“…In The Icon and the Square, Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the radical, leftist, and revolutionary avant-garde at the turn of the twentieth century through a shared interest in the Byzantine past, offering a counternarrative to prevailing notions of Russian modernism.Focusing on the works of four different artists-Mikhail Vrubel, Vasily Kandinsky, Kazimir Malevich, and Vladimir Tatlin-Taroutina shows how engagement with medieval pictorial traditions drove each artist to transform his own practice, pushing beyond the established boundaries of his respective artistic and intellectual milieu. …”

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Tabla de Contenidos: “…The location of the site painted is unknown, but it is known that De Vlieger spent most of his -- Foreword -- Referring to Huizinga -- 1. Writing History in Times of Loss: A New Johan Huizinga -- Repetitions called Huizinga -- Huizinga's moral sympathies -- Huizinga's academic training and intellectual perspective -- Method and material -- Method -- Material -- Structure -- 2 'The Tyranny of the Present' -- A modern city and its ruins -- Burckhardt's uomo singolare -- Huizinga's medieval homo ludens -- Autumntide of the Middle Ages (1919) -- Interlude: Van Eyck's mirror -- The Problem of the Renaissance (1920) -- Conclusion -- 3 An Irretrievably Lost Past -- Ypres and the 'irreparable' disappearance of the past -- Lamprecht's laws -- Two perspectives on a church -- Huizinga's opposition to Lamprecht's Methode after 1919 -- Conclusion…”

Tabla de Contenidos: “…Dismal: Little Britain, Smithfields, Saint Paul's Cathedral -- E. Exteriors: Golden Square, Portland Place, Bryanston Square -- F. Faded Gentility: Camden Town -- G. …”

Tabla de Contenidos: “…Picturing Fawcett: Millicent Fawcett's Lecture at the Unitarian Church, Glasgow, 1875 -- 9. Reporting Fawcett: The Women of Modern Fiction Lectures, 1874 -- 10. …”

Tabla de Contenidos: “…Picturing Fawcett: Millicent Fawcett's Lecture at the Unitarian Church, Glasgow, 1875 -- 9. Reporting Fawcett: The Women of Modern Fiction Lectures, 1874 -- 10. …”

Tabla de Contenidos: “…Conté: Emilio Ambasz: Banca dell'Occhio, Venice-Mestre, Italy; Emilio Ambasz: Ospedale dell'Angelo, Venice-Mestre, Italy; Alejandro Aravena: Saint Edward's University, Residence and Dining Hall, Austin, Texas, USA; Architektur & Landschaft: Lusatian Lakeland Landmark, Senftenberg, Germany; Asymptote: The Yas Hotel, Abu Dhabi, UAE; Atelier-Den / Inahara Archi-Lab: Sano Clinic Therapy Square, Fujinomiya, Shizuoka, Japan; Cecil Balmond: UPENN Weave Bridge, Philadelphia, Pennsylvania, USA; Charles Barclay: Kielder Observatory, Kielder, Northumberland, UK; Barkow Leibinger Architects: Marcus Prize Pavilion, Menomonee Valley, Milwaukee, Wisconsin, USA; Baumschlager Eberle: Nordwesthaus, Fussach, Vorarlberg, Austria; Big: The Mountain, Copenhagen, Denmark; Stefano Boeri: Former Arsenale La Maddalena, House of the Sea, La Maddalena, Sardinia, Italy; Byoung-Soo Cho: Three Box House, Paju, Gyeonggi-do, South Korea; Byoung-Soo Cho: Hanil Cement Information Center and Guesthouse, Pyeongdong-ri, Danyang-gun, South Korea; Santiago Calatrava: Liège-Guillemins TGV Station, Liège, Belgium; Giacomo Costa: The Chronicles of Time…”

Tabla de Contenidos: “…Conté volum 7: Banca dell’Occhio (Emilio Ambasz), p. 54; Saint Edward’s University (Alejandro Aravena), p. 64; Lusatian lakeland landmark (Architektur & landschaft), p. 70; The Yas hotel (Asymtote), p. 76; Sano clinic therapy square (Atelier-Den / Inahara Archi-lab), p. 82; UPENN weave bridge (Cecil Balmond), p. 88; Kielder observatory (Charles Barclay), p. 92; Marcus prize pavilion (Barkow leibinger architects), p. 98; Nordwesthaus (Baumschlager Eberle), p. 102; The Mountaing (BIG), p. 108; Former Arsenale La Maddalena ( Stefano Boeri), p. 116; Three Box House / Hanil Cement Information Center and Guesthouse ( Byoung-soo Cho), p. 122; Liège-Guillemins TGV Station ( Santiago Calatrava), p. 132; The Chronicles of Time (Giacomo Costa), p. 140; Underground (Rand Elliott), p. 146; Bubbletecture H (Shuhei Endo), p. 152; Bahnhof Pionen (Albert France-Lanord), p. 158; Eden Bio ( Edouard François), p. 164; Roof House (Terunobu Fujimori), p. 170; House H ( Sou Fujimoto), p. 176; Towards Paradise ( Gustafson Porter +Gustafson Guthrie Nichol), p. 182; Burnham Pavilion, JS Bach / Zaha Hadid Architects Music Hall (Zaha Hadid), p. 190; Munch Area (Herreros Arquitectos), p. 198; VitraHaus (Herzog &De Meuron), p. 202; Artfarm (HHF), p. 210; HEART: Hearning Museum of Contemporary Art, Knut Hamsun Center (Steven Holl), p. 216; Guangzhou TV and Sightseeing Tower (Information Based Architecture), p. 228; Princess Elisabeth Antarctica (International Polar Foundation), p. 232; Island House (Iroje KHM Architects), p. 244; Green houses (Junya Ishigami), p. 244; ZA-Koenji Public Theater (Toyo Ito), p. 250; The High Line (James Corner Field Operations/Diller Scofidio + Renfro), p. 256; Juvet Landscape Hotel (Jensen & Skodvin Architects), p. 262; Diaphanous Space (Kalhöfer-Korschildgen), p. 268; Church of the Holy Cross, Fiberline Factory ( KHR), p. 274; Top of Tyrol Mountain Platform (LAAC), p. 284; Hotel Aire en Bardenas (Emiliano López Mónica Rivera), p. 290; Blobwall and Toy Furniture (Greg Lynn Form), p. 296; Villa Chardonne (Made in Sàrl), p. 302; Delegation of the Ismaili Imamat (Fumihiko Maki), p. 308; 41 Cooper Square (Morphosis), p. 314; Gateway Art Tower (Eric Own Moss), p. 320; Walls in the Landscape (Susanne Nobis), p. 324; The Beacon of Amsterdam, The Ladies of the Lake (NOX), p. 330; Naoshima Public Baths (Shinro Ohtake), p. 338; Prada Transformer, CCTV Television Station and Headquarters (OMA*AMO/Rem Koolhaas), p. 344; La Olmeda Roman Villa (Paredes Pedrosa Arquitectos), p. 358; EWHA Womans University (Dominique Perrault), p. 364; Emilio and Annavianca Vedova Foundation (Renzo Piano), p. 372; Flowing Gardens (Plasma Studio), p. 378; Villa Navarra (Rudy Ricciotti), p. 384; Alexandra Heritage Center, Mapungubwe Interpretation Center (Peter Rich), p. 390; RDF181 (Rotor), p. 400; Miyajima Office (Hiroshi Sambuichi), p. 406; Serpentine Pavilion, Rolex Learning Center (Sanaa/Kazuyo Sejima + Ryue Nishizawa), p. 412; Termas Geométricas Hot Springs Complex, Villarrica National Park (Germán del Sol), p. 426; Burj Khalifa (Skidmore, Owings & Merrill), p. 432; Frog Queen (Splitterwerk), p. 438; Izu Photo Museum ( Hiroshi Sugimoto), p. 444; Kiltro House (Supersudaka), p. 450; Tenchi House ( Masaharu Takasaki), p. 456; Swarovski Ginza, Waterfall (Yoshioka Tokujin), p. 462; Production Facilities for Les Ballets C de la B and LOD (de Vylder Vinck Taillieu), p. 470.…”

Tabla de Contenidos: “…Rodrigues & R.T. Coelho -- A least square estimator for spin-spin relaxation time in Magnetic Resonance imaging / F. …”