Tabla de Contenidos: “…Worlds, today / The aesthetics of proliferation / Building science-fiction worlds / "He doesn't look like Sherlock Holmes": the truth value and existential status of fictional worlds and their characters / "Visible world": the atlas as a visual form of knowledge and narrative paradigm in contemporary art / A world of Disney: building a transmedia storyworld for Mickey and his friends / World-building logics and copyright: the Dark Knight and the Great Detective / Battleworlds: the management of multiplicity in the media industries / Platform producer meets game master: on the conditions for the media mix / Narrative ecosystems: a multidisciplinary approach to media worlds / The building and blurring of worlds: sound, space, and complex narrative cinema / Beyond immersion: absorption, saturation, and overflow in the building of imaginary worlds / Zombie escape and survival plans: mapping the transmedial world of the dead / MMORPG as locally realized worlds of action / The worries of the world(s): cartoons and cinema / Linguistic terrain and world time: Chinese media theories and their world imaginations / The worlds align: media convergence and complementary storyworlds in Marvel's Thor: The Dark World / World building and metafiction in contemporary comic books: metalepsis and figurative process of graphic fiction / The monster at the end of this book: metalepsis, fandom, and world making in contemporary TV series / Traversing the "Whoniverse": Doctor Who's hyperdiegesis and transmedia discontinuity/diachrony / Transmediaphilia, world building, and the pleasures of the personal digital archive / The politics of world building: heteroglossia in Janelle Monáe's Afrofuturist WondaLand…”