Farocki/Godard
This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker...
| Corporate Author: | |
|---|---|
| Other Authors: | , |
| Format: | eBook |
| Language: | Inglés |
| Published: |
Baltimore, Maryland :
Amsterdam University Press
2015
2019 |
| Edition: | 1st ed |
| Series: | Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ;
Bd. 25. Film culture in transition. |
| Subjects: | |
| See on Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009425471406719 |
| Summary: | This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory." |
|---|---|
| Item Description: | "Originally published as 'Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard', transcript Verlag, 2006"--Title page verso. |
| Physical Description: | 1 online resource (285 pages) : illustrations Also available in print form |
| Bibliography: | Includes bibliographical references (pages 263-275) and indexes. |
| ISBN: | 9789048527557 |
