
  • The "Bottom" Line
  • The Computer
  • Memory
  • Hard Drives
  • Display
  • Laptops and iMacs
  • Graphics Tablets
  • Color Management and ColorMunki
  • Backup and Long-Term Storage
  • Scanners
  • Printers
  • Chapter 3: Software for Restoration
  • Image Processing Programs
  • Photoshop CC and CS6
  • Maximizing Photoshop Performance
  • Avoiding Photoshop
  • Alternatives to Photoshop
  • Photoshop Elements 14
  • Elements XXL
  • Affinity Photo
  • Photoline 19
  • Plug-in and Stand-Alone Tools
  • AKVIS Retoucher
  • Polaroid Dust &amp
  • Scratch Removel
  • Focus Magic
  • Noise Ninja/Photo Ninja
  • Topaz Labs DeNoise 6
  • Topaz Labs InFocus
  • Topaz Labs Detail 3
  • Topaz Labs Clarity
  • Repair and Recover Tools
  • CD/DVD Diagnostic
  • JPEG Recovery Pro 5.0
  • Stellar Phoenix JPEG Repair
  • RS File Repair
  • Picture Doctor 2
  • Chapter 4: Getting the Photo into the Computer
  • How-Tos in This Chapter.
  • Introduction
  • Preparation and Cleaning
  • Scanning Prints-Maximize Your Information by Getting the Tones Right
  • Scanning for Dirt and Tears
  • Is 16-Bit Mode Really Necessary?
  • Pulling in the Color
  • Scanning Halftones
  • How to Scan B&amp
  • W Film and Glass Plates
  • Scanning Color Film
  • Resolution Decisions
  • Cracked and Textured Prints
  • Rephotography
  • Chapter 5: Restoring Tone
  • How-Tos in This Chapter
  • What Makes a Good Print?
  • Curves
  • Correcting Tones with Multiple Layers
  • The Shadow/Highlight Adjustment
  • How to Improve a Copy Print
  • How to Correct Uneven Exposure
  • How to Repair Uneven Density: Dodge and Burn with Masked Adjustment Layers
  • Magnifying-Glass Layers
  • Soft-Light Dodging and Burning-In Layers
  • Enhancing Almost-Blank Photos
  • Making Extreme Tone Changes without Distorting Colors
  • Fixing Harsh Shadows on Faces
  • Chapter 6: Restoring Color
  • How-Tos in This Chapter
  • What Makes a Good Print?
  • Getting the Color Right (Semi-)Automatically
  • Color Correcting in Layers
  • Getting Better Skin Tones
  • The Layered Approach
  • The Airbrushed Layers Approach
  • Correcting Skin Tones with Color Airbrushing
  • Hand-Tinting Photographs
  • Using Masked Layers to Hand-Tint Photographs
  • Hand-Tinting with Coloriage
  • Fixing Chromatic Aberration with Picture Window
  • Correcting Out-of-Gamut and Incorrect Colors
  • Fixing Color Stains and Development Marks
  • Chapter 7: Making Masks
  • How-Tos in this Chapter
  • Why Mask?
  • Many Ways to the Same Goal
  • Isolating Cracks
  • Making Masks from Colors
  • Exaggerating Color to Select Tarnish
  • Exaggerating Color to Select Scratches
  • Selecting and Fixing a Matte Border
  • Five Ways to Mask Cellophane Tape Damage
  • Chapter 8: Damage Control
  • How-Tos in This Chapter
  • Introduction
  • Simple Spotting
  • Polishing Out the Scratches.
  • Finding Scratches with the Find Edges Filter
  • Minimizing Scratches with Noise Reduction and Layer Blends
  • Minimizing Scratches with Masks and Curves
  • Enhancing Color to Attack Scratches
  • Filling In the Cracks
  • Removing Fine Cracks with a Mask and Median Filtering
  • Removing Fine Cracks in Stages with Repeated Median Filtering
  • Whittling Away at Wide Cracks
  • Repairing Large Cracks with GIMP
  • Eliminating Folds, Cracks, and Creases Using Averaged Scans
  • Paving Over Tears and Holes
  • Using the Dust &amp
  • Scratches Filter in Combination with the Spot Healing Brush
  • AKVIS Retoucher
  • Clearing the Debris
  • Eliminating Tarnish
  • Picking the Right Color for B&amp
  • W
  • Dealing with Textured Prints
  • Repairing Mildew
  • Chapter 9: Tips, Tricks, and Enhancements
  • How-Tos in This Chapter
  • Introduction
  • Save Time by Using Your Keyboard and Your Mouse
  • Capturing a Long Density Range in a Scan by Stacking Images
  • Descreening a Halftone
  • Getting the Most Detail out of Your Photograph
  • What Do You Do with a Tintype?
  • Stitching Scans Together
  • Improving the Original
  • Chapter 10: Beautification
  • How-Tos in This Chapter
  • Introduction
  • Viewing Your Restorations at Arm's Length
  • Improving Tonality and Making the Photo More Lively
  • Unsharp Masking
  • ContrastMaster
  • Detexturing the Photo
  • Dust &amp
  • Scratches Filter
  • Sharpen and Smooth . . . or Vice Versa
  • Selective Sharpening
  • Improving a Photograph by Adding Grain
  • Touching Up Faces
  • Neutralizing the Neutrals
  • Chapter 11: Examples
  • Introduction
  • Example 1: Repairing an Old Glass Plate
  • Example 2: Repairing Color with a Good Scan
  • Example 3: Mother and Child-a "Legacy" Restoration Job
  • Example 4: A Faded E-1 Slide
  • Example 5: Reassembling an Astronomical Glass Plate
  • Example 6: A Rare and Historic Old Polaroid.
  • Example 7: Fixing a Photocopied Halftone
  • Example 8: Restoring an Almost-Blank Photo
  • Example 9: Restoring a Very Old, Large Print
  • Example 10: Restoring a Very Yellowed B&amp
  • W Snapshot
  • Example 11: Restoring Faded Color Snapshots
  • Example 12: An Unsatisfying Restoration of a Polaroid SX-70 Print
  • Chapter 12: Printing
  • What's the Right Printer?
  • Choosing Your Print Media for Permanence
  • Should I Profile My Printer?
  • Forget about Profiles!
  • ColorMunki
  • Toning the B&amp
  • W Print
  • Display and Storage Conditions for Maximum Print Longevity
  • Chapter 13: Archiving and Permanence
  • The Special Needs of Digital Storage
  • In a Material World
  • Picking Up the Pieces
  • It's Just a Matter of Time
  • All Storage Is Not Created Equal
  • Can You Hear Me Now?
  • Babel Fish
  • Final Words
  • Index.