Materias:

“…Two little rich girls…”

Tabla de Contenidos: “…Modernity and the Classic Gangster Film -- Silent and early sound contexts for the 'classic' cycle -- The 'classic' cycle in its critical context -- Little Caesar: an untypical 'classic' -- The gangster and modernity -- The Public Enemy: modernity, space, and masculinity -- The gangster and the gang -- Scarface: everything to excess -- Repressing modernity: the studios and the Hays Office -- The Post-Code Gangster: Ideology and Social Conscience -- The return of ideology: the G-Man and early post-moratorium variations -- The social gangster -- 'He used to be a big shot': The Roaring Twenties, history, modernity, and the gangster -- The Death of the Big Shot: the Gangster in the 1940s -- Early variations of the 1940s -- High Sierra: re-visiting and renewing the genre -- Revisiting the family plot -- The post-war big shot -- Outside Society, Outside the Gang: the Alienated Noir Gangster -- Post-war transitions: film noir's cultural and cinematic context -- Film noir and its discourses -- Gangsters and film noir -- The emasculated male in early gangster noir -- From small gangs to big business -- Late gangster noir: the triumph of technology -- Order and Chaos, Syndicates and Heists -- Heists: rationalised gangs and fragmented individuals -- Syndicates and rogue cops: un-American visions -- Nostalgia and Renewal in the Post-Classical Gangster Film -- From retro to modern: gangsters in the 1960s -- The gangster film as epic: The Godfather trilogy -- Gangsters on the margins: the gangster-loser film and blaxploitation…”

Materias: “…Litts, Theodor Crítica e interpretación…”

Materias:

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Materias: “…Satèl·lits científics Congressos…”