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Materias: Enlace del recurso

Tabla de Contenidos: “…Frontmatter -- CONTENTS -- PREFACE -- INTRODUCTION -- CHINESE REVERSE GLASS PAINTING AND ITS MATERIALITY -- 1 FROM VIRTUOSITY TO VERNACULARISM REVERSALS OF GLASS PAINTING -- 2 PEOPLE IN GLASS HOUSES THE POLITE AND POLISHED IN GEORGIAN BRITAIN -- 3 ILLUSIONISTIC PRACTICES AMONG LES ARTS DU FEU IN MID-EIGHTEENTH-CENTURY CANTON -- 4 LIGHT, REFLECTION, AND REVERSE GLASS PAINTING AT THE NGUYÊN COURT -- TRANSFER AND TRANSMEDIALITY -- 5 GLASS PAINTING IN THE COLLECTION OF ANDREAS EVERARDUS VAN BRAAM HOUCKGEEST (1739–1801) -- 6 THE GOVERNOR OF SURAT AND THE APOTHEOSIS OF WASHINGTON CANTONESE REVERSE GLASS PAINTINGS FOR EARLY NINETEENTH-CENTURY AMERICAN MARKETS -- 7 REGARDING THE TRANSFER OF VERNACULAR MOTIFS AND OTHER COMMON FEATURES OF CHINESE NEW YEAR PRINTS AND CHINESE REVERSE GLASS PAINTING -- 8 THE NIGHTMARE CASE STUDY OF A DELIBERATELY INACCURATE TRANSMISSION TO GLASS -- CONTEXTUAL STUDIES OF REVERSE GLASS PAINTING -- 9 VARIETIES OF REPLICATION IN CHINESE REVERSE GLASS PAINTING -- 10 REFLECTING ASIA THE RECEPTION OF CHINESE REVERSE GLASS PAINTING IN BRITAIN, 1738–1770 -- 11 JAPANESE REVERSE GLASS PAINTING THE OTHER EAST ASIAN TRADITION -- 12 “IN ALL OF BEIJING, THERE ARE NO MORE THAN FOUR PAINTINGS ON GLASS THAT WOULD FALL WITHIN OUR CONSIDERATION” CHINESE REVERSE GLASS PAINTINGS FROM CZECH COLLECTIONS AND THEIR CONTEXTS -- REGIONAL RECEPTIONS OF REVERSE GLASS PAINTING -- 13 REFLECTIONS IN A CHINESE MIRROR WESTERNERS REINTERPRETED IN EARLY CANTONESE GLASS PAINTING -- 14 EIGHTEENTH-CENTURY CHINESE REVERSE GLASS PAINTINGS IN A DUTCH COLLECTION ART AND COMMODITY -- 15 CHINA AND ITS SOUTH CHINESE LADIES ON GLASS AND OTHER TOPICS IN NINETEENTH- AND TWENTIETH-CENTURY JAVA AND BALI -- PIONEERING RESEARCH IN CHINESE REVERSE GLASS PAINTING -- 16 A BRIEF HISTORY OF CHINESE REVERSE GLASS PAINTING -- 17 SOME STYLES IN NINETEENTHAND TWENTIETH-CENTURY CHINESE GLASS PAINTING A FIRST APPROACH -- APPENDIX -- LIST OF AUTHORS -- INDEX OF PLACES AND PEOPLE -- CREDITS…”

Tabla de Contenidos: “…Jan Scholz, Max Stille, Ines Weinrich / Introduction -- Part I: Trajectories of Religious and Aesthetic Interpretations -- Lore Knapp / Religious Experience as Aesthetic Experience -- Annette Wilke / Classical Indian Aesthetics and rasa Theory: Observations on Embodied Rhetoric, Reader Response, and the Entanglement of Aesthetics and Religion in Hindu India -- Omaima Abou-Bakr / "Bride of the Quran": An Aesthetic Reading of Surat ar-Rahman -- Part II: Aesthetics of Islamic Sermons -- Tahera Qutbuddin / A Sermon on Piety by Imam AIT ibn AbT"falib: How the Rhythm of the Classical Arabic Oration Tacitly Persuaded -- Max Stille / Between the Numinous and the Melodramatic: Poetics of Heightened Feelings in Bengali Islamic Sermons -- Jan Scholz / Dramatic Islamic Preaching: A Close Reading of Amr Khalid -- Part III: Experiencing Religion in and through Literature -- Tony K. …”