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Tabla de Contenidos: “…Austell, Cornwall, England, 1996-2001 / Nicholas Grimshaw - Steel House, Mooball, New South Wales, Australia, 1996-97 / Grose Bradley - Contemporary Arts Center, Cincinnati, Ohio, United States, 1998-2001 / Zaha Hadid - JR Kyoto Railway Station, Kyoto, Japan, 1991-97 / Hiroshi Hara - Miyagi Prefectural Library, Sendai, Miyagi, Japan, 1993-98 / Hiroshi Hara - Niigata Performing Arts Center, Niigata City, Niigata, Japan, 1993-98 / Itsuko Hasegawa - Studio Remy Zaugg, Mulhouse, France, 1995-96 / Herzog & de Meuron - Dominus Winery, Yountville, Napa Valley, California, United States, 1995-98 / Herzog & de Meuron - Tate Gallery of Modern Art, London, England, 1995-99 / Herzog & de Meuron - Pharmacy Restaurant, London, England, 1997-98 / Damien Hirst and Mike Rundell - Kiasma Museum of Contemporary Art, Helsinki, Finland, 1993-98 / Steven Holl - Haishi 'Mirage City', Zhuhai City, Hengqin Island, China, 1996-97 / Arata Isozaki - Nara Centennial Hall, Nara, Japan, 1992-98 / Arata Isozaki - Shizuoka Convention and Arts Center 'Granship', Shizuoka, Japan, 1993-98 / Arata Isozaki - Odate Jukai Dome Park, Odate, Japan, 1995-97 / Toyo Ito - Nagaoka Lyric Hall, Nagaoka, Niigata, Japan, 1993-96 / Toyo Ito - Ota-ku resort complex, Shouken District, Nagano, Japan, 1995-98 / Toyo Ito - Type/Variant house, Northern Wisconsin, United States, 1994-97 / Vincent James - House, Higashi-Osaka, Osaka, Japan, 1995-97 / Waro Kishi - Rodin Pavilion, Seoul, South Korea, 1995-97 / Kohn Pedersen Fox - Educatorium, University of Utrecht, The Netherlands, 1995-97 / Rem Koolhaas - Noh Stage in the Forest, Toyama City, Toyama, Japan, 1996 / Kengo Kuma - Felix Nussbaum Museum, Osnabruck, Germany, 1996-98 / Daniel Libeskind - Jewish Museum, Berlin, Germany, 1989-99 / Daniel Libeskind - Kaze-no-Oka crematorium, Nakatsu, Oita, Japan, 1995-97 / Fumihiko Maki - Makuhari Messe phase II, Nakase, Chiba, Japan, 1996-97 / Fumihiko Maki - Central Library, Delft Technical University, Delft, The Netherlands, 1993-98 / Mecanoo - Church of the Year 2000, Rome, Italy, 1996-2000 / Richard Meier - Issey Miyake Pleats Please Boutique, New York, New York, United States, 1998 / Toshiko Mori and Gwenael Nicolas - Private residence, Mount Wilson, New South Wales, Australia, 1989-94 / Glenn Murcutt - Villa VPRO, Hilversum, The Netherlands, 1993-97 / MVRDV - Stade de France, Saint-Denis, France, 1994-97 / MZRC - Lucerne Culture andh Congress Center, Lucerne, Switzerland, 1992-99 / Jean Nouvel - Water Pavilion H2O Expo, Neeltje Jans, The Netherlands, 1994-97 / NOX - V2_Media Lab, Rotterdam, The Netherlands, 1998 / NOX - Jean-Marie Tjibaou Cultural Center, Noumea, New Caledonia, 1992-98 / Renzo Piano - Debis Tower, Berlin, Germany, 1993-99 / Renzo Piano - Law Courts, Bordeaux, France, 1993-98 / Richard Rogers - Baumschulenweg Crematorium, Berlin, Germany, 1992-98 / Axel Schultes and Charlotte Frank - ZKM Center for Art and Media Technology, Karlsruhe, Germany, 1993-97 / Schweger+Partner - Museum of Islamic Arts, Doha, Qatar, 1997 (project) / SITE - Church and Parish Center, Marco de Canavezes, Portugal, 1990-96 / Alvaro Siza - Vieira de Castro House, Famalicao, Portugal, 1984-98 / Alvaro Siza - Portuguese Pavilion Expo '98, Lisbon, Portugal, 1996-98 / Alvaro Siza - Experimental housing, Freiburg, Germany, 1996-97 / Thomas Spiegelhalter - National School of Decorative Arts, Paris, France, 1995-98 / Philippe Starck and Luc Arsene-Henry - Shoji Ueda Museum of Photography, Kishimoto, Tottori, Japan, 1993-95 / Shin Takamatsu - Meteor Plaza, Mihonoseki, Shimane, Japan, 1994-95 / Shin Takamatsu - Worship Hall Seirei, Kawanishi, Hyogo, Japan, 1996-98 / Shin Takamatsu - Televisa Services Building, Mexico City, Mexico, 1993-95 / Ten Arquitectos - Mura-no Terrace, Ibi-Gun, Gifu, Japan, 1994-95 / Makoto Sei Watanabe - K-Museum, Tokyo, Japan, 1995-96 / Makoto Sei Watanabe - National Diet Building, New Capital, Japan, 1996 (project) / Makoto Sei Watanabe - New York City House, New York, New York, United States, 1995-97 / Williams and Tsien - Gana Art Center, Seoul, South Korea, 1996-98 / Jean-Michel Wilmotte - Guthrie Pavilion, Shah Alam, Selangor, Malaysia, 1995-98 / Ken Yeang - Nagoya Expo 2005 Tower, Seto, Nagoya, Japan, 1997 (project) - Prospecta '92 Toyama Observatory Tower, Kosugi, Toyama, Japan, 1990-92 / Shoei Yoh - Glass station, Oguni, Kumamoto, Japan, 1991-93 / Shoei Yoh - Kanada Children Training House, Kanada, Fukuoka, Japan, 1992-94 / Shoei Yoh…”

Tabla de Contenidos: “…-- Recalling dad's words -- Creating my definition of success -- You are different ; I am different -- The hard part is still ahead -- Ten national championships -- Finding the answers : the pyramid -- Building the pyramid took years -- Building a solid foundation for success -- The first cornerstone : industriousness -- The other cornerstone : enthusiasm -- Between the cornerstones : the foundation -- Building on the solid foundation : self-control, alertness, initiative, and intentness -- Three more strong blocks : condition, skill, and team spirit -- Nearing the peak : poise and confidence -- Competitive greatness -- The mortar : patience and faith -- The apex : success -- The pyramid and the players -- Mr. …”

Tabla de Contenidos: “…Erfahrungen aus der Praxis -- Tomke S. GerdesMachtvolle Räume Räume für Inklusion und Teilhabe am Arbeitsmarkt,reflektiert vor dem Hintergrund sozialer Ungleichheitslagen -- Jana York und Jan JochmaringMöglichkeitsräume eines digitalisierten Arbeits- und Gesundheitsschutzesin der Werkstatt für behinderte Menschen -- Katrin Schrooten, Tristan Gruschka und Imke NiediekRaum für Teilhabe Verstehen, Verhandeln und Aneignen des Raumesbei sogenannter geistiger Behinderung -- Muriel SchillingZwischenmenschliche Beziehungen von Bewohner*innengemeinschaftlicher Wohnformen in Zeiten von Corona -- Susanne Leitner"Warum muss mein Kind hin?" …”

Tabla de Contenidos: “…Cover -- Title page -- Copyright page -- Contents -- List of Contributors -- About the Authors -- Chapter 1 - Introduction -- Chapter 2 - Past Natech Events -- 2.1 - Characteristics of Natech events -- 2.2 - Kocaeli Earthquake, 1999, Turkey -- 2.2.1 - Fires at a Refinery in Izmit Bay -- 2.2.1.1 - Accident Sequence and Emergency Response -- 2.2.1.2 - Consequences -- 2.2.1.3 - Lessons Learned -- 2.2.2 - Hazardous-Materials Releases at an Acrylic Fiber Plant -- 2.2.2.1 - Accident Sequence and Emergency Response -- 2.2.2.2 - Consequences -- 2.2.2.3 - Lessons Learned -- 2.3 - Tohoku Earthquake and Tsunami, 2011, Japan -- 2.3.1 - Fires and Explosions at an LPG Storage Tank Farm in ­Tokyo Bay -- 2.3.1.1 - Accident Sequence and Emergency Response -- 2.3.1.2 - Consequences -- 2.3.1.3 - Lessons Learned -- 2.3.2 - Fires at a Refinery in the Sendai Port Area -- 2.3.2.1 - Accident Sequence and Emergency Response -- 2.3.2.2 - Consequences -- 2.3.2.3 - Lessons Learned -- 2.4 - San Jacinto River Flood, 1994, United States -- 2.4.1 - Accident Sequence and Emergency Response -- 2.4.2 - Consequences -- 2.4.3 - Lessons Learned -- 2.5 - Hurricanes Katrina and Rita, 2005, United States -- 2.5.1 - Accident Sequence and Emergency Response -- 2.5.2 - Consequences -- 2.5.3 - Lessons Learned -- 2.6 - Milford Haven Thunderstorm, 1994, United Kingdom -- 2.6.1 - Accident Sequence and Emergency Response -- 2.6.2 - Consequences -- 2.6.3 - Lessons Learned -- References -- Chapter 3 - Lessons Learned From Natech Events -- 3.1 - Data sources and quality -- 3.2 - General Lessons Learned -- 3.3 - Earthquakes -- 3.4 - Tsunami -- 3.5 - Floods -- 3.6 - Storms -- 3.7 - Lightning -- 3.8 - Others -- 3.8.1 - Extreme Temperatures -- 3.8.2 - Volcanoes -- References -- Chapter 4 - Status of Natech Risk Management -- 4.1 - Regulatory Frameworks -- 4.1.1 - European Union…”

“…Published by the Japan-Netherlands Institute, Tokyo 2004 (original ISBN 4930921066)…”

Sumario de la publicación

“…The indigenous musicians of the neighboring Indian towns -- the "singing Indians" -- took center stage in urban musical activity by being transferred from the Jesuit reductions and Indian towns in charge of secular and Franciscan priests to Asunción for parties and celebrations, promoting the circulation of goods, knowledge and practices. …”
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