Transatlantic arias : early opera in Spain and the new world

Transatlantic arias early opera in Spain and the new world

Through current theories of ideology, propaganda and musical reception, examines the development and impact of early opera in Spain and the Americas through close examination of the New World's first three extant operas: Tomás de Torrejón's Lima production of "La púrpura de la rosa&qu...

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Bibliographic Details
Other Authors: Gasta, Chad M. author (author)
Format: eBook
Language:Inglés
Published: Madrid, Spain ; Frankfurt am Main, Germany : Iberoamericana [2013]
Edition:1st ed
Series:Biblioteca Áurea Hispánica.
Subjects:
Opera > South America > 18th century.
Opera > Spain > 17th century.
Opera > Spain > 18th century.
Libros electrónicos.
See on Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009438093606719
Description
Summary:Through current theories of ideology, propaganda and musical reception, examines the development and impact of early opera in Spain and the Americas through close examination of the New World's first three extant operas: Tomás de Torrejón's Lima production of "La púrpura de la rosa" (1701), Domenico Zipoli's Jesuit opera, "San Ignacio de Loyola" (ca. 1720), and a recently-discovered indigenous opera from the Jesuit missions, the anonymous "San Francisco Xavier" (ca. 1720-1740).
Item Description:Includes index.
Physical Description:1 online resource (270 páginas)
ISBN:9783954872275

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