“…Este libro fue oríginalmente publicado en Buenos Aires bajo el título Cita con la memoria, traducido al inglés como Encounter with Memory (Bloomington, Indiana, Estados Unidos) y ahora publicado en la ciudad de México. …”

“…Ce volume rassemble les contributions de chercheurs de différentes aires culturelles autour de la notion d’événement, objet porteur de sens différents et, de ce fait, transversal à différentes disciplines des sciences humaines et sociales (histoire, sociologie, sciences du langage, sciences de la communication, sciences politiques...), ici représentées.Si, comme dit le dictionnaire d’usage, l’événement est « ce qui arrive », c’est également « ce qu’il devient » au fil du temps, c’est-à-dire comment on le raconte, le nomme, le qualifie, le mémorise, et comment il se transforme lorsqu’il est « saisi » par la langue et la communication et qu’il devient ainsi objet de discours. …”

Tabla de Contenidos: “…Conté volum 7: Banca dell’Occhio (Emilio Ambasz), p. 54; Saint Edward’s University (Alejandro Aravena), p. 64; Lusatian lakeland landmark (Architektur & landschaft), p. 70; The Yas hotel (Asymtote), p. 76; Sano clinic therapy square (Atelier-Den / Inahara Archi-lab), p. 82; UPENN weave bridge (Cecil Balmond), p. 88; Kielder observatory (Charles Barclay), p. 92; Marcus prize pavilion (Barkow leibinger architects), p. 98; Nordwesthaus (Baumschlager Eberle), p. 102; The Mountaing (BIG), p. 108; Former Arsenale La Maddalena ( Stefano Boeri), p. 116; Three Box House / Hanil Cement Information Center and Guesthouse ( Byoung-soo Cho), p. 122; Liège-Guillemins TGV Station ( Santiago Calatrava), p. 132; The Chronicles of Time (Giacomo Costa), p. 140; Underground (Rand Elliott), p. 146; Bubbletecture H (Shuhei Endo), p. 152; Bahnhof Pionen (Albert France-Lanord), p. 158; Eden Bio ( Edouard François), p. 164; Roof House (Terunobu Fujimori), p. 170; House H ( Sou Fujimoto), p. 176; Towards Paradise ( Gustafson Porter +Gustafson Guthrie Nichol), p. 182; Burnham Pavilion, JS Bach / Zaha Hadid Architects Music Hall (Zaha Hadid), p. 190; Munch Area (Herreros Arquitectos), p. 198; VitraHaus (Herzog &De Meuron), p. 202; Artfarm (HHF), p. 210; HEART: Hearning Museum of Contemporary Art, Knut Hamsun Center (Steven Holl), p. 216; Guangzhou TV and Sightseeing Tower (Information Based Architecture), p. 228; Princess Elisabeth Antarctica (International Polar Foundation), p. 232; Island House (Iroje KHM Architects), p. 244; Green houses (Junya Ishigami), p. 244; ZA-Koenji Public Theater (Toyo Ito), p. 250; The High Line (James Corner Field Operations/Diller Scofidio + Renfro), p. 256; Juvet Landscape Hotel (Jensen & Skodvin Architects), p. 262; Diaphanous Space (Kalhöfer-Korschildgen), p. 268; Church of the Holy Cross, Fiberline Factory ( KHR), p. 274; Top of Tyrol Mountain Platform (LAAC), p. 284; Hotel Aire en Bardenas (Emiliano López Mónica Rivera), p. 290; Blobwall and Toy Furniture (Greg Lynn Form), p. 296; Villa Chardonne (Made in Sàrl), p. 302; Delegation of the Ismaili Imamat (Fumihiko Maki), p. 308; 41 Cooper Square (Morphosis), p. 314; Gateway Art Tower (Eric Own Moss), p. 320; Walls in the Landscape (Susanne Nobis), p. 324; The Beacon of Amsterdam, The Ladies of the Lake (NOX), p. 330; Naoshima Public Baths (Shinro Ohtake), p. 338; Prada Transformer, CCTV Television Station and Headquarters (OMA*AMO/Rem Koolhaas), p. 344; La Olmeda Roman Villa (Paredes Pedrosa Arquitectos), p. 358; EWHA Womans University (Dominique Perrault), p. 364; Emilio and Annavianca Vedova Foundation (Renzo Piano), p. 372; Flowing Gardens (Plasma Studio), p. 378; Villa Navarra (Rudy Ricciotti), p. 384; Alexandra Heritage Center, Mapungubwe Interpretation Center (Peter Rich), p. 390; RDF181 (Rotor), p. 400; Miyajima Office (Hiroshi Sambuichi), p. 406; Serpentine Pavilion, Rolex Learning Center (Sanaa/Kazuyo Sejima + Ryue Nishizawa), p. 412; Termas Geométricas Hot Springs Complex, Villarrica National Park (Germán del Sol), p. 426; Burj Khalifa (Skidmore, Owings & Merrill), p. 432; Frog Queen (Splitterwerk), p. 438; Izu Photo Museum ( Hiroshi Sugimoto), p. 444; Kiltro House (Supersudaka), p. 450; Tenchi House ( Masaharu Takasaki), p. 456; Swarovski Ginza, Waterfall (Yoshioka Tokujin), p. 462; Production Facilities for Les Ballets C de la B and LOD (de Vylder Vinck Taillieu), p. 470.…”

Tabla de Contenidos: “…4 Production at the Falkenhagen Factory -- 4.1 Brief Description of the Facilities at the Factory -- 5 The Development of N-Stoff Production -- 5.1 The Buildings of the N-Stoff Plant at the "Seewerk" Falkenhagen -- 6 The Development of the Nerve Gases Tabun and Sarin -- 7 The Manufacturing Processes for Sarin -- 8 Vereinigte Flussspatgruben GmbH in Stulln -- 9 The Dyhernfurth Factory of Anorgana GmbH -- 10 The Filling and Storage of Chemical Weapons in the Munitions Facilities of the Army and Air Force -- 11 The Chemical Weapons Complex in Munster -- 12 Other Munitions Sites with Filling Plants for Chemical Weapons -- 13 Dismantling Work After the First World War -- 14 Summary and Prospects -- References and Source Materials -- 17 From Charles and Francis Darwin to Richard Nixon: The Origin and Termination of Anti-plant Chemical Warfare in Vietnam -- Abstract -- Acknowledgements -- References -- 18 The Indelible Smell of Apples: Poison Gas Survivors in Halabja, Kurdistan-Iraq, and Their Struggle for Recognition -- Abstract -- 1 Introduction: The Indelible Smell of Apples -- 2 Background -- 3 The Anfal Campaign and the Poison Gas Attack Against Halabja in 1988 -- 4 The Situation of Survivors of the Poison Gas Attacks -- 4.1 Haunting Memories, Enduring Grief -- 4.2 Survivors' Life Conditions Between 1988 and 2003 -- 4.3 Changes After 2003 -- 5 New Threats, New Fear, and Joint Initiatives of Poison Gas Survivors -- References -- Films -- 19 The Use of Chemical Weapons in Syria: Implications and Consequences -- Abstract -- 1 Introduction -- 2 Early Reports of Chemical Weapons Use in the Syrian Civil War -- 3 The Secretary-General's Investigation -- 4 The Elimination of the Syrian Chemical Weapons Program -- 5 Chemical Weapons Destruction at Sea -- 6 New Incidents of Chemical Weapons Uses -- 7 Attribution and Accountability -- 8 Conclusions -- References…”