Ballads

Originally published by eth co-director David Hadbawnik’s habenicht press in 2012, Ballads uses the lyric form to explore the effects of global Capitalism from a sharp Marxist perspective. Recognizing the congruence between folk song circulation and the circulation of money, the “currency” of the ba...

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Bibliographic Details
Other Authors: Owens, Richard, 1973- author (author)
Format: eBook
Language:Inglés
Published: Brooklyn, NY punctum books 2015
Buffalo, NY : 2015.
Edition:Second edition
Subjects:
See on Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009421036606719
Description
Summary:Originally published by eth co-director David Hadbawnik’s habenicht press in 2012, Ballads uses the lyric form to explore the effects of global Capitalism from a sharp Marxist perspective. Recognizing the congruence between folk song circulation and the circulation of money, the “currency” of the ballad alongside supply-side economics, Owens hails Wordsworth’s Lyric Ballads experiment (undertaken at the dawn of England’s Industrial Age) as one touchstone. But he also understands the built-in obsolescence of the form, its tendency to hearken back to imaginary origins. “[E]veryone has an idea they know what a ballad is,” Owens writes in his “Working Notes.” “It’s this degraded thing shot through with a sense of pastness, cultural infancy and a charming but sometimes dangerous rusticity that needs to be carefully framed and reined.” Thus Owens’ Ballads playfully engages with language, figures, and forms from medieval and early modern England, with nods to the caesura-based, alliterative line, and Barbara Allan, Thomas the Rhymer, and Piers Plowman making appearances in the book’s brief lyrics.
Item Description:First edition published by habenicht press, 2012 --title-page verso.
Physical Description:1 online resource (viii, 132 pages) : illustrations; PDF, digital file(s)
Also available in print form
ISBN:9780615983936
Access:Open access