Tabla de Contenidos: “…Literary arts : playing with potentials -- section 3. Dramatic arts : ideas in action -- section 4. Visualizing ideas : believing is seeing -- section 5. …”

Tabla de Contenidos: “…Einführung von Erwin Ackerknecht -- Gedichte -- Dramen : Die Raüber. Die Verschwörung des Fiesco. …”

Tabla de Contenidos: “…VIDAS Y MUERTES MÍAS; Portada; Portadilla; Página legal; Índice; Prólogo; Exordio; Frieda; Michael Ann; Mary y Maggie; Carmiña; Simone y Agnes; La otra orilla; Post Scriptum; Dramatis Personae; 1; 2; 3; 1; 2; 3; 4; 1; 2; 1; 2; 1; 2; 3; 1; 2; 3…”

Tabla de Contenidos: “…Literary Secretariat - Creator / Maker of Directorial Views -- RESEARCHES INTO THEATRICAL PEDAGOGY, LANGUAGE OF ANIMATION THEATRE AND ART OF ACTING -- Defining Aspects in Forming the Artistic Personality of the Animation Theatre Actor -- About the Innovative Role of the Animated Object on the Dramatic Theatre Scene -- Styles, Techniques and Interpretations in the Creation of Bunraku Puppets -- School as a Laboratory -- The Actor's Body as a Performing Space for the Animated Object (from the Perspective of Nicolas Gousseff's Artistic Beliefs and the Feldenkrais Method in Puppetry) -- The Expressivity of an Actor's Speech on and off the Stage -- Psycho-pedagogical Approaches in the Training of the Acting Student -- The Identity of Romanian Ballet -- INTERFERENCES - DRAMATIC LITERATURE, RESEARCHES AND PERFORMING ASPECTS -- Matei Vișniec - Romanian Playwright and Promoter of Young Talents -- Ștefan Oprea - the Profile of an Authentic Researcher -- Researchers for Iași, Revolving around Shakespeare's Plays -- The Monologue in the Dramatic Text and in the Performance -- Dramaturgy - Society's Mirror -- Theological and Philosophical Aspects of the Fool in England -- Interferences and Connections between Samuel Beckett's Prose and Theatre - a Few Situations Encountered in My Research -- The Modernity of a Dramatic Art Lecture at the Beginning of the Twentieth Century -- Balance and Imbalance in the Process of Research of Gogol's Characters -- PERSPECTIVES FROM PRESENT TO FUTURE -- The New Wave of Romanian Independent Theatre: Ethical and Aesthetic Trends -- The New Wave of Independent Theatre in Romania - Some Considerations -- Theatricality in the Beginning of the Posthuman Era -- Theatre and Creative Industries…”

“…Her practical conclusion was that a user's enjoyment must be a paramount design consideration, and this demands a deep awareness of dramatic theory and technique, both ancient and modern. …”

“…"As prose dramatic texts Plato's dialogues would have been read by their original audience as an alternative type of theatrical composition. …”

Tabla de Contenidos: “…Introduction: The performance of reading -- "Silence visible" : Carthusian devotional reading and meditative practice -- Backgrounds : the Carthusian Order -- Carthusians and books -- Carthusians and art -- The shapes of eremitic reading in the desert of religion : the desert of religion as imagetext -- "ALS wildernes is wroght þis boke" : formats of monastic books -- Reading spiritual community in the wilderness -- Lyric imaginings and painted prayers -- The eremitic lyric and Richard Rolle -- Imagining the Carthusian reader -- Liturgical pageantry in private spaces -- Reading the liturgy : two models -- Performing the holy name -- Performing the canonical hours -- Performing the seven sacraments -- Envisioning dialogue in performance -- "In maner of a dyaloge it wente" -- Allegorical dialogues : the pylgremage of the soul -- Mystical dialogues : the treatise of the seven points -- Dramatizing the cell : theatrical performances in monastic reading -- Dramatic texts, lyric voices, and private readers -- Theatrical reading in additional 37049 -- Monastic closet drama -- Conclusion: Reading performances…”
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Tabla de Contenidos: “…PRÉSENTATION -- INTRODUCTION: L'esthétique à l'épreuve du recyclage culturel -- PARTIE I: Recyclage : enjeux d'une esthétique multiculturelle -- PARTIE II: Recyclage et histoire -- PARTIE III: Kantor, mise en scène et recyclage -- PARTIE IV: Repenser l'esthétique : la dramatisation -- PARTIE V: Repenser l'esthétique : l'expérience de l'art -- PARTIE VI: Recyclage de la valeur culturelle…”

Tabla de Contenidos: “…Biographical Introduction - Antecedents, Birth, and Early Years - Tarkhany and The Caucasus - To Moscow - Petersburg Society and the First Exile - Petersburg and the Barante Duel - Second Exile - The Second Duel - Early Lyrics (1828-1835) - Lyrics (1836-1839) - Lyrics (1840-1841) - Narrative Poems - Dramatic Works - Prose…”

Tabla de Contenidos: “…Porter: Film Continuity Begins; D. W. Griffith: Dramatic Construction; International Perspectives; Vsevolod I. …”

“…He lived through the Age of Revolutions and was touched by the ideas and dramatic changes that characterised that era. This is a biographical study of his life"…”

Tabla de Contenidos: “…Fact, theory, and literary explanation -- The concept of genre in eighteenth-century studies -- Literary permanence and critical change -- Literary constructs : experience and explanation -- Literary form in factual narrative : the example of Boswell's Johnson -- The dramatic monologue and related lyric forms -- Notes on some structural varieties and variations in dramatic "I" poems and their theoretical implications -- Defoe, Richardson, Joyce and the concept of form in the novel -- The emergence of the novel in England : genre in history vs. history of genre -- From Richardson to Austen : "Johnson's rule" and the eighteenth-century novel of moral action -- Tom Jones : the form in history -- "Big with jest" : the bastardy of Tristram Shandy -- The comparative anatomy of three "baggy monsters" : Bleak house, Vanity fair, Middlemarch -- Barchester towers : a fourth baggy monster -- Lord Jim and the formal development of the English novel -- Exodus and return : Joyce's Ulysses and the fiction of the actual -- The logic of Ulysses, or why Molly had to live in Gibraltar…”

“…The Bluetooth specification has been updated to deliver dramatic improvements in both reliability and interoperability. …”

“…This formulation becomes the basis of an alternative theory of American dramatic construction, one that challenges traditional dramaturgical notions of realism…”