Tabla de Contenidos: “…Displaying position markers on a map -- Displaying shapes on a map -- Obtaining a user's location -- Geo Routing Request -- Summary -- Chapter 8: Graphics View -- Graphics View framework -- Setting up a new project -- Movable graphics items -- Creating an organization chart -- Summary -- Chapter 9: The Camera Module -- The Qt multimedia module -- Setting up a new project -- Connecting to the camera -- Capturing a camera image to file -- Recording a camera video to file -- Summary -- Chapter 10: Instant Messaging -- The Qt networking module -- Connection protocols -- Setting up a new project -- Creating an instant messaging server -- Creating TCP Server -- Listening to clients -- Creating an instant messaging client -- Designing the user interface -- Implementing chat features -- Summary -- Chapter 11: Implementing a Graphics Editor -- Drawing vector shapes -- Vector versus bitmap -- Drawing vector shapes using QPainter -- Drawing text -- Saving vector images to an SVG File -- Creating a paint program -- Setting up a user interface -- Summary -- Chapter 12: Cloud Storage -- Setting up the FTP server -- Introducing FTP -- Downloading FileZilla -- Setting up FileZilla -- Displaying the file list on the list view -- Setting up a project -- Setting up user interface -- Displaying the file list -- Writing the code -- Uploading files to the FTP server -- Downloading files from the FTP server -- Summary -- Chapter 13: Multimedia Viewers -- Revisiting the multimedia module -- Dissecting the module -- The image viewer -- Designing a user interface for the image viewer -- Writing C++ code for image viewers -- The music player -- Designing a user interface for music players -- Writing C++ code for music players -- The video player -- Designing a user interface for video players -- Writing C++ code for video players -- Summary -- Chapter 14: Qt Quick and QML…”

Tabla de Contenidos: “…; 3.11 Multitrack Editing Techniques; 3.12 Multitrack Voice Effects; 3.13 Track Sheets; 3.14 The Mix Down; 3.15 Multitrack Spot Production; 3.16 Conclusion; Self-Study; Questions; Answers; Projects; Project 1-Undertake Digital Audio Editing; Project 2-Using a Digital Audio Editor, Build a Short Music Bed and Record a "Voice and Music Bed" Spot; Project 3-Write and Record a 60-Second "Concert Commercial"…”

Tabla de Contenidos: “…3.9 Latency Issues3.10 Digital Audio Editing; 3.11 Multitrack Editing Techniques; 3.12 Multitrack Voice Effects; 3.13 Track Sheets; 3.14 The Mix Down; 3.15 Multitrack Spot Production; 3.16 Conclusion; Self-Study; Questions; Answers; Projects; Project 1-Undertake Digital Audio Editing; Project 2-Using a Digital Audio Editor, Build a Short Music Bed and Record a "Voice and Music Bed" Spot; Project 3-Write and Record a 60-Second "Concert Commercial"; Project 4-Write and Record a Report that Compares Various Recording/Editing Software Programs; Chapter 4 Microphones; 4.1 Introduction…”

“…In this sweeping account of irrationality from antiquity to today—from the fifth-century BC murder of Hippasus for revealing the existence of irrational numbers to the rise of Twitter mobs and the election of Donald Trump—Justin Smith says the evidence suggests the opposite. From sex and music to religion and war, irrationality makes up the greater part of human life and history. …”

Tabla de Contenidos: “…8.3.1 Detection and scatterer parameter estimation of single scatterers at full resolution -- 8.3.2 Detection and scatterer parameter estimation for multiple scatterers at full resolution -- 8.3.3 Multilook detection of weak persistent scatterers -- 8.3.4 Extension to multi-dimensional imaging -- 8.4 TomoSAR applications to volume scattering scenarios -- 8.4.1 Single polarization multibaseline TomoSAR data model for vegetated areas -- 8.4.2 Multipolarization multibaseline TomoSAR data model for vegetated areas -- 8.4.3 Polarimetric unitary rank TomoSAR imaging -- 8.4.4 Polarimetric full rank TomoSAR imaging -- 8.4.5 Polarimetric backscattering separation -- A Appendices -- A.1 Fourier Transform and properties -- A.2 Baseband signal -- A.3 Factorization property -- A.4 Stationary phase approximation -- A.5 Eigenvalue invariance under the Hadamard multiplication by a phase only dyadic product -- A.6 Basic electromagnetic principles -- A.7 Elementary antennas -- A.8 Antenna array -- A.9 Generalized likelihood ratio test detection of persistent scatterers -- List of symbols -- Bibliography -- Index -- Back Cover…”

Tabla de Contenidos: “…-- Changing a track's settings -- Changing a track's instrument -- Checking levels during recording and playback -- Adjusting levels -- Polishing tracks -- Overdubbing -- Sweetening -- Mix That Sucka -- Overview of mixing -- Setting the pan -- (Lord and) Mastering -- Managing Song Files -- Part 2 Making Music on a Mac -- Chapter 4 Getting Started -- General Pane -- Software Instrument Recordings section -- Trackpad section: The Enable Force Touch Trackpad check box -- Accessibility section: Open Plug-ins in Controls View by Default check box -- Reset Warnings button -- Audio/MIDI Pane -- Devices section -- Instruments and Effects section -- MIDI section -- Metronome Pane -- Loops Pane -- Keyword Browsing setting -- Reset Keyword Layout setting -- Loop Browser setting -- My Info Pane -- Advanced Pane -- Audio Recording Resolution setting -- Auto Normalize setting -- Movie Thumbnail Resolution setting -- Chapter 5 Using Loops to Make Music -- What Is a Loop, Anyway? …”

Tabla de Contenidos: “…Cover -- Contents -- Introduction -- CHAPTER 1: The History of the Future -- Assembling the Team -- Technical Specs -- The RED Phenomenon -- Public debut: NAB 2006 -- REDuser forum -- NAB 2007 -- RED Day -- Industry acceptance -- CHAPTER 2: Overview of the RED Workflow -- Comparing the RED with Other Cameras -- Video -- High definition -- Film -- Exploring the Tapeless Workflow -- Exploring the RAW Workflow -- Comparisons with DSLR RAW -- The REDCODE RAW native camera codec -- RED files, folders, and proxies -- Working with Metadata -- Upgrading Your Firmware -- First Person POV: Rodney Charters, ASC -- CHAPTER 3: Defining Your Project -- Project Length -- Feature films -- Documentaries -- Episodic television -- Music videos -- Commercials -- Short films -- Production Mode -- Multiple RED cameras -- Multiple formats -- Delivery Format -- Delivering in high definition -- Delivering for a film finish -- Delivering for the Internet -- Organizing Your Workflow -- First Person POV: Albert Hughes -- CHAPTER 4: Building a RED Package -- The RED ONE Camera Body -- Optics -- RED lenses -- Third-party prime lenses: ARRI and Cooke -- Zoom lenses -- 16mm lenses -- Still lenses -- Lens mount adaptors -- Storage Options -- RED CF cards -- RED-DRIVE and RED-RAM -- Matte Boxes -- Filters -- ND filters -- IR and polarizing filters -- Diffusion, softening, and color-correction filters -- Follow Focus and Remote Control -- Tripods and Camera Support -- Batteries and Power -- Cases and Carts -- Monitoring -- Electronic viewfinder (EVF) -- Onboard monitors -- Studio monitors -- Routing -- Transfer Equipment -- Working Within a Budget -- Scarlet and EPIC -- First Person POV: Mark L. …”

Tabla de Contenidos: “…; 3.1.5 Non-acoustic sources; Sidebar: Pay Now Or Pay Later, by Storm Gloor; 3.1.6 Straight in; 3.1.7 Batteries of non-pitched instruments; 3.1.8 Focus is on musical instruments; 3.2 Preparing your source…”

Tabla de Contenidos: “…Conté: Rand Elliott: Underground, Oklahoma City, Oklahoma, USA; Shuhei Endo: Bubbletecture H, Sayo-cho; Hyogo, Japan; Albert France-Lanord: Bahnhof Pionen, Stockholm, Sweden; Edouard François: Eden Bio, Paris, France; Terunobu Fujimori: Roof House, Omihachiman, Shiga, Japan; Sou Fujimoto: House H, Tokyo, Japan; Gustafson Porter + Gustafson Guthrie Nichol: Towards Paradise, Venice Architecture Biennale Venice, Italy; Zaha Hadid: Burnham Pavilion, Chicago, Illinois, USA; Zaha Hadid: JS Bach, Zaha Hadid Architects Music Hall, Manchester, UK; Herreros Arquitectos, Munch Area, Munch Museum, and Stenersen Museum Collections, Oslo, Norway; Herzog & de Meuron: VitraHaus, Weil am Rhein, Germany; HHF: Artfarm, Salt Point, New York, USA; Steven Holl: HEART: Herning Museum of Contemporany Art, Herning, Denmark; Steven Holl: Knut Hamsun Center, Hamarøy, Norway; Information Based Architecture: Guangzhou TV and Sightseeing Tower, Guangzhou, China; International Polar Foundation: Princess Elisabeth Antarctica, Utsteinen, 71o57'S-23o20'E, Dronning Maud Land, East Antarctica; Iroje KHM Architects: Island House, Gapyung-gun, Gyeonggi-do, South Korea…”

Tabla de Contenidos: “….) -- 27.6 SEMINAROS DE PRODUCCIÓN MUSICAL -- 27.7 INTERNET -- 27.8 SEMINARIOS -- 28 EDUCACIÓN AUDITIVA -- 29 EL ACTUAL PANORAMA MUSICAL -- 30 EL PERFIL DE ALGUNOS PROFESIONALES EN (...) -- 31 CONDICIONES LABORALES -- 31.1 PAGOS/IMPAGOS Y HONORARIOS -- 31.2 PRECIOS Y HONORARIOS DE UN ESTUDIO (...) -- 31.3 EJEMPLOS DE TARIFAS Y NORMATIVAS EN (...) -- 32 ¿QUÉ NOS DEPARARÁ EL FUTURO? …”

Tabla de Contenidos: “…Shopping and Reviews -- 2.7. Games and Music -- 2.8. Hybrid Social Media -- 2.8.1. Internet Memes -- 2.9. …”

Tabla de Contenidos: “…Conté volum 7: Banca dell’Occhio (Emilio Ambasz), p. 54; Saint Edward’s University (Alejandro Aravena), p. 64; Lusatian lakeland landmark (Architektur & landschaft), p. 70; The Yas hotel (Asymtote), p. 76; Sano clinic therapy square (Atelier-Den / Inahara Archi-lab), p. 82; UPENN weave bridge (Cecil Balmond), p. 88; Kielder observatory (Charles Barclay), p. 92; Marcus prize pavilion (Barkow leibinger architects), p. 98; Nordwesthaus (Baumschlager Eberle), p. 102; The Mountaing (BIG), p. 108; Former Arsenale La Maddalena ( Stefano Boeri), p. 116; Three Box House / Hanil Cement Information Center and Guesthouse ( Byoung-soo Cho), p. 122; Liège-Guillemins TGV Station ( Santiago Calatrava), p. 132; The Chronicles of Time (Giacomo Costa), p. 140; Underground (Rand Elliott), p. 146; Bubbletecture H (Shuhei Endo), p. 152; Bahnhof Pionen (Albert France-Lanord), p. 158; Eden Bio ( Edouard François), p. 164; Roof House (Terunobu Fujimori), p. 170; House H ( Sou Fujimoto), p. 176; Towards Paradise ( Gustafson Porter +Gustafson Guthrie Nichol), p. 182; Burnham Pavilion, JS Bach / Zaha Hadid Architects Music Hall (Zaha Hadid), p. 190; Munch Area (Herreros Arquitectos), p. 198; VitraHaus (Herzog &De Meuron), p. 202; Artfarm (HHF), p. 210; HEART: Hearning Museum of Contemporary Art, Knut Hamsun Center (Steven Holl), p. 216; Guangzhou TV and Sightseeing Tower (Information Based Architecture), p. 228; Princess Elisabeth Antarctica (International Polar Foundation), p. 232; Island House (Iroje KHM Architects), p. 244; Green houses (Junya Ishigami), p. 244; ZA-Koenji Public Theater (Toyo Ito), p. 250; The High Line (James Corner Field Operations/Diller Scofidio + Renfro), p. 256; Juvet Landscape Hotel (Jensen & Skodvin Architects), p. 262; Diaphanous Space (Kalhöfer-Korschildgen), p. 268; Church of the Holy Cross, Fiberline Factory ( KHR), p. 274; Top of Tyrol Mountain Platform (LAAC), p. 284; Hotel Aire en Bardenas (Emiliano López Mónica Rivera), p. 290; Blobwall and Toy Furniture (Greg Lynn Form), p. 296; Villa Chardonne (Made in Sàrl), p. 302; Delegation of the Ismaili Imamat (Fumihiko Maki), p. 308; 41 Cooper Square (Morphosis), p. 314; Gateway Art Tower (Eric Own Moss), p. 320; Walls in the Landscape (Susanne Nobis), p. 324; The Beacon of Amsterdam, The Ladies of the Lake (NOX), p. 330; Naoshima Public Baths (Shinro Ohtake), p. 338; Prada Transformer, CCTV Television Station and Headquarters (OMA*AMO/Rem Koolhaas), p. 344; La Olmeda Roman Villa (Paredes Pedrosa Arquitectos), p. 358; EWHA Womans University (Dominique Perrault), p. 364; Emilio and Annavianca Vedova Foundation (Renzo Piano), p. 372; Flowing Gardens (Plasma Studio), p. 378; Villa Navarra (Rudy Ricciotti), p. 384; Alexandra Heritage Center, Mapungubwe Interpretation Center (Peter Rich), p. 390; RDF181 (Rotor), p. 400; Miyajima Office (Hiroshi Sambuichi), p. 406; Serpentine Pavilion, Rolex Learning Center (Sanaa/Kazuyo Sejima + Ryue Nishizawa), p. 412; Termas Geométricas Hot Springs Complex, Villarrica National Park (Germán del Sol), p. 426; Burj Khalifa (Skidmore, Owings & Merrill), p. 432; Frog Queen (Splitterwerk), p. 438; Izu Photo Museum ( Hiroshi Sugimoto), p. 444; Kiltro House (Supersudaka), p. 450; Tenchi House ( Masaharu Takasaki), p. 456; Swarovski Ginza, Waterfall (Yoshioka Tokujin), p. 462; Production Facilities for Les Ballets C de la B and LOD (de Vylder Vinck Taillieu), p. 470.…”