Farocki/Godard

This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker...

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Detalles Bibliográficos
Autor Corporativo: Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie (-)
Otros Autores: Pantenburg, Volker, 1973- author (author), Turnbull, Michael, 1959- translator (translator)
Formato: Libro electrónico
Idioma:Inglés
Publicado: Baltimore, Maryland : Amsterdam University Press 2015
2019
Edición:1st ed
Colección:Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ; Bd. 25.
Film culture in transition.
Materias:
Ver en Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009425471406719
Descripción
Sumario:This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory."
Notas:"Originally published as 'Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard', transcript Verlag, 2006"--Title page verso.
Descripción Física:1 online resource (285 pages) : illustrations
Also available in print form
Bibliografía:Includes bibliographical references (pages 263-275) and indexes.
ISBN:9789048527557