Color and mastering for digital cinema
Color and Mastering for Digital Cinema explores the implications for motion picture post production processes and changes required to the supporting equipment and software. While a new concept to the motion picture community, the selection of the wide gamut, output-referred XYZ color space for digit...
| Other Authors: | |
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| Format: | eBook |
| Language: | Inglés |
| Published: |
Burlington, Mass. :
Focal Press, an imprint of Elsevier
2007.
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| Edition: | 1st edition |
| Series: | Digital cinema industry handbook series.
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| Subjects: | |
| See on Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009626909106719 |
| Summary: | Color and Mastering for Digital Cinema explores the implications for motion picture post production processes and changes required to the supporting equipment and software. While a new concept to the motion picture community, the selection of the wide gamut, output-referred XYZ color space for digital cinema distribution is based on decades of color science and experience in other industries. The rationale for choosing XYZ and the other color encoding parameters is explained and the book also provides a full case study of the development of DLP Cinema® projectors by Texas Instruments. Finally, |
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| Item Description: | Description based upon print version of record. |
| Physical Description: | 1 online resource (203 p.) |
| Bibliography: | Includes bibliographical references and index. |
| ISBN: | 9781136033384 9781280707797 9786610707799 9780080465494 |
