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“…He is also an esteemed member of the New York State Master-Teacher Program, a network of over 800 outstanding public-school teachers who share a passion for STEM learning and collaborate to inspire the next generation of STEM leaders…”

Tabla de Contenidos: “…Towards an international history of the nineteenth-century art trade / Jan Dirk Baetens and Dries Lyna -- The education of the art market : national schools and international trade in the long nineteenth century / Jan Dirk Baetens and Dries Lyna -- 'Directions to know a good picture' : marketing national school categories to the British public in the long eighteenth century / Benedicte Miyamoto -- Creating cultural and commercial value in late nineteenth-century New York art catalogues / Leanne Zalewski -- (Inter)national art : the London old masters market and modern British painting (1900-14) / Barbara Pezzini -- The artistic trade and networks of the Italian community in London around 1800 / Camilla Murgia -- Berlin-Paris : transnational aspects of French art auctions in the middle of the nineteenth century / Lukas Fuchsgruber -- Appropriation as a form of nationalism : collecting French furniture in the nineteenth century / Adriana Turpin -- The modern Italian sculptor as international entrepreneur : the case of Medardo Rosso (1858-1928) / Sharon Hecker -- Art reproduction and the nation : national perspectives in an international art market / Robert Verhoogt -- Epilogue. …”

Tabla de Contenidos: “…The Tools of CartooningTransferring a Cartoon or Repeating Pattern; Preparing Scenery for Cartooning; Drawing the Cartoon; Signs and Lettering; Conclusion; An Interview with Howard Jones, Resident Scenic Artist at the North Carolina School of the Arts; Chapter 9. Two-dimensional Scenic Painting Techniques; Putting a Production Together: the Painting; Base Painting Techniques; Overpainting Techniques; Trompe L'oeil Painting Technique; Chapter 10. …”

Tabla de Contenidos: “…The emergence of a reductionist school of abstract art in New York -- The Beginning of a Scientific Approach to Art -- The Biology of the Beholder's Share: Visual Perception and Bottom-Up Processing in Art -- The Biology of Learning and Memory: Top-Down Processing in Art -- A Reductionist Approach to Art. …”

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