Tabla de Contenidos: “…Fazit -- 8.3. Energieverbrauch von Haushalten für Raumwärme -- 8.3.1. Einführung -- 8.3.2. …”

Tabla de Contenidos: “…Matriarcalismo fantasmático y nostalgia narcisista en la poesía patriótica e ilustrada de Juan Meléndez Valdés / Aspectos de la imagen utópica de España en la literatura española del siglo XVIII / En el «país nebuloso de los mitos físicos»: Alexander von Humboldt y la naturaleza «inferior» de América. …”

Tabla de Contenidos: “…Intro -- Holy Ground: Where Art and Text Meet: Studies in the Cultural History of India -- Copyright -- Table of Contents -- Part I Early Studies 1986-2000 -- 1 An Indian Image of Man: An Inquiry into a change of perspective in the Hindu world-view -- Introduction -- The Indian understanding of perfect man -- The 'Raw Material' -- The Sufis -- The Yogis -- The Sants -- The Bhaktas -- Epilogue -- 2 Die Indische Herausforderung: Hegels Beitrag zu einer europäischen kulturhistorischen Diskussion -- Einleitung -- Die Jahre 1820-1825 -- Neue Einsichten -- Die Jahre 1826-1831 -- Die Rezeption der Bhagavadgītā -- Von Humboldts Bhagavadgītā Vorträge und Hegels Kritik -- Schlussbetrachtung -- Schlussmoral -- 3 Ayodhyā: le nom et le lieu -- Ayodhyā conçue : le nom -- Ayodhyā retrouvée : le lieu -- Illiers-Combray -- 4 Ayodhyā: A Hindu Jerusalem: An investigation of 'Holy War' as a religious idea in the light of communal unrest in India -- Introduction -- Holy war as a religious idea -- Five conditions of 'holy war' -- The Hindu religion and the social reality of war -- The advent of Islam -- The segregation of the Hindu and Muslim communities -- The idea of the Rāma rājya -- The Kingdom of Avadh -- The emerging conflict around the Babri Masjid in Ayodhyā -- Ayodhyā: a Hindu Jerusalem -- The fight for the Rāmajanmabhūmi/Babri Masjid -- Epilogue -- 5 The Ramtek Inscriptions I -- Introduction -- The graffiti -- The two short Kevala-Narasiṃha Temple inscriptions -- Kevala-Narasiṃha Temple Ramtek Inscription No. 1 -- Kevala-Narasiṃha Temple Ramtek Inscription No. 2 -- The Ramtek Stone Inscription of the time of Rāmacandra -- Synopsis of the contents -- Editorial principles -- Edition -- Translation -- 6 The Ramtek Inscriptions II: The Vākāṭaka inscription in the Kevala-Narasiṃha Temple (Together with Harunaga Isaacson) -- Introduction -- Palaeography…”

Tabla de Contenidos: “…Introduction, p.7; Aino Aalto, p.14; Rand Abdul Jabbar, p.15; Susi Aczel, p.16; Lindsey Adelman, p.17; Lani Adeoye, p.18; Ruth Adler Schnee, p.19; Anni Albers, p.20; Kawther Alsaffar, p.21; Jeannette Altherr, p.22; Karin Schou Andersen, p.23; Joyce Anderson, p.24; Carina Seth Andersson, p.25; Wendy Andreu, p.26; Antonia Astori, p.37; Jane Atfield, p.38; Gae Aulenti, p.29; Tamoko Azumi, p.30; Cleo Baldon, p.31; Lucia Bartolini, p.32; Stephanie Beamer, Crystal Ellis & Hillary Petrie, p.33; Dorothee Becker, p.34; Liisi Beckmann, p.35; Martine Bedin, p.36; Vivian Beer, p.37; Mercedes “Ched” Berenguer-Topacio, p. 38; Otti Berger, p.39; Susi Berger, p.40; Laelie Berzon & Lisa Vincitorio, p. 42; Nikita Bhate, p.43; Ilaria Bianchi, p. 44; Ayse Birsel, p.45; Aída Boal, p.47; Lina Bo Bardi, p.48; Cini Boeri, p.50; Hedwing Bollhagen, p.51; Marianne Brandt, p.52; Bec Brittain, p.53; Gegia Bronzini, p.54; Barbara Brown, p.55; Maria Bruun , p.56; Rachel Bullock & Molly Purnell, p.57; Marie Burgos, p.58; Louise Campbell, p.58; Gloria Caranica, p.60; Etel Carmona, p.61; Maddalena Casadei, p. 62; Anna Castelli Ferrieri, p.63; Carol Catalano, p.64 Jungyou Choi, p.65; Maria Chomentowska, p.66; Karen Clemmensen, p.67; Muriel Coleman, p.68; Kim Colin, p.69; Janete Costa, p.70; Matali Crasset, p.71; Ilse Crawford, p.72; Gabriella Crespi, p. 74; Raffaella Crespi, p.75; Veronica Dagnert & Helena Jonasson, p.76; Lucienne Day, p.77; Nada Debs, p.78; Qiyun Deng, p.79; Marie Dessuant, p.80; Freda Diamond, p.82; Friedl Dicker-Brandeis, p.84; Jane Dillon, p.85; Aïssa Dione, p.86; Nanna Ditzel, p.87; Helen Dryden, p.88; Helen Hughes Dulany, p.89; Nathalie Du Pasquier, p.90; Ray Eames, p.92; Kiki Van Eijk, p.94; Yeşim Eröktem, p. 95; Lisa Ertel, p.96; Felicia Ferrone , p.98; Andrea Flores & Lucía Soto, p.99; Marisa Forlani, p.100; Monica Förster, p.101; Carol Gay, p.102; Marion Geller, p.103; Ruth Hidegard Geyer-Raack, p.104; Emiliana Gonzalez & Jessie Young, p.105; Anne Krohn Graham, p.106; Johanna Grawunder, p.107; Eileen Gray, p.108; Rachel Griffin, p.110; Greta Grossman, p.111; Zaha Hadid , p.112; Virgina Hamill, p.114; Ineke Hans, p.115; Eszter Haraszty, p.116; Trix Haussmann, p. 117; Mette Hay, p. 118; Edith Heath, p. 119; Franca Helg, p. 120; Margarete Heymann-Löbenstein, p. 121; Franziska Hosken, p. 122, Rossana Hu, p. 123; Marialaura Rossiello Irvine, p. 124; Shinobu Ito, p. 125; Sophie Lou Jacobsen & Sarita Posada, p. 126; Grete Jalk, p. 127; Nata Janberidze & Keti Toloraia, p. 128; Ania Jaworska, p. 129; Hilda Jesse-Schmid, p. 130; Lisa Johansson-Pape, p. 131; Hella Jongerius, p. 132; Merve Kahraman, p. 134; Ilonka Karasz, p.135; Anna Karlin, p. 136; Bodil Kjær, p.137; Florence Knoll, p.138; Belle Kohan, p.139; Lucie Koldová, p.140; Ana Kraš, p.141; Teresa Kruszewska, p.142; Agata Kulik-Pomorska, p.143; Sofia Lagerkvist & Anna Lindgren, p.144; Claude Lalanne, p.145; Elisabeth Eyre de Lanux, p.146; Francesca Fanzavecchia, p.148; Estelle Laverne, p.149; Monling Lee, p.150; Olga Lee, p.151; Geke Lensink, p.152; Rosie Li, p.153; Francesca Lindh, p.154; Aljoud Lootah, p.155; Althea McNish, p.156; India Mahdavi, p.157; Rianne Makkink, p.158; Cecile Manz, p.159; Sabine Marcelis, p.160; Grethe Meyer, p.162; Hikaru Mori, p.163; Renate Müller, p.164; Ignacia Murtagh, p.165; Mira Nakashima, p.166; Paola Navone, p.167; Greta von Nessen, p.168; Stephanie Ng, p.169; Anna Maria Niemeyer, p.170; Libuše Niklová, p.172; Dina Nur Satti, p.173; Gunnel Nyman, p.174; Moyo Ogunseinde, p.175; Jay Sae Jung Oh, p.176; Ann Pamintuan, p.177; Luisa Parisi, p.178; Tamara Pérez, p.179; Maria Pergay, p.180; Charlotte Perriand, p.181; Clara Porset, p.182; Andrée Putman, p.183; Ingegerd Råman, p.184; Mary Ratcliffe, p.185; Samira Rathod, p.186; Noémi Raymond, p.187; Lilly Reich, p.188; Margaretha Reichardt, p.189; Sylvia Reid, p.190; Coco Reynolds, p. 191; Lucie Rie, p.192; Estefanía de Ros, p.193; Pipsan Saarinen-Swanson, p.194; Latifa Saeed, p.195; Mentalla Said & Jumana Taha, p.196; Clauda Moreira Salles, p.197; Maria Sanchez, p.198; Cynthia Sargent, p.199; Afra Scarpa, p.200; Bertha Schaefer, p.201; Zahara Schatz, p.202; Margarete Schütte-Lihotzky, p.203; Emma Schweinberger, p.204; Denise Scott Brown, p.205; Kazuyo Sejima, p.206; Inga Sempé, p.208; Mia Senekal, p.209; Mimi Shodeinde, p.210; Alma Siedhoff-Buscher, p.211; Jutta Sika, p.212; Trudi Sitterle, p.213; Alison Smithson, p.214; Sylvia Stave, p.215; Nanny Still, p.216; Gunta Stölzl, p.217; Marianne Straub, p.218; Marianne Strengell, p.219; Saša Štucin, p.220; Claudia Suarez Ahedo, p.221, Hiroko Takeda, p.222; Reiko Tanabe, p.223; Jacqueline Terpins, p.224; Faye Toogood, p.226; Helena Tynell, p.227; Patricia Urquiola, p.228; Mpho Vackier, p.229; Garance Vallée, p.230; Ionna Vautrin, p.131; Lella Vignelli, p.232; Nanda Vigo, p.233; Hisako Watanabe, p.234; Chen-Yen Wei, p.235; Donna Wilson, p.236; Esther Wood, p.237; Sohyun Yun, p.238; Utharaa Zacharias, p.239; Eva Zeisel, p.240; Sandrine Ébène de Zorzi, p.241; Timeline, p.244; Endnotes, p.256; Index, p.258…”

Acceso restringido con credenciales UPSA

“…Mit dem Blick auf das Vermächtnis von Nürnberg soll dieser Band dazu beitragen, Antworten auf die Fragen zu finden, wie Recht durchgesetzt werden kann und Menschenrechtsverbrecher wirkungsvoll für ihre Taten zur Verantwortung gezogen werden können 60 years after the trials of the main German war criminals, the articles in this book attempt to assess the Nuremberg Trials from a historical and legal point of view, and to illustrate connections, contradictions and consequences. …”

“…(FH), PMP, PMI-RMP, CSM verantwortete für mehr als 15 Jahre kommerzielle und öffentliche Projekte, Großprojekte und Programme und sammelte umfangreiche Erfahrung im Umfeld von Software-, Systemintegrations- un…”

“…Sie besuchen die Hochf̲en alter Stahlwerke, die mc̃htigen Maschinenhallen der Zechen und Kokereien und entdecken spannende Architektur sowie Kunst von Skulptur bis Graffiti. Sie fotografieren faszinierende Technik in Industriemuseen, erkunden Schls̲ser, Parks und Flussauen und erwandern sich die schn̲sten Haldenausblicke. …”

“…Die Herausforderung bei der Einführung und Umsetzung von Automotive SPICE besteht darin, die Norm richtig zu interpretieren und auf eine konkrete Problemstellung anzupassen. …”

Tabla de Contenidos: “…Introducing machine learning -- Touching new heights -- Chapter 4 Pioneering Specialized Hardware -- Relying on Standard Hardware -- Understanding the standard hardware -- Describing standard hardware deficiencies -- Relying on new computational techniques -- Using GPUs -- Considering the von Neumann bottleneck -- Defining the GPU -- Considering why GPUs work well -- Working with Deep Learning Processors (DLPs) -- Defining the DLP -- Using the mobile Neural Processing Unit (NPU) -- Accessing the cloud-based Tenser Processing Unit (TPU) -- Creating a Specialized Processing Environment -- Increasing Hardware Capabilities -- Adding Specialized Sensors -- Devising Methods to Interact with the Environment -- Part 2 Considering the Uses of AI in Society -- Chapter 5 Seeing AI Uses in Computer Applications -- Introducing Common Application Types -- Using AI in typical applications -- Realizing AI's wide range of fields -- Considering the Chinese Room argument -- Seeing How AI Makes Applications Friendlier -- Performing Corrections Automatically -- Considering the kinds of corrections -- Seeing the benefits of automatic corrections -- Understanding why automated corrections don't work -- Making Suggestions -- Getting suggestions based on past actions -- Getting suggestions based on groups -- Obtaining the wrong suggestions -- Considering AI-based Errors -- Chapter 6 Automating Common Processes -- Developing Solutions for Boredom -- Making tasks more interesting -- Helping humans work more efficiently -- Understanding how AI reduces boredom -- Considering how AI can't reduce boredom -- Working in Industrial Settings -- Developing various levels of automation -- Using more than just robots -- Relying on automation alone -- Creating a Safe Environment -- Considering the role of boredom in accidents -- Using AI to avoid safety issues…”

Tabla de Contenidos: “…10.6.1 Computation of Fracture Parameters -- 10.6.2 Fatigue Crack Growth in Compact Tension Specimen -- 10.7 Summary -- References -- 11 XFEM Modeling of Cracked Elastic-Plastic Solids -- 11.1 Introduction -- 11.2 Conventional von Mises Plasticity -- 11.2.1 Constitutive Model -- 11.2.2 Asymptotic Crack Tip Fields -- 11.2.3 XFEM Enrichment -- 11.2.4 Numerical Implementation -- 11.2.5 Representative Results -- 11.3 Strain Gradient Plasticity -- 11.3.1 Constitutive Model -- 11.3.2 Asymptotic Crack Tip Fields -- 11.3.3 XFEM Enrichment -- 11.3.4 Numerical Implementation -- 11.3.5 Representative Results -- 11.4 Conclusions -- References -- 12 An Introduction to Multiscale analysis with XFEM -- 12.1 Introduction -- 12.1.1 Types of Multiscale Analysis -- 12.2 Molecular Statics -- 12.2.1 Atomistic Potentials -- 12.2.2 A simple 1D Harmonic Potential Example -- 12.2.3 The Lennard-Jones Potential -- 12.2.4 The Embedded Atom Method -- 12.3 Hierarchical Multiscale Models of Elastic Behavior - The Cauchy-Born Rule -- 12.4 Current Multiscale Analysis - The Bridging Domain Method -- 12.5 The eXtended Bridging Domain Method -- 12.5.1 Simulation of a Crack Using XFEM -- References -- Index -- EULA…”