“…El mejor cine de Hollywood…”

“…El mejor cine de Hollywood…”

“…El mejor cine de Hollywood…”

“…El mejor cine de Hollywood…”

“…Grandes clásicos. Ciclo Hollywood dorado…”

“…Estrellas de Hollywood. Gregory Peck…”

“…El mejor cine de Hollywood…”

“…Hollywood classics…”

“…Estrellas de Hollywood. Steve McQueen…”

Tabla de Contenidos: “…DVD 3: La guerra llega a los Estados Unidos = War comes to America (66 min, 1945) ; El soldado negro = The negro soldier (40 min, 1944) ; Mr. Capra en Hollywood (60 min)…”

Tabla de Contenidos: “….) -- Life and death of 9413, a Hollywood extra / Slavko Vorkapich, Robert Florey (1928, 13 min.) -- Menilmontant / Dimitri Kirsanoff (1926, 37 min.) -- Brumes d'automne = Autumn fire / Herman G. …”

Tabla de Contenidos: “…Introduction : screening Nigeria -- "The Nigeria solution" : creative destruction and the making of a media capital -- Enugu in technicolor : independent production in late-colonial Nigeria -- Ends and beginnings : rebuilding the big screen -- Exhibiting Nollywood (and Hollywood) : multiplexes, amusement parks, and the economy of experiences in today's Nigeria -- Conclusion : "affective ambience" : New Nollywood and the persistence of Disneyfication…”

Tabla de Contenidos: “…Intro -- Title Page -- Copyright Page -- Contents -- Chapter 1 Introduction -- Chapter 2 Approaches to Transcultural Communication -- 2.1 Consequences of Globalization -- 2.2 Postcolonial Critique -- 2.3 Methodological Reflections -- 2.4 Integrative Analyses -- Chapter 3 The Regulation of Transcultural Communication -- 3.1 Global Commercialization and Communicative Infrastructure -- 3.2 State Regulation -- 3.3 From the Free Flow of Communication to the Regulation of Globalization -- 3.4 The Global Governance of Media -- Chapter 4 The Production of Media and their Transcultural Contexts -- 4.1 The Cultures of Production within Global Media Businesses -- 4.2 The Transculturality of Journalistic Practice -- 4.3 Alternative Forms of Media Production -- 4.4 Media Cities as Transcultural Locations -- Chapter 5 The Transculturality of Media Products -- 5.1 Hollywood, Bollywood, and Nollywood -- 5.2 The Import of Programs and the Adaptation of Formats -- 5.3 The Articulation of News -- 5.4 Media Events -- Chapter 6 The Appropriation of Media and Transculturation -- 6.1 The Appropriation of Media as Cultural Localization -- 6.2 Media Disjunctions in a Mediatized Everyday World -- 6.3 Communities and Communitization -- 6.4 Media Identity and Citizenship -- Chapter 7 Perspectives on Transcultural Communication -- Acknowledgements -- References -- Index -- EULA…”

Tabla de Contenidos: “…From Hallingdal to Houston -- Hollywood on the Colorado -- Breaking away -- Highway to the danger zone -- Hollywood gothic -- One hit after another -- Batmania -- The man Hollywood trusts -- Conclusion…”

Tabla de Contenidos: “…List of images -- Acknowledgments -- Introduction: Los Angeles river -- Introduction: Los Angeles River, revisited -- Burbank -- Burbank, revisited -- Chatsworth -- Chatsworth, revisited -- Hollywood Hills -- Hollywood Hills, revisited -- West Hollywood -- West Hollywood, revisited -- Topanga -- Topanga, revisited -- Conclusion: here -- Notes -- Works cited -- Index -- Images…”
Acceso restringido con credenciales, usuarios UPSA

Tabla de Contenidos: “…List of images -- Acknowledgments -- Introduction: Los Angeles river -- Introduction: Los Angeles River, revisited -- Burbank -- Burbank, revisited -- Chatsworth -- Chatsworth, revisited -- Hollywood Hills -- Hollywood Hills, revisited -- West Hollywood -- West Hollywood, revisited -- Topanga -- Topanga, revisited -- Conclusion: here -- Notes -- Works cited -- Index -- Images…”

Tabla de Contenidos: “…Introduction : The Urban Imaginary in Canadian Cinema -- The City of Faith : Navigating Piety in Arcand's Jésus de Montréal (1989) -- The City of Dreams : The Sexual Self in Lauzon's Léolo (1992) -- The Generderd City : Feminism in Rozema's Desperanto (1991), Pool's Rispondetemi (1991), and Villeneuve's Maelström (2000) -- The City Made Flesh : The Embodied Other in Lepage's Le Confessionnal (1995) and Egoyan's Exotica (1994) -- The Diasporic City : Postcolonialism, Hybridity, and Transnationality in Virgo's Rude (1995) and Mehta's Bollywood/Hollywood (2001) -- The City of Transgressive Desires : Melodramatic Absurdity in Maddin's The Saddest Music in the World (2003) and My Winnipeg (2007) -- The City of Eternal Youth : Capitalism, Consumerism, and Generation in Burns's waydowntown (2000) and Radiant City (2006) -- The City of Disfunction : Race and Relations in Vancouver from Shum's Double Happiness (1994) to Sweeney's Last Wedding (2001) and McDonald's The Love Crimes of Gillian Guess (2004) -- Conclusion : National Identity and the Urban Imagination…”

Tabla de Contenidos: “…Part one. Historizing Hollywood violence -- Part two. Revisiting violent genres -- Part three. …”

“…Ocho años después, suma a la lista otros diez, alejados en su mayoría del cine hecho en Hollywood y que trabajan con otros sistemas de producción, en América Latina o en Japón, en el este de Europa o bajo la presión de la peculiar industria de Bollywood en la India. …”

Tabla de Contenidos: “…Authorship and identity in Hollywood -- part three. Authorship and identity near and far from Hollywood -- part four. …”
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