Post-cinema : Cinema in the Post-art Era

Post-cinema Cinema in the Post-art Era

Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent this novation represents a unitary current or multiple ways. The book proposes to integrate the post-cinema question within the post-art question in order t...

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Detalles Bibliográficos
Otros Autores: Andrea, Pinotti, contribtor (contribtor), André, Gaudreault, contribtor (editor), Oever, Annie van den, 1957- contribtor, Chateau, Dominique, editor, Christophe, Génin, contribtor, Christophe, Viart, contribtor, Céline, Scemama, contribtor, Dominique, Chateau, contribtor, Dudley, Andrew, contribtor, Eugénie, Zvonkine, contribtor, Francesco, Casetti, contribtor, Jost, François, 1949-, contribtor, Gabriela, Rivadeneira Crespo, contribtor, Giovanna, Fossati, contribtor, Gérard, Courant, contribtor, José, Moure, contribtor, Malte, Hagener, contribtor, Miriam, De Rosa, contribtor, Moure, José, editor, Philippe, Marion, contribtor, Richard, Conte, contribtor, Victor, Burgin, contribtor, Wang, Bing, contribtor
Formato: Libro electrónico
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press [2020]
Edición:1st ed
Colección:The Key Debates: Mutations and Appropriations in European Film Studies
Materias:
PERFORMING ARTS / Film & Video / Direction & Production.
film, contemporary art, media, aesthetics, dispositif.
Ver en Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009424820506719
Descripción
Sumario:Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent this novation represents a unitary current or multiple ways. The book proposes to integrate the post-cinema question within the post-art question in order to study the new way of making filmic images in new conditions more or less remote from the dispositif of the theater and in closer relationship with contemporary art. The issue will be considered at three levels: the impression of post-art on "regular" films ; the "relocation" (Cassetti) of the same films that can be seen using devices of all kinds, in conditions more or less remote from the dispositif of the theater ; parallel to the integration of contemporary art in "regular" cinema, the integration of cinema into contemporary art in all kinds of forms of creation and exhibition.
Descripción Física:1 online resource (376 p.)

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