Tabla de Contenidos: “…Sexism and Gender Bias in the Audio Industry "Opting out" of the conversation Sexual Harassment On motherhood On Age The Annenberg Study Recording Academy Task Force The Grammys and Recording Academy Class of 2019 Audio Engineering Society 2019 Chapter Two: Outreach: Organizations and Current Initiatives Pull Digital Audio Eco Feminism Erin Barra and Beats By Girlz (USA) Fun Facts: Ableton Live and Ableton Push Phebean Adedamola Oluwagbemi (Nigeria) Audio Girl Africa (Nigeria) Female Frequency (USA) Dani Mari (USA) I Am Snow Angel (USA) Women in Sound Zine and Madeleine Campbell (USA) Gender Amplified (USA) Ebonie Smith (USA) The Creator's Suite (USA) Abhita Austin (USA) Yorkshire Sound Women Network (England) International Women Working in Film Sound Women (United Kingdom) Terri Winston and Women's Audio Mission (USA) SoundGirls.org Chapter Three: Radio and Podcasts Careers in radio and podcasts Tools of the Trade: Radio Cathy Hughes (USA) Ann Charles (England) Ioana Barbu Caryl Owen (USA) Suraya Mohamed (USA) Lorna White (USA) Nadia Hassan-Garschagen (Germany) Podcasts Chapter Four: Sound for Television & Film Careers in Sound for Film and Television Feature Films and Documentaries Post Production Live Broadcast Tools of the Trade: Location Sound Tools of the Trade: Post Production for television and film Jan McLaughlin, CAS (USA) Judi Lee-Headman (England) Lori Dovi (USA) Ai-Ling Lee (Singapore) April Tucker (USA) Karol Urban, CAS (USA) Haniya Aslam (Pakistan) 'Lisa' Xiang Li (China) Sajida Khan (India) Catharine Wood (USA) Anna Bertmark (Sweden) Chapter Five: Music Recording and Electronic Music Careers in Music Recording and Electronic Music Electronic Music Pamela Z Suzanne Ciani Cecilia Wu (China) Producers Kay Huang (Taiwan) Elaine Martone (USA) Erica Brenner (USA) Linda Briceño (Venezuela) Virginia Read (Australia) Mastering Engineers Emily Lazar (USA) Jett Galindo (Philippines) Piper Payne (USA) Anna Frick (USA) Darcy Proper (USA) Fun facts: Vinyl Mastering Fun Facts: Loudness Wars Recording Engineers Lenise Bent (USA) Erin Tonkon (USA) Jill Zimmermann (Germany) Wendy Beines (Argentina) Other Women in Music Recording Chapter Six: Hardware and Software Design Careers in Hardware and Software Fun Facts: Make your own Audio Plugin with MATLAB Tools of the Trade: Hardware and Software Design Laurie Spiegel (USA) Carla Scaletti (USA) EveAnna Dauray Manley (USA) Marina Bosi (Italy) Erisa Sato (Japan) Elisabeth Löchen (France) Marie Louise Killick (England) Carol Bousquet (USA) Dawn Birr (USA) Other women in Hardware and Software Chapter Seven: Acoustics and Design Careers in Acoustics Tools of the Trade: Acoustics Fun Facts: Weighting Curves Jamie Angus-Whiteoak (England) Fun Facts: Spread Spectrum Elizabeth Cohen (USA) Samantha Weller (USA) Fun Facts: Ray Tracing Orla Murphy (Ireland) Fun Facts: Ear Training and Critical Listening Linda Gedemer (USA) Women in Acoustics Committee Chapter Eight: Live and Theater Sound Careers in Live Sound: Tools of the Trade: Live Sound Fun Facts: Safe Listening Levels Kathy Sander-Olhoeft (USA) Betty Cantor-Jackson (USA) Brandie Lane (USA) Karrie Keyes (USA) Michelle Sabolchick Pettinato (USA) Fela Davis Carolina Anton (Mexico) Leya Soraide (Bolivia) Tzu-Wei Peng (Taiwan) Jessica Paz (USA) Chapter Nine: Education A brief history of audio education Academic Standards Careers in Higher Education Education-related Volunteer and Non-Profit Work Tools of the Trade: Education Martha de Francisco (Columbia) Robin Coxe-Yeldham (USA) Theresa Leonard (Canada) Lisa Nigris (USA) Valeria Palomino (Mexico) Liz Dobson Cosette Collier (USA) Chapter Ten: Games, Immersive Sound, and Audio for Virtual, Augmented, and Mixed Reality Tools of the Trade: Game Sound Tools of the Trade: Immersive Audio Tools of the Trade: Binaural Audio Other tools Women in Game Sound: Industry Statistics Winifred Phillips (USA) Eiko Ishiwata (Canada) Ayako Yamauchi (Japan) Fun Facts: Ambisonics Emily Ridgeway (Australia) Fun Facts: Head Related Transfer Functions Khris Brown (USA) Fun Facts: TASCAM Portastudio Pam Aronoff (USA) Fun Facts: Wwise Anastasia Devana (Russia) Fun Facts: Virtual, Augmented, and Mixed Reality Victoria Dorn (USA) Sally Kellaway (Australia) Fei Yu (China) About the Author Glossary Recommended Reading Appendix 1 Appendix 2…”

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Tabla de Contenidos: “…The 'new world' of North America and Canada : and the globalization of critical Biblical scholarship / James P. …”

“…The origins of the public hotel chain “Paradores de Turismo de España”, 1926-1936, by Carmelo Pellejero - University of Malaga (Spain) -- Chapter 8. …”

Tabla de Contenidos: “…Conté volum 6: 3DELUXE (Leonardo Glass Cube, Bad Drinurg Germany, 200-07), p. 52 ; 3LHD ARCHITECTS (Sports Hall Bale-Valle, Croatia, 2005-06), p. 58 ; ADJAYE / ASSOCIATES (Museum of Contemporany Art/Denver, Denver, Colorado, USA, 2004-07), p. 66 ; Al WEI WEI/FAKE DESIGN (Template, Documenta 12, Kassel, Germany, 2007), p. 72 ; TADAO ANDO (21_21 Design Sight, Minato-ku, Tokyo, Japan, 2004-07), p. 76 ; ALEJANDRO ARAVENA (Centro Tecnológico, Universidad Católica, San Joaquin Campus, Santiago, Chile, 2003-06), p. 84 ; ARGE GRAZIOLI KRISCHANITZ (Museum Rietberg Extension, Zurich, Switzerland, 2004-06), p. 92 ; SHIGERU BAN (Post-Tsunami Rehabilitation Houses, Kirinda, Hambantota, Sri Lanka, 2005-07), p. 98 ; BARKOW LEISINGER (Trutec Building, Seoul, Korea, 2005-06), p. 102 ; BERNARDES + JACOBSEN (TIM Festival 2007, Rio de Janeiro, Rio de Janeiro, Brazil, 2007), p. 108 ; COOP HIMMELB(L)AU (Akron Art Museum, Akron, Ohio, USA, 2001-07 / BMW Welt, Munich, Germany, 2001-07), p. 114 ; OLAFUR ELIASSON ( The New York City Waterfalls, New York, New York, USA, 2008 / Serpentine Gallery Pavilion 2007, Kensington Gardens, London, UK, 2007), p. 134 ; EMERGENT (Shenzen Museum of Contemporany Art, Shenzhen, China, 2007 / National Library of the Czech Republic, Prague, Czech Republic, 2006-07), p. 144 ; KSP ENGEL UNO ZIMMERMANN (Bergen-Belsen Documentation and Information Center, Celle, Germany, 2005-07), p. 156 ; FAM ARQUITECTURA (March 11 Memorial for the victims, Madrid, Spain, 2005-07), p. 164 ; FOSTER AND PARTNERS (Russia Tower, Moscow, Russia, 2006- / Crystal Island, Moscow, Russia, 2006-), p. 168 ; TERUNOBU FUJIMORI (Chashitsu Tetsu (Teahouse Tetsu), Kiyoharu Shirakaba Museum, Nakamaru, Hokuto City, Yamanashi, Japan, 2005), p. 174 ; MASSIMILIANO FUKSAS(Zénith Strasbourg, Ecxbolsheim, Strabourg, France, 2003-07), p. 180 ; ANTÓN GARCÍA-ABRIL (SGAE Central Ofiice, Santiago de Compostela, Galicia, Spaim, 2005-07), p. 188 ; DIONISIO GONZALEZ (Favela Series, São Paulo, São Paulo, Brazil, 2004-07), p. 196 ; ZAHA HADID (Nordpark Railway, Innsbruck, Austria, 2004-07), p. 202 ; HEATHERWICK STUDIO (East Beach Café, Littlehampton, West Sussex, UK, 2005-07), p. 216 ; HERZOG & DE MEURON (National Stadium, Main Stadium for the 2008 Olympic Games, Beijing, China, 2003-08 / Caixa Forum, Madrid, Spain, 2001-08), p. 222 ; STEVEN HOLL (The Nelson.Atkins Museum of Art, Bloch Building, Kansas City, Missouri, USA, 2002-07), p. 240 ; HOLZER KOBLER (Arche Nebra Visitor’s Center, Wangen, Germany, 2005-07), p. 250 ; JUNYA ISHIGAMI (Facility, Kanagawa Institute of Technology, Kanagawa, Japan, 2007-08), p. 258 ; TOYO ITO (Tama Art University New Library, Hachioji City, Tokyo, Japan, 2004-07), p. 266 ; JAKOB + MACFARLANE (City of Fashion and Design, Paris, France, 2007-08), p. 274 ; JENSEN & SKODVIN (Tautra Maria Convent, Tautra Island, Norway, 2004-06), p. 280 ; CARLOS JIMENEZ (Rice Libray Service Center (2002-05) and Rice Data Center (2006-07) / Rice University South Campus Master Plan, Houston, Texas, USA), p. 288 ; KENGO KUMA (Suntory Museum of Art, Minato-ku, Tokyo, Japan, 2004-07), p. 294 ; LASSILA HIRVILAMMI (Kärsämäki Church, Kärsämäki, Finland, 1999-2004), p. 302 ; LEGORRETA + LEGORRETA (La Purificadora BoutiqueHotel, Puebla, Mexico, 2006-07), p. 308 ; DANIEL LIBESKIND ( Royal Ontario Museum Extension, Toronto, Canada, 2002-07), p. 314 ; LIN FINN GEIPEL + GIULIA ANDI (Alvéole 14, Submarine Base Rehabilitation, Quartier Ville Port, Saint-Nazaire, France, 2005-07), p. 320 ; MII ARCHITECTEN (Information Center, National Center for Arboriculture, Baarn, the Netherlands, 2001-03), p. 330 ; MADA S.P.A.M. …”