Regards croisés sur les Afro-Américains Mélange en l'honneur de Michel Fabre

In a 1932 article for the journal Opportunity, Charles Hamlin Good acknowledged an earlier “golden age” of African American literature. At the height of the Harlem Renaissance, Good reminded his readers of the writing produced by ante-bellum New Orleans’s Creoles of color. He argued that these write...

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Bibliographic Details
Main Author: Bandry, Michel (-)
Other Authors: Benesch, Klaus, Berben-Masi, Jacqueline, Berrian, Brenda F., Binder, Wolfgang, Bordat, Francis, Casmier, Stephen, Charras, Françoise, Christol, Hélène, Clary, Françoise, Dantec-Lowry, Hélène Le, Donatien-Yssa, Patricia, Edwards, Brent Hayes, Emanuel, James A., Everett, Percival, Ferris, William, Julien, Claude, Kekeh-Dika, Andrée-Anne, Kom, Ambroise, Litwack, Leon F., Margolies, Edward, Martin, Florence, Ostendorf, Berndt, Portelli, Sandro, Raynaud, Claudine, Reed, Ishmael, Rowley, Hazel, Rubeo, Ugo, Sollors, Werner, Weiss, Mary Lynn, Williams, John A.
Format: Electronic
Language:Francés
Published: Tours : Presses universitaires François-Rabelais 2017.
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See on Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009432659506719
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Summary:In a 1932 article for the journal Opportunity, Charles Hamlin Good acknowledged an earlier “golden age” of African American literature. At the height of the Harlem Renaissance, Good reminded his readers of the writing produced by ante-bellum New Orleans’s Creoles of color. He argued that these writers “deserve more than passing notice for the work they did. In the dark ages of slavery their work foreshadowed the Negro cultural revival of today.” (Good, 79.)
Physical Description:1 online resource (358 p.)
ISBN:9782869064690