Tabla de Contenidos: “…CD 1: Revelation : Apocalypse texts and medieval music: Prologue : Mille anni : vocal and instrumental improvisation of the text of Psalm 90 (2:37) ; Revelation of the end of the world : Canto della Sibilla : text by St Augustine (6:37) ; Despair : L'acqua mi giunge fino alla gola : improvisatin on the text of Psalms 69 and 88 (1:09) ; A voice : audivi vocem : antiphoon (GT 689) from the Book of Revelation 14:13) (1:22) ; The Lamb : ergo agnus veri (2:39) ; Knowledge : C'è un tempo per nascere e un tempo per morire : text taken from Ecclesiastes 3:2-8 (1:05) ; De facili contempnit omnia : propositum quidem negocii : motet from the Monastery of Bamberg (13th century) (2:24) ; The power : sederunt principes : organum by Pérotin from the Monastery of Wolfenbüttel (9:36) ; The seven seals : É venuto il tempo di distruggere coloro che distruggono la terra : Book of Revelation, Chapter 1 (0:06) ; When the first seal opened : Mundus a munditia : improvisation on the text from Revelation 6:8 with drums : conductus from the Monastery of Notre Dame (13th century) (3:44) ; The Angel : Stetit angelus : offertory (GT 610) : text from Revelation 8:3-4 (2:23) ; The seven trumpets : Quando duonò la prima tromba, Homo luge! …”

Tabla de Contenidos: “…Coderch ; Housing, Toulouse / Octavio Mestre ; Porto-Vecchio College, Corsica / Dominique Seni & Paule Marcellesi ; Social Housing, Pia / Atelier d'Architecture Philippe Pous ; Social Housing, Perpignan / Atelier d'Architecture Philippe Pous ; Muebles Tarragona, Barcelona / Octavio Mestre ; Casa Teresa, Barcelona / Pich-Aguilera ; Apartaments at Bravo Murillo St., Madrid / Julián Fernández Tejera - David Nadal Berlinches - Regina Vidudes Simo ; School, Madrid / DG Arquitectura ; LOT Goverment Headquarters, Cahors / Brochet - Lajus - Pueyo ; Farm Studio "A", Brea de Tajo / Matos Castillo Arquitectos; University - UPC, Castelldefels / Josep Benedito - Agustí Mateos- RQP Arquitectura -- URV…”

Tabla de Contenidos: “…(Comprehensive Office Building, Zhujiajiao Administration Center, Quingpu, Shangai, China, 2004-06), p. 334 ; PAULO MENDES DA ROCHA (Our Lady of the Conception Chapel, Recife, Pernambuco, Brazil, 2004-06), p. 340 ; CORINNA MENN (Conn Viewinf Platform, Flims, Switzerland, 2005-06), p. 346 ; MERKX + GIROD ARCHITECTEN (Selexyz Dominicanen Bookstore, Maastricht, The Netherlands, 2005-07), p. 352 ; JOSÉ RAFAEL MONEO (Prado Museum Extension, Madrid, Spain, 2001-07), p. 358 ; MORPHOSIS (Hypo Alpe-Adria Bank Headquarters, Udine, Italy, 2004-06), p. 364 ; MVRDV (GYRE Building, Shibuya-ku, Tokyo, Japan, 2006-07), p. 372 ; MANFREDI NICOLETTI (New Arezzo Hall of Justice, Arezzo, Italy, 2001-07), p. 378 ; VALERIO OLGIATI (Atelier Bardill, Scharans, Switzerland, 2006-07), p. 382 ; STUDIO PEI – ZHU (Digital Beijing, Control Center for the 2008 Olympics, Beijing, China, 2005-08), p. 386 ; RENZO PIANO (The New York Times Building, New York, New York, USA, 2005-07), p. 394 ; PTW ARCHITECTS (The Watercube, National Swimming Center, Beijing, China, 2003-08), p. 404 ; STUDIO ARNE QUINZE (Uchronia Message out of the Future, Burning Man Festival, Black Rock City, Black Rock Desert, Nevada, USA, 2006), p. 412 ; RCR ARQUITECTES (The Edge, Bussines Bay, Dubai, United Arab Emirates, 2008-), p. 418 ; ROJKIND ARQUITECTOS (Nestlé Chocolate Museum (Phase I), Toluca, Mexico City, Mexico, 2007), p. 424 ; MARC ROLINET (Chapel of the Deaconesses of Reuilly, Versailles, France, 2004-07), p. 430 ; HANS-JORG RUCH (Chesa Madalena, Zuoz, Switzerland, 2001-02), p. 438 ; SANAA/SEJIMA + NISHIZAWA (De Kunstlinie, Theater and Cultural Center, Almere, The Netherlands, 2004-07 / New Museum of Contemporary Art, New York, New York, USA, 2005-07), p. 442 ; THOMAS SCHÜTTE (Model for a Hotel, Fourth Plinth, Trafalgar Square, London, UK, 2007-08), p. 456 ; SCOPE CLEAVER (Princeton University Gallery of the Arts, Princeton University (120, 204, 24), “Second Life”, 2007), p. 460 ; ÁLVARO SIZA VIEIRA (Adega Mayor Winery, Argamassas Estate – Campo Maior, Portugal, 2005-06 / Iberê Camargo Foundation, Porto Alegre, Rio Grande do Sul, Brazil, 1998-2008), p. 466 ; SNØHETTA (Oslo Opera House, Oslo, Norway, 2003-08), p. 484 ; TONKIN LIU (Singing Ringing Tree, Crown Point, Burnley, UK, 2005-06), p. 492 ; BERNARD TSCHUMI (Zénith Concert Hall, Limoges, France, 2005-07), p. 496 ; UNSTUDIO (Hotel Castell, Zuoz, Switzerland, 2001-04 / Theater Agora, Lelystad, The Netherlands, 2004-07), p. 502 ; URBANIS (Dafen Art Museum, Dafen Village, Shenzhen, China, 2006-08), p. 516 ; PEKKA VAPAAVUORI (KUMUU, Main Building of the Art Museum of Estonia, Tallinn, Estonia, 2003-06), p. 524 ; VARIOUS ARCHITECTS (Make It Right/Pink Project, New Orleans, Louisiana, USA, 2007-), p. 530 ; WANDEL HOEFER LORCH (Ohel Jakob Synagogue, Jewish Center in Munich, St.…”