Farocki/Godard
This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker...
| Autor Corporativo: | |
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| Otros Autores: | , |
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Baltimore, Maryland :
Amsterdam University Press
2015
2019 |
| Edición: | 1st ed |
| Colección: | Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ;
Bd. 25. Film culture in transition. |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009425471406719 |
Tabla de Contenidos:
- Introduction: Two Image Researchers
- 1. Le film qui pense: Image, Theory, Practice
- Film as a "Concrete Medium"
- Film Theories / Film as Theory
- Difference and Theory
- Montage and Cinematic Thinking
- 2. The Camera as Brush
- Film and Painting: Narrating with Images: Breathless
- Exploding the Museum: Pierrot le fou
- Arranging Things: Still Life
- Processing Images: Passion
- 3. Deviation as Norm
- Notes on the Essay Film
- 4. Cut
- Interlude in the Editing Room: What an Editing Room is: Interface
- Montage, toujours: JLG/JLG
- 5. Taking Pictures
- Photography and Film: Displacing: The Carabineers
- Rendering: Before Your Eyes Vietnam
- Surveying: Images of the World and The Inscription of War
- 6. Two or Three Ways of Speaking with the Hands: Asking Oneself: La Chinoise / Vent d'est
- Offering Oneself: Nouvelle vague
- Wxpressing Oneself: Georg K. Glaser / The Expression of Hands
- Conclusion.
