Basics of video production
Now fully updated by Des Lyver to reflect the latest advances, the second edition of Basics of Video Production is a primer for anyone wishing to learn about video production. It describes the principles and processes involved in obtaining professional results in educational, training and corporate...
| Otros Autores: | , |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Oxford ; Boston :
Focal Press
1999.
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| Edición: | 2nd ed |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009629592506719 |
Tabla de Contenidos:
- Cover; Half Title; Title Page; Copyright Page; Table of Contents; Introduction to the second edition; Introduction to the first edition; How to use this book; Acknowledgements; 1 Studio production; Two approaches; In studio; The floor area; The rooms around the studio; The gallery area; The lighting control area; The sound control area; The vision engineering area; The machine room; Intercom systems; Health and safety; 2 The director's team; The director; - The programme; - The scripts; The preparation; - The rehearsal; - The recording; The production assistant; - In the studio
- - Timing of programmes- Logs; 3 The sound team; The sound team's job; The studio environment; - Live studios; - Dead studios; Sound equipment; - Microphones; - Choosing a microphone; - Types of microphone; - Dynamic; - Electrostatic; - Electret; - Radio; - Directional response; - Stands and booms; Sound equipment; - Source machines; - Mixers; 4 The lighting team; What the camera needs; What the camera can do; The aesthetics; Lighting design; The luminaires; - Hard lights; - Soft lights; - Mountings; Power and dimmers; The lighting operator; Planning; 5 The camera team; The cameras
- - Movements- Controls; 6 The vision mixer; The equipment; - The vision mixer; - Vision mixer layout; Visual effects; - Wipes and mixes; - Keying; 7 The engineering team; Vision engineering; - Monitor line-up; - Camera line-up; Levels of maintenance; - First level; - Second level; - Third level; 8 The floor manager team; Questions to be answered; Communication; Floor manager signals; 9 The scenery team; The scene dock; The props storeroom; Types of props; 10 The wardrobe team; Wardrobe problems; - People; Technical problems; - Exposure; - Colour; - Light; 11 The make-up team
- Corrective make-upArtistic make-up; The hairdresser; 12 A little paperwork; Conceptualization; Aims; Objectives; Target audience; The treatment; The storyboard; The script; Camera cards; 13 Single camera production; The acquisition stage; The editing stage; The post-production stage; Health and safety; - Indoors; - Outdoors; 14 The Director and PA on location; Pre-production; In production; Post-production; 15 Location lighting; Controlling daylight; What tools can be used?; Lighting safety; 16 The location camera team; What is the camera on?; Power!; Adjusting exposure; Colour balancing
- Shots at last!17 The location sound team; What do we need to record?; Sync sound; Buzz track; Microphones on location; Microphones in shot; Microphones out of shot; Wind noise; Automatic level control; 18 A little more paperwork; The difference between location and studio; The location; The recce; Insurance; Shooting script; Call sheets; Logs; Copyright; 19 Editing; Methods of editing; - Off line or on line?; The edit suite; Tape editing: the basics; What happens in an edit?; Two different types of edit; - How then are they different?; - Insert edit; - Assemble edit; Some edits
- More elaborate editing
