Enlace del recurso

Tabla de Contenidos: “…Conté volum 7: Banca dell’Occhio (Emilio Ambasz), p. 54; Saint Edward’s University (Alejandro Aravena), p. 64; Lusatian lakeland landmark (Architektur & landschaft), p. 70; The Yas hotel (Asymtote), p. 76; Sano clinic therapy square (Atelier-Den / Inahara Archi-lab), p. 82; UPENN weave bridge (Cecil Balmond), p. 88; Kielder observatory (Charles Barclay), p. 92; Marcus prize pavilion (Barkow leibinger architects), p. 98; Nordwesthaus (Baumschlager Eberle), p. 102; The Mountaing (BIG), p. 108; Former Arsenale La Maddalena ( Stefano Boeri), p. 116; Three Box House / Hanil Cement Information Center and Guesthouse ( Byoung-soo Cho), p. 122; Liège-Guillemins TGV Station ( Santiago Calatrava), p. 132; The Chronicles of Time (Giacomo Costa), p. 140; Underground (Rand Elliott), p. 146; Bubbletecture H (Shuhei Endo), p. 152; Bahnhof Pionen (Albert France-Lanord), p. 158; Eden Bio ( Edouard François), p. 164; Roof House (Terunobu Fujimori), p. 170; House H ( Sou Fujimoto), p. 176; Towards Paradise ( Gustafson Porter +Gustafson Guthrie Nichol), p. 182; Burnham Pavilion, JS Bach / Zaha Hadid Architects Music Hall (Zaha Hadid), p. 190; Munch Area (Herreros Arquitectos), p. 198; VitraHaus (Herzog &De Meuron), p. 202; Artfarm (HHF), p. 210; HEART: Hearning Museum of Contemporary Art, Knut Hamsun Center (Steven Holl), p. 216; Guangzhou TV and Sightseeing Tower (Information Based Architecture), p. 228; Princess Elisabeth Antarctica (International Polar Foundation), p. 232; Island House (Iroje KHM Architects), p. 244; Green houses (Junya Ishigami), p. 244; ZA-Koenji Public Theater (Toyo Ito), p. 250; The High Line (James Corner Field Operations/Diller Scofidio + Renfro), p. 256; Juvet Landscape Hotel (Jensen & Skodvin Architects), p. 262; Diaphanous Space (Kalhöfer-Korschildgen), p. 268; Church of the Holy Cross, Fiberline Factory ( KHR), p. 274; Top of Tyrol Mountain Platform (LAAC), p. 284; Hotel Aire en Bardenas (Emiliano López Mónica Rivera), p. 290; Blobwall and Toy Furniture (Greg Lynn Form), p. 296; Villa Chardonne (Made in Sàrl), p. 302; Delegation of the Ismaili Imamat (Fumihiko Maki), p. 308; 41 Cooper Square (Morphosis), p. 314; Gateway Art Tower (Eric Own Moss), p. 320; Walls in the Landscape (Susanne Nobis), p. 324; The Beacon of Amsterdam, The Ladies of the Lake (NOX), p. 330; Naoshima Public Baths (Shinro Ohtake), p. 338; Prada Transformer, CCTV Television Station and Headquarters (OMA*AMO/Rem Koolhaas), p. 344; La Olmeda Roman Villa (Paredes Pedrosa Arquitectos), p. 358; EWHA Womans University (Dominique Perrault), p. 364; Emilio and Annavianca Vedova Foundation (Renzo Piano), p. 372; Flowing Gardens (Plasma Studio), p. 378; Villa Navarra (Rudy Ricciotti), p. 384; Alexandra Heritage Center, Mapungubwe Interpretation Center (Peter Rich), p. 390; RDF181 (Rotor), p. 400; Miyajima Office (Hiroshi Sambuichi), p. 406; Serpentine Pavilion, Rolex Learning Center (Sanaa/Kazuyo Sejima + Ryue Nishizawa), p. 412; Termas Geométricas Hot Springs Complex, Villarrica National Park (Germán del Sol), p. 426; Burj Khalifa (Skidmore, Owings & Merrill), p. 432; Frog Queen (Splitterwerk), p. 438; Izu Photo Museum ( Hiroshi Sugimoto), p. 444; Kiltro House (Supersudaka), p. 450; Tenchi House ( Masaharu Takasaki), p. 456; Swarovski Ginza, Waterfall (Yoshioka Tokujin), p. 462; Production Facilities for Les Ballets C de la B and LOD (de Vylder Vinck Taillieu), p. 470.…”

“…Contributors: Christina Horvath (University of Bath), Maria Roca Lizarazu (NUI Galway), Emilio Maceda Rodriguez (Universidad Autónoma de Tlaxcala), Naomi Wells (IMLR, University of London), Anne Fuchs (University College Dublin), Gad Schaffer (Tel-Hai Academic College), Daniela Bohórquez Sheinin (University of Michigan), Anna Marta Marini (Universidad de Alcalá), Godela Weiss-Sussex (IMLR, University of London), Britta C. …”