Transatlantic arias : early opera in Spain and the new world

Transatlantic arias early opera in Spain and the new world

Through current theories of ideology, propaganda and musical reception, examines the development and impact of early opera in Spain and the Americas through close examination of the New World's first three extant operas: Tomás de Torrejón's Lima production of "La púrpura de la rosa&qu...

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Bibliographic Details
Other Authors: Gasta, Chad M. author (author)
Format: eBook
Language:Inglés
Published: Madrid, Spain ; Frankfurt am Main, Germany : Iberoamericana [2013]
Edition:1st ed
Series:Biblioteca Áurea Hispánica.
Subjects:
Opera > South America > 18th century.
Opera > Spain > 17th century.
Opera > Spain > 18th century.
Libros electrónicos.
See on Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009438093606719
Table of Contents:
  • Front matter
  • TABLE OF CONTENTS
  • ACKNOWLEDGEMENTS
  • INTRODUCTION. MANIPULATING THE MASSES? IDEOLOGY AND EARLY OPERA
  • CHAPTER ONE. A EUROPEAN INVENTION: THE GENESIS OF OPERA IN EUROPE
  • CHAPTER TWO. OPERA IN SPAIN AND THE NEW WORLD: TRANSATLANTIC OPERA AND ITS ORIGINS
  • CHAPTER THREE. OPERA IN THE CITY OF KINGS: TOMÁS DE TORREJÓN'S LA PÚRPURA DE LA ROSA
  • CHAPTER FOUR. SACRED ARIAS: INTERCULTURAL ENGAGEMENT AND MUSICAL CULTURE IN THE JESUIT MISSIONS OF SOUTH AMERICA
  • CONCLUSION. PAST FORWARD: THE LEGACY OF EARLY NEW WORLD OPERA
  • WORKS CITED
  • INDEX

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