“…There, within a few square blocks, Nick Denton's merry band of nihilists at his growing Gawker empire and Jonah Peretti's sunnier crew at HuffPost and Buzzfeed were building the foundations of click-bait media. …”

Tabla de Contenidos: “…Dyrenforth -- Crew as a work engagement intervention / Michael Leiter -- Participative climate as a key for creating healthy workplaces / Keiko Seki Sakakibara, Hirono Ishikawa, Yoshihiko Yamazaki -- Leadership interventions -- Transformational leadership training for managersá : effects on employee well-being / Kevin Kelloway & Meghan Donohoe -- How positive psychology and appreciative inquiry can help leaders create healthy workplaces / Sarah Lewis --…”
Enlace del recurso

Tabla de Contenidos: “…CHAPTER 6: PLANNING THE SHOOTCrew Size; Crew Responsibilities; Locations; Permits and Location Agreements; Location Aesthetics and Meaning; Equipment; Lighting Considerations; Sound Recording Preparation; Insurance; Crew and Communication; The Call Sheet; Scheduling; Budgeting; The Budget Topsheet; The Detail Budget; Budgeting for a Low-Budget Documentary; Cost Reports: Knowing Where You Are; Conclusion; CHAPTER 7: ORGANIZING CINEMATIC TIME AND SPACE; The Visual Language of Documentary; Shots, Sequences, and Scenes; The Frame and Composition; Dimensions of the Frame…”

Tabla de Contenidos: “…Cover; Practical Cinematography; Copyright; Contents; Preface; About the author; Acknowledgements; Introduction; Part One People; 1 The Director of Photography - an overview; The DP's responsibilities; 2 The DP's preparation; Research; Preparing for a shoot; 3 The camera crew; An overview; The trainee; The clapper loader (AC2 or 2nd AC); The focus puller (AC1 or 1st AC); The camera operator; The Director of Photography; The grip or dolly grip; The gaffer; Crew protocol; Part Two The Technology; 4 The motion picture camera; The persistence of vision; Frame rates; The intermittent mechanism…”

Tabla de Contenidos: “…Chapter 3: Smart Sourcing: Hire the Best-Outsource the RestThe Hidden Costs of Full-Time Staff; Insource Customer Relationships; Competing on Knowledge; Managing the Experts for Accountable Results; Notes; Chapter 4: Give Your Crew Preflight Checklists; Automated Workflows; Set It and Forget It; Notes; Chapter 5: How to Build a Service Brand (It's Not About You); Hiring the Right People; Empowering People to Help; Embracing Disruption; Anticipating and Closing the Customer's Loops; Sweating the Small Stuff; Notes; Chapter 6: Break the Service Ceiling with Systematic Customization…”

Tabla de Contenidos: “…The Production PlanProduction Plan Overview; List of Assumptions; Getting Started: The Production Plan; Delivery Date; The Schedule; Project's Format, Length, and Technique; Complexity Analysis; The Crew Plan; The Level of Talent; The Role of Key Personnel; Creative Checkpoints; Buyer's Responsibilities; Marketing, Licensing, and Promotions; Payment Schedule; The Physical Production Plan; Training; Relocation Costs; Reference and Research Material; Archival Elements; Contingency; Building the Budget; Chart of Accounts; Cost Reports; 7. …”

Tabla de Contenidos: “…Cover; Producing 24p Video; Copyright; Dedication; Contents; Acknowledgements; Introduction; The 24p Revolution; The Book's Audience; Book Features; Before You Begin; Film, Video, and 24p; Film, Video, and 24p; Film; Video; 24p; Digital Video Formats; The End of Tape Acquisition; 24p Preproduction; Preproduction; Business Activities; Get a Crew; Casting; Storyboarding and Previsualization; Production Design; Rehearsals; Acquiring Equipment; 24p Cinematography; 24p and Cinematography; The Purpose of the Shot; Focus; Focal Length; Movement; Shot Sizes; Camera Craft; Documentary Cinematography…”

“…En el TCCEM s’observa un resultat superior en l’ansietat-tret i en les capacitats d’observar i actuar del mindfulness.Conclusions: El TCCEM ha esdevingut una intervenció eficaç per al tractament dels trastorns de l’estat d’ànim i de l’ansietat similar al TCC en les variables clíniques i adaptatives, mostrant millors resultats que el grup control en l’ansietat tret i en la capacitat d’observar i actuar amb consciència…”
Accés lliure

Tabla de Contenidos: “…About the Editor -- Preface to "Agricultural Structures and Mechanization" -- A Novel Semiautomatic Flesh Peeling and Seed Removing Mechanism for Dried Longan -- Longitudinal Axial Flow Rice Thresher Performance Optimization Using the Taguchi Technique -- Deviation Tolerance Performance Evaluation and Experiment of Picking End Effector for Famous Tea -- Structural Optimization and Performance Evaluation of Blocking Wheel-Type Screw Fertilizer Distributor -- Design, DEM Simulation, and Field Experiments of a Novel Precision Seeder for Dry Direct-Seeded Rice with Film Mulching -- Applications of Discrete Element Method in the Research of Agricultural Machinery: A Review -- of Mechanical and Intelligent Robotic Weed Control Methods on Energy Efficiency and Environment in Organic Sugar Beet Production -- Research Progress and Development of Mechanized Potato Planters: A Review -- Design and Experiment of Row-Controlled Fertilizing-Weeding Machine for Rice Cultivation -- Evaluation of the Effect of Different Hand-Held Sprayer Types on a Greenhouse Pepper Crop -- Equipment Performance, Costs and Constraints of Packaging and Transporting Rice Straw for Alternative Uses to Burning in the "Parc Natural l'Albufera de Valencia" (Spain) -- Current Knowledge and Future Directions for Improving Subsoiling Quality and Reducing Energy Consumption in Conservation Fields -- Development of Thermal Performance Metrics for Direct Gas-Fired Circulating Heaters -- Design and Experimental Research on Soil Covering Device with Linkage and Differential Adjustment of Potato Planter -- An Investigation of Pull-Out Force of Semi-Buried Lotus Roots after Hydraulic Scouring -- Experimental Evaluation of Rootstock Clamping Device for Inclined Inserted Grafting of Melons -- Study on the Distribution Pattern of Threshed Mixture by Drum-Shape Bar-Tooth Longitudinal Axial Flow Threshing and Separating Device -- Coupled Bionic Design Based on Primnoa Mouthpart to Improve the Performance of a Straw Returning Machine -- Optimization of the Process Parameters of an Air-Screen Cleaning System for Frozen Corn Based on the Response Surface Method -- Optimization of Structure Parameters of the Grouser Shoes for Adhesion Reduction under Black Soil -- Effect of Planting Distance on the Mechanical Harvesting of Hot Pepper -- Research on Loading Method of Tractor PTO Based on Dynamic Load Spectrum -- Optimization and Experiment of Straw Back-Throwing Device of No-Tillage Drill Using Multi-Objective QPSO Algorithm -- An Octopus-Inspired Bionic Flexible Gripper for Apple Grasping -- Dainius Steponaviˇcius, Kęstutis Romaneckas and Algirdas Jasinskas -- Variable Rate Seeding in Precision Agriculture: Recent Advances and Future Perspectives…”

Tabla de Contenidos: “…Introduction, p.7; Aino Aalto, p.14; Rand Abdul Jabbar, p.15; Susi Aczel, p.16; Lindsey Adelman, p.17; Lani Adeoye, p.18; Ruth Adler Schnee, p.19; Anni Albers, p.20; Kawther Alsaffar, p.21; Jeannette Altherr, p.22; Karin Schou Andersen, p.23; Joyce Anderson, p.24; Carina Seth Andersson, p.25; Wendy Andreu, p.26; Antonia Astori, p.37; Jane Atfield, p.38; Gae Aulenti, p.29; Tamoko Azumi, p.30; Cleo Baldon, p.31; Lucia Bartolini, p.32; Stephanie Beamer, Crystal Ellis & Hillary Petrie, p.33; Dorothee Becker, p.34; Liisi Beckmann, p.35; Martine Bedin, p.36; Vivian Beer, p.37; Mercedes “Ched” Berenguer-Topacio, p. 38; Otti Berger, p.39; Susi Berger, p.40; Laelie Berzon & Lisa Vincitorio, p. 42; Nikita Bhate, p.43; Ilaria Bianchi, p. 44; Ayse Birsel, p.45; Aída Boal, p.47; Lina Bo Bardi, p.48; Cini Boeri, p.50; Hedwing Bollhagen, p.51; Marianne Brandt, p.52; Bec Brittain, p.53; Gegia Bronzini, p.54; Barbara Brown, p.55; Maria Bruun , p.56; Rachel Bullock & Molly Purnell, p.57; Marie Burgos, p.58; Louise Campbell, p.58; Gloria Caranica, p.60; Etel Carmona, p.61; Maddalena Casadei, p. 62; Anna Castelli Ferrieri, p.63; Carol Catalano, p.64 Jungyou Choi, p.65; Maria Chomentowska, p.66; Karen Clemmensen, p.67; Muriel Coleman, p.68; Kim Colin, p.69; Janete Costa, p.70; Matali Crasset, p.71; Ilse Crawford, p.72; Gabriella Crespi, p. 74; Raffaella Crespi, p.75; Veronica Dagnert & Helena Jonasson, p.76; Lucienne Day, p.77; Nada Debs, p.78; Qiyun Deng, p.79; Marie Dessuant, p.80; Freda Diamond, p.82; Friedl Dicker-Brandeis, p.84; Jane Dillon, p.85; Aïssa Dione, p.86; Nanna Ditzel, p.87; Helen Dryden, p.88; Helen Hughes Dulany, p.89; Nathalie Du Pasquier, p.90; Ray Eames, p.92; Kiki Van Eijk, p.94; Yeşim Eröktem, p. 95; Lisa Ertel, p.96; Felicia Ferrone , p.98; Andrea Flores & Lucía Soto, p.99; Marisa Forlani, p.100; Monica Förster, p.101; Carol Gay, p.102; Marion Geller, p.103; Ruth Hidegard Geyer-Raack, p.104; Emiliana Gonzalez & Jessie Young, p.105; Anne Krohn Graham, p.106; Johanna Grawunder, p.107; Eileen Gray, p.108; Rachel Griffin, p.110; Greta Grossman, p.111; Zaha Hadid , p.112; Virgina Hamill, p.114; Ineke Hans, p.115; Eszter Haraszty, p.116; Trix Haussmann, p. 117; Mette Hay, p. 118; Edith Heath, p. 119; Franca Helg, p. 120; Margarete Heymann-Löbenstein, p. 121; Franziska Hosken, p. 122, Rossana Hu, p. 123; Marialaura Rossiello Irvine, p. 124; Shinobu Ito, p. 125; Sophie Lou Jacobsen & Sarita Posada, p. 126; Grete Jalk, p. 127; Nata Janberidze & Keti Toloraia, p. 128; Ania Jaworska, p. 129; Hilda Jesse-Schmid, p. 130; Lisa Johansson-Pape, p. 131; Hella Jongerius, p. 132; Merve Kahraman, p. 134; Ilonka Karasz, p.135; Anna Karlin, p. 136; Bodil Kjær, p.137; Florence Knoll, p.138; Belle Kohan, p.139; Lucie Koldová, p.140; Ana Kraš, p.141; Teresa Kruszewska, p.142; Agata Kulik-Pomorska, p.143; Sofia Lagerkvist & Anna Lindgren, p.144; Claude Lalanne, p.145; Elisabeth Eyre de Lanux, p.146; Francesca Fanzavecchia, p.148; Estelle Laverne, p.149; Monling Lee, p.150; Olga Lee, p.151; Geke Lensink, p.152; Rosie Li, p.153; Francesca Lindh, p.154; Aljoud Lootah, p.155; Althea McNish, p.156; India Mahdavi, p.157; Rianne Makkink, p.158; Cecile Manz, p.159; Sabine Marcelis, p.160; Grethe Meyer, p.162; Hikaru Mori, p.163; Renate Müller, p.164; Ignacia Murtagh, p.165; Mira Nakashima, p.166; Paola Navone, p.167; Greta von Nessen, p.168; Stephanie Ng, p.169; Anna Maria Niemeyer, p.170; Libuše Niklová, p.172; Dina Nur Satti, p.173; Gunnel Nyman, p.174; Moyo Ogunseinde, p.175; Jay Sae Jung Oh, p.176; Ann Pamintuan, p.177; Luisa Parisi, p.178; Tamara Pérez, p.179; Maria Pergay, p.180; Charlotte Perriand, p.181; Clara Porset, p.182; Andrée Putman, p.183; Ingegerd Råman, p.184; Mary Ratcliffe, p.185; Samira Rathod, p.186; Noémi Raymond, p.187; Lilly Reich, p.188; Margaretha Reichardt, p.189; Sylvia Reid, p.190; Coco Reynolds, p. 191; Lucie Rie, p.192; Estefanía de Ros, p.193; Pipsan Saarinen-Swanson, p.194; Latifa Saeed, p.195; Mentalla Said & Jumana Taha, p.196; Clauda Moreira Salles, p.197; Maria Sanchez, p.198; Cynthia Sargent, p.199; Afra Scarpa, p.200; Bertha Schaefer, p.201; Zahara Schatz, p.202; Margarete Schütte-Lihotzky, p.203; Emma Schweinberger, p.204; Denise Scott Brown, p.205; Kazuyo Sejima, p.206; Inga Sempé, p.208; Mia Senekal, p.209; Mimi Shodeinde, p.210; Alma Siedhoff-Buscher, p.211; Jutta Sika, p.212; Trudi Sitterle, p.213; Alison Smithson, p.214; Sylvia Stave, p.215; Nanny Still, p.216; Gunta Stölzl, p.217; Marianne Straub, p.218; Marianne Strengell, p.219; Saša Štucin, p.220; Claudia Suarez Ahedo, p.221, Hiroko Takeda, p.222; Reiko Tanabe, p.223; Jacqueline Terpins, p.224; Faye Toogood, p.226; Helena Tynell, p.227; Patricia Urquiola, p.228; Mpho Vackier, p.229; Garance Vallée, p.230; Ionna Vautrin, p.131; Lella Vignelli, p.232; Nanda Vigo, p.233; Hisako Watanabe, p.234; Chen-Yen Wei, p.235; Donna Wilson, p.236; Esther Wood, p.237; Sohyun Yun, p.238; Utharaa Zacharias, p.239; Eva Zeisel, p.240; Sandrine Ébène de Zorzi, p.241; Timeline, p.244; Endnotes, p.256; Index, p.258…”

Tabla de Contenidos: “…Chapter 21The Toxic Paradox; Chapter 22; The Pond; Section 3: Your Daily Toolkit; Chapter 23; The Nerd Handbook; Chapter 24; The Taste of the Day; Chapter 25; The Trickle List; Chapter 26; The Crisis and the Creative; Chapter 27; The Foamy Rules for Rabid Tools; Chapter 28; Up to Nothing; Chapter 29; How to Not Throw Up; Chapter 30; Out Loud; Chapter 31; Bits, Features, and Truth; Chapter 32; The Reveal; Section 4: Your Next Gig; Chapter 33; The Screw-Me Scenario; Chapter 34; No Surprises; Chapter 35; A Deliberate Career; Chapter 36; The Curse of the Silicon Valley; Chapter 37; A Disclosure…”

Tabla de Contenidos: “…5 Change is Better When You Manage Change-And Change Needs to be Managed Case Study: Nine Senior Managers, a Million Different Opinions on How to Handle a Problem; 6 Thinking about Where Failure Will Happen; Case Study: A Crashing Limb: Thinking about where Failure will Happen; 7 Fundamentals Training: Introducing the "New View" to Your Old Crew; Case Study: How to Win Friends and Influence Workers; 8 Starting the Journey -The First Steps; 9 The Four Things that Matter; Conclusion; Basic Reading List for Human Performance; Index…”

Tabla de Contenidos: “…Optimizing Berthing of Crew Transfer Vessels against Floating Wind Turbines: A Comparative Study of Various Floater Geometries 7. …”

Tabla de Contenidos: “…-- The pirate cabal -- King Baldridge and the Red Sea pirates -- Amity, liberty, and Thomas Tew -- Henry Every, "as yet an Englishman's friend" -- Trials and tribulations -- The most hated man in America -- Nemesis -- "Your loving friends" -- The despair of Lord Bellomont -- "That race of wicked men" -- Afterword : pirate patronage in the twenty-first century…”

“…The book was inspired by the Springer book TCSE 6: A Primer on Scientific Programming with Python (by Langtangen), but the style is more accessible and concise, in keeping with the needs of engineering students. …”

“…How can you effectively communicate your vision to clients and crew? How should you calibrate your camera for multi-camera and green screen shoots? …”

“…Once labelled a "cheerful subversive" by The New York Times , Mirvish shares his unfiltered pragmatic approach to scriptwriting, casting, directing, producing, managing a crew, post-production, navigating the film festival circuit, distributing your film, dealing with piracy and building a career. …”