Cinema against spectacle technique and ideology revisited
Jean-Louis Comolli’s six-part essay Technique and Ideology had a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spectacle o...
| Otros Autores: | , |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press
2015
[2015] |
| Edición: | 1st ed |
| Colección: | Film theory in media history.
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| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009439556906719 |
Tabla de Contenidos:
- Cinema against Spectacle
- Introduction
- Cinema against Spectacle
- I.Opening the Window?
- II.Inventing the Cinema?
- III.Filming the Disaster?
- IV.Cutting the Figure?
- V.Changing the Spectator?
- Technique and Ideology: Camera, Perspective, Depth of Field
- Introduction
- I.On a Dual Origin
- The ideological place of the "base apparatus"
- Birth = deferral: The invention of the cinema
- II.Depth of Field: The Double Scene
- Bazin's "surplus realism"
- The work of "transparency"
- For a materialist history of the cinema
- "For the first time..."
- III."Primitive" Depth of Field
- IV.Effacement of Depth/Advent of Speech
- V.Which Speech?.
