Tabla de Contenidos: “…Protocolo -- Test de identificación de vocales -- Test de identificación de consonantes --Series cerradas de palabras cerradas cotidianas --Test de percepción temprana de la palabra (ESP) -- Test de bisílabas -- Test de monosílabas --Test de frases de elección abierta con apoyo -- Test de frases de elección abierta sin apoyo (CID sentences)…”

Tabla de Contenidos: “…Part 1: Getting started -- You already have great stories -- Getting past fear -- The truth -- The universal theme -- The thesis-based story -- Part 2: Elements of a story -- Passion -- Layering a story -- Perspective -- Character -- Rooting for the storyteller -- The full circle -- Someone else's story -- The unexpected -- The benign -- Part 3: The performance and beyond -- How to memorize & vocalize a story -- The business of storytelling…”

Tabla de Contenidos: “…; Ambient Language Phonology; Socio-cultural Influences; Summary; Chapter 4. Vocalization and Pattern Detection Through Moving and Sensing; What Are the Early Stages of Vocal Development?…”

Tabla de Contenidos: “…Condenser microphones -- Ribbon microphones -- USB microphones -- Setting up your recording environment -- Recording instruments -- Recording drum kits -- Preparing to record vocals -- Recording audio into FL Studio -- Recording with Edison -- Using pitch correction with Newtone -- Pitch correction best practices -- Vocals effect processing best practices -- Backing vocals effects best practices -- Summary -- Chapter 09: Understanding Vocal Effects -- Understanding vocoders -- Understanding MIDI -- Using vocoders -- Harmonizing vocals with Pitcher -- Using Vocodex -- Vocoder best practices -- Creating vocal chops -- Using Slicex to create vocal chops -- Vocal chopping considerations -- Summary -- Section 3: Postproduction and Publishing Your Music -- Chapter 10: Creating Your Own Instruments and Effects -- Understanding glitch effects -- Creating glitch effects with Gross Beat -- Mapping time and volume effects to a sample -- Gross Beat sequencer -- Creating instruments with DirectWave -- Creating effects with Patcher -- Creating custom dashboards in Patcher -- Summary -- Chapter 11: Mastering Fundamentals -- What is mastering? …”

Tabla de Contenidos: “…Production philosophies, your ears and critical listening -- Project management and pre-production -- Basic music theory -- Song structure, lyrics and melody -- Advanced music theory -- Arrangement and orchestration -- Demystifying recording levels -- Microphone, pre-amp and live room choice -- The critical listening environment -- Decision-making and general recording techniques -- Tracking drums -- Tracking electric and bass guitar -- Tracking other instrumentation -- Tracking vocals…”

Tabla de Contenidos: “…Chapter 9 Starting PointsTrack Layout; Documentation; Drums; Bass Guitar; Electric Guitar; Acoustic Guitar; Vocals; Horns; Piano; Something's Not Right; Chapter 10 Signal Routing; Levels To Record; The Monitor Mix; Chapter 11 Recording; Tuning; In Record/Red Lights; Punching; Recording Vocals; Pitch; Post Record; Recording Effects; The Part; Bouncing; Doubling; Edits; End of Session; Chapter 12 Mixing; Pre Mix; Setting up to Mix; Mixing Basics; Effects; Levels; Print Prep; Printing; After Printing; Mastering; Chapter 13 Appendix: Digital; Digital Conversion; Bit processors; LSB versus MSB…”

Tabla de Contenidos: “…. -- Conte: Apéndice con un análisis vocal esquemático de personajes de Opera. -- DL M-17531-1977. -- ISBN 84-387-0025-X. …”

Tabla de Contenidos: “…Contribución a la polifonía vocal del renacimiento : tres motetes atribuidos a Diego Ortiz / Adelaida Muñoz Tuñón…”

Tabla de Contenidos: “…Main theme ; Band of brothers suite one ; Band of brothers suite two ; The mission begins ; Swamp ; Spiers' speech ; Fire on lake ; Parapluie ; Boy eats chocolate ; Bull's theme ; Winters on subway ; Headscare ; Buck in hospital ; Plaisir d'amour ; Preparing for patrol ; String quartet in c-sharp minor (opus 131 by Beethoven) ; Discovery of the camp ; Nixon's walk ; Austria ; Band of brothes requiem (vocals: Maire Brennan & Zoe Kamen)…”

Tabla de Contenidos: “…I Get Along Without You Very Well (Except Sometimes) (Vocal) / Chet Baker -- It Never Entered My Mind / Miles Davis -- Nice Work If You Can Get It / Thelonious Monk -- Nostalgia In Times Square / Charles Mingus -- News For Lulu / Sonny Clark -- Watermelon Man / Herbie Hancock -- Hanky Pan / Dexter Gordon -- Message From The Nile / Mccoy Tyner -- Blues Walk / Lou Donaldson -- Strange Fruit / Lou Rawls…”

Tabla de Contenidos: “…Cover -- Title -- Copyright -- Dedication -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Chapter 1 The Recording Engineer -- Chapter 2 Sound Characteristics -- Chapter 3 The Studio Setup -- Chapter 4 Drums Setup -- Chapter 5 Electric Guitars Setup -- Chapter 6 Acoustic Instruments Setup -- Chapter 7 Vocals Setup -- Chapter 8 The Control Room Setup -- Chapter 9 The Starting Points -- Chapter 10 The Signal Routing -- Chapter 11 The Recording -- Chapter 12 The Mixing -- Index…”

Tabla de Contenidos: “…La música vocal "sin texto" -- 16. Recursos instrumentales para reforzar los acentos -- 17. …”

Tabla de Contenidos: “…. - ¿A QUÉ EDAD PUEDE INICIARSE EL TRABAJO VOCAL? -- SEGUNDA PARTE: TEORÍA -- I. - EL INSTRUMENTO VOCAL. - DESCRIPCIÓN. - FUNCIONAMIENTO -- 1) EL APARATO RESPIRATORIO -- 2) EL APARATO DE LA FONACIÓN -- 3) EL APARATO RESONADOR -- MECANISMO DE LA VOZ -- II. - LA RESPIRACIÓN. - EL CONTROL DEL ALIENTO -- LA RESPIRACIÓN SE REALIZA EN TRES TIEMPOS -- CONSEJOS -- III. - POSICIÓN Y FUNCIÓN DE LOS ÓRGANOS DE LA BOCA -- LA MANDIBULA INFERIOR -- LA LENGUA -- EL PALADAR BLANDO O VELO DEL PALADAR -- LOS LABIOS -- IV. - LOS RESONADORES -- V. - LA EMISIÓN -- EL ATAQUE DEL SONIDO -- EL APOYO DEL SONIDO -- LA COLOCACIÓN Y LA HOMOGENEIDAD DE LA VOZ -- ¿CÓMO FINALIZAR EL SONIDO? …”
Enlace del recurso

Tabla de Contenidos: “…A basic overview of the recording process -- Sound and psychoacoustics -- Studio acoustics -- Signal characteristics of audio devices -- Equipping your studio -- Monitoring -- Microphones -- Microphone technique basics -- Microphone techniques for instruments and vocals -- Equalization (EQ) -- Effects and signal processors -- Mixers and mixing consoles -- Digital audio -- Computer recording -- DAW signal flow -- DAW operation -- Judging sound quality with critical listening -- MIDI and loops -- Session procedures -- Mastering and CD burning -- On-location recording of popular music -- On-location recording of classical music -- Web audio, streaming, and online collaboration…”

Tabla de Contenidos: “…Gin and jive -- Nagasaki -- There's a small hotel (vocal) -- There's a small hotel (instr.) -- I'm in the mood for swing -- Rambling in C -- Black bottom -- Rambler's rhythm -- New street swing -- I'll never give in -- Skip it -- Lazy afternoon -- I ain't got nobody -- Blues in my heart -- Somebody loves me -- Mighty like the blues -- Pardon me, pretty baby -- My buddy -- I'm coming, Virginia -- Farewell blues -- Blue light blues -- Plymouth Rock -- Savoy stampede -- Melancholy lullaby…”

Tabla de Contenidos: “…Disco 1 (198.452): Música Coral en Montserrat -- Disco 2 (198.453): Maestros del Barroco -- Disco 3 (198.454): Antología de la Música Polifónica Vocal del Siglo XVI -- Disco 4 (198.455): Obras para Órgano del Siglo XVI -- Disco 5 (198.456): Maestros del Órgano del Siglo XVII -- Disco 6 (198.457): Obras para Guitarra (Siglos XVII y XVIII) ; Maestros de la vihuela (Siglo XVI)…”

Tabla de Contenidos: “…List of Hindemith's works (Musical works; Stage works; Instrumental works; Works for chamber ensemble; Keyboard works; Vocal works; Works for electronic and mechanical instruments; Music for children and amateurs; Works written in composition lessons; Arrangements, performing editions, cadenzas; Plays and other creative writing; Drawings; Writings about music) -- Appendix B. …”
Enlace del recurso

“…Comprende 34 trabajos sobre las distintas partes del Anteproyecto de Ley de Código Mercantil que está en tramitación, redactados por los vocales de la Comisión General de Codificación que dirigieron la redacción de la parte correspondiente…”
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