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Materias dentro de su búsqueda.
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2801Publicado 1989Materias: “…Festival Internacional de Cinema Fantàstic de Sitges (22è : 1989) Catàlegs…”
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2802Publicado 1988Materias: “…Festival Internacional de Cinema Fantàstic de Sitges (21è : 1988) Catàlegs…”
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2803Publicado 1986Materias: “…Festival Internacional de Cinema Fantàstic de Sitges (19è : 1986) Catàlegs…”
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2804Publicado 1985Materias: “…Festival Internacional de Cinema Fantàstic de Sitges (18è : 1985) Catàlegs…”
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2805Publicado 1984Materias: “…Festival Internacional de Cinema Fantàstic de Sitges (17è : 1984) Catàlegs…”
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2806
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2807
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2808
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2809
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2810Publicado 2020“…Contributions by Adams, along with artists Jean Barberis, Joshua Edwards, Marie Lorenz, Nancy Nowacek, Jeff Williams, Lynn Xu, and Marina Zurkow and artist/curators Kendra Sullivan and Dylan Gauthier, who organized the residency and culminating exhibition, present multimodal research into species extinction, terraforming, ecological restoration and regenerative practices, as a window onto the past, present, and future of this unstable place"--…”
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2811
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2812
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2813Publicado 1996Tabla de Contenidos: “…section 1. Audiences and the cinema industry -- section 2. Popular stars and genres -- section 3. …”
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2814
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2815Publicado 2016“…Realizing the Witch not only illustrates the underrated importance of the film within the canons of classic cinema, it lays bare the relation of the invisible to that which we cannot prove but nevertheless “know” to be there…”
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2816Publicado 2020Tabla de Contenidos: “…Introduction: Politics of Intimacy in Contemporary European Cinema -- Touching Journeys: Precarious Intimacies and Narratives of Nonarrival -- Touch as Narrative Disruption: Race, Gender, and Queering Intimacy -- Religion, Sexuality, and Precarious Intimacy -- Commodified Intimacy in a Globalizing Europe -- White Fragility and the White Gaze: Race, Gender, and Neoliberalism -- Conclusion: Precarious Intimacies, Collaborations, and Solidarities…”
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2817
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2818Publicado 2017“…O Cinema no discurso do poder…”
Libro electrónico -
2819por Cowan, Michael, author“…Far from representing a mere collection of pre-formed cinephiles, film societies were, according to the book’s central argument, productive social formations, which taught people how to nurture their passion for the movies, how to engage with cinema, and how to interact with each other. Ultimately, the study argues that examining film societies can help to reveal the diffuse agency by which generative ideas of cinema take shape…”
Publicado 2023
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2820
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