Acceso restringido con credenciales UPSA

Materias: “…Television broadcasting Arab countries…”

Materias: “…Civilization, Ancient, on television…”

Materias: “…Television broadcasting of news…”

Materias: “…Television Production and direction…”

Materias:

Materias:

Materias: “…Televisión en color…”

Materias:

Tabla de Contenidos: “…Acknowledgements -- Contributors -- Introduction: The Fact and Fiction of Television: Stanley Cavell and the Terms of Television Philosophy DAVID LaROCCA and SANDRA LAUGIER -- PART I: NEW TELEVISION -- 1 Justifying Justified WILLIAM ROTHMAN -- 2 'You Get Paid for Pain': Kingdom and New Television MARTIN SHUSTER -- 3 To See and to Stop: The Problem of Abdication in Succession ELISABETH BRONFEN -- 4 When TV is on TV: Metatelevision and the Art of Watching TV with the Royal Family in The Crown DAVID LaROCCA -- PART II: BIG PERFECTIONISM ON THE SMALL SCREEN -- 5 It's My Party and I'll Die Even If I Don't Want To: Repetition, Acknowledgment, and Cavellian Perfectionism in Russian Doll MICHELLE DEVEREAUX -- 6 'Nobody's Perfect': Moral Imperfectionism in Ozark HENT de VRIES -- 7 A Zigzag of a Hundred Tacks: Narrative Complexity in The Good Place CATHERINE WHEATLEY -- 8 Im/Moral Perfectionism: On TV's Two Worlds JEROEN GERRITS -- PART III: EVERYDAY EDUCATION -- 9 The Sublime and the American Dream in Fargo HUGO CLÉMOT -- 10 TV Time, Recurrence, and the Situation of the Spectator: An Approach via Stanley Cavell, Raúl Ruiz, and Ruiz's Late Chilean Series Litoral (2008) BYRON DAVIES -- 11 Education about Trust in Homeland THIBAUT de SAINT MAURICE -- 12 Small Acts PAUL STANDISH -- PART IV: POPULAR TV AND ITS GENRES -- 13 The Event of Television: Sitcoms, Superheroes, and WandaVision STEPHEN MULHALL -- 14 Love, Remarriage, and The Americans SANDRA LAUGIER -- 15 True Detective: Existential Scepticism and Television Crime Drama ROBERT SINNERBRINK -- Index…”

Tabla de Contenidos: “…Drama Production in Networks: Starting Points, Methods and First Results -- 4. Germany’s Television Landscape: Actors and Production Areas -- 5. …”