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284por Polo, Juan Carlos
Publicado 1986Biblioteca Universidad de Deusto (Otras Fuentes: Biblioteca de la Universidad de Navarra)Libro -
285Publicado 2003Tabla de Contenidos: “…Performance, enunciation and self-reference in Hollywood comedian comedy / Steve Seidman -- Derailing the honeymoon express : comicality and narrative closure in Buster Keaton's The blacksmith / Peter Krämer -- The case of silent slapstick / Steve Neale and Frank Krutnik -- Buster Keaton, or the work of comedy in the age of mechanical reproduction / Tom Gunning -- Charlie Chaplin and the annals of anality / William Paul -- Anarchistic comedy and the vaudeville aesthetic / Henry Jenkins III -- The Marx brothers and the search for the landsman / Mark Winokur -- She done him wrong : spectacle and narrative / Kathleen Rowe -- Lucille Ball and the regime of domiculture / Patricia Mellencamp -- Comic theory from a feminist perspective : a look at Jerry Lewis / Joanna E. …”
Sumario
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286Publicado 2006Libro
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287Publicado 2008Tabla de Contenidos: “…The studio system and conglomerate Hollywood / Tom Schatz -- Finance and production / Janet Wasko -- Distribution and marketing in contemporary Hollywood / Philip Drake -- Theatrical exhibition / Charles Acland -- Ancillary markets--television / Eileen R. …”
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288
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289por Pando, Juan, 1956-
Publicado 1998Biblioteca Universidad de Deusto (Otras Fuentes: Biblioteca Universitat Ramon Llull, Biblioteca de la Universidad de Navarra)Libro -
290
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291
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292
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293por Lovell, Alan, 1935-“…"Making Films in Contemporary Hollywood contains analysis, interviews and case studies of Chinatown, Jurassic Park and When Harry Met Sally, bringing a fresh perspective to the study of filmmaking that will be both informative and provocative for Media and Film Studies students at all levels…”
Publicado 2005
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294
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295
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296
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297
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298
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299Publicado 2018“…Presentación del editor: "This collection of 23 new essays focuses on the lives of female screenwriters of Golden Age Hollywood, whose work helped create unforgettable stories and characters beloved by generations of audiences--but whose names have been left out of most film histories"…”
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300