Transatlantic arias early opera in Spain and the new world
Through current theories of ideology, propaganda and musical reception, examines the development and impact of early opera in Spain and the Americas through close examination of the New World's first three extant operas: Tomás de Torrejón's Lima production of "La púrpura de la rosa&qu...
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Madrid, Spain ; Frankfurt am Main, Germany :
Iberoamericana
[2013]
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| Edición: | 1st ed |
| Colección: | Biblioteca Áurea Hispánica.
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| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009438093606719 |
| Sumario: | Through current theories of ideology, propaganda and musical reception, examines the development and impact of early opera in Spain and the Americas through close examination of the New World's first three extant operas: Tomás de Torrejón's Lima production of "La púrpura de la rosa" (1701), Domenico Zipoli's Jesuit opera, "San Ignacio de Loyola" (ca. 1720), and a recently-discovered indigenous opera from the Jesuit missions, the anonymous "San Francisco Xavier" (ca. 1720-1740). |
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| Notas: | Includes index. |
| Descripción Física: | 1 online resource (270 páginas) |
| ISBN: | 9783954872275 |
