Cinema against spectacle technique and ideology revisited
Jean-Louis Comolli’s six-part essay Technique and Ideology had a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spectacle o...
| Otros Autores: | , |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press
2015
[2015] |
| Edición: | 1st ed |
| Colección: | Film theory in media history.
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| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009439556906719 |
| Sumario: | Jean-Louis Comolli’s six-part essay Technique and Ideology had a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spectacle over image production, makes the need for an 'emancipated, critical spectator' more pressing than ever. In this volume, Daniel Fairfax presents annotated translations of these two texts to provide an overview of Comolli’s activity as both a theorist and a filmmaker. |
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| Notas: | "Originally published as : Cinema, contre spectacle, Jean-Louis Comolli ;©Editions VERDIER, 2009". |
| Descripción Física: | 1 online resource (345 pages) : illustrations; digital, PDF file(s). Also available in print form |
| Bibliografía: | Includes bibliographical references, filmography and index. |
| ISBN: | 9789048519453 |
| Acceso: | Open access |
