“…Sie analysiert, wie deren teils subversive Praktiken Machtgefüge in Politik, Wirtschaft und Gesellschaft herausforderten. …”

“…It has often been suggested that Luke's two volumes were written as an apology for Christianity, to demonstrate to the Roman authorities that the new faith was not a dangerous and subversive innovation, a threat to the Pax Romana and to Roman rule. …”
Sumario

“…He concludes that the shifting representation of Nazism in works of alternate history, as well as the popular reactions to them, highlights their subversive role in promoting the normalization of the Nazi past in Western memory…”

“…From the postwar US to Europe and Latin America, she reveals how competing theories of desire, anxiety, aggression, guilt, trauma and pleasure emerged and were then transformed to serve both conservative and subversive ends in a fundamental rethinking of the very nature of the human self and its motivations. …”

Tabla de Contenidos: “…Begoña Olabarria Smith -- De gira con el franquismo: Mariemma, entre la oficialidad y la subversión / Comunicación de Raquel López Fernández -- Las Poxpolinak: género y nacionalismo en la construcción del modelo de las bailarinas vascas / Comunicación de Oier Araolaza Arrieta -- Misty Copeland: el cuerpo de la bailarina negra como estrategia de marketing / Comunicación de Isabel Rivera Mateo -- Cuerpoespacio en movimiento / Comunicación de Ana Carolina Da Rocha Mundim -- La mujer en la danza: cuerpos insurrectos y subversivos / Comunicación de Riikka Laakso -- Cognitive aspects in dance/ Kognitive Aspekte im Tanz/des Tanzens / Ponencia de Dra. …”

“…Le mouvement Dada a été fondé à Zurich par Tristan Tzara, Hugo Ball et Jean Arp et s’est manifesté sous des formes diverses mais toujours subversives, dans plusieurs pays. C’est à Paris qu’il allait atteindre son intensité maximale entre 1919 et 1923. …”

“…Drawing on data from multiple online surveys including a study of 2,407 LGBTQ+ people and a study of 272 people with intersex variations, it names and offers a new ecological framework for understanding participants’ influences on and barriers to euphorias, asserting the subversive possibilities of being euphorically queer, as opposed to euphoric and queer. …”

“…The essays--from anthropologists, sociologists, media studies, and literature scholars--consider solidarity broadcasts on Lebanese television, British Pathe newsreels, the subversive potential of found footage films from Gaza, and situate the visuals of contemporary militant resistance in a long tradition of Palestinian visual politics. …”

“…A Touch of Doubt explores the significance of touch for the history of philosophical scepticism as well as for scepticism as an embodied form of subversive political, religious, and artistic practice. …”

“…They show how playing and mapping can be liberating, dangerous, subversive and performative…”

“…Inspirational, instructive, subversive, and with a wealth of insightful guidance, The Lessons School Forgot will help you to break from a lifetime of legacy programming and take full advantage of the technology revolution…”

“…This study, a unit of an investigation of control of subversive activities supported by grants from the Rockefeller Foundation, is based upon two years of research and numerous field interviews of scientists, administrators, defense officials, and educators. …”

“…By illuminating the subversive satirical energy of the 1930s, Retman identifies a rich cultural tradition overshadowed until now by the scholarly focus on Depression-era social realism…”

“…Paying special attention to the problem of which genres and book types were likely to be targeted, the author argues that in addition to heretical, magical, astrological and anti-Christian books, other less obviously subversive categories of literature were also vulnerable to destruction, censorship or suppression through prohibition of the copying of manuscripts. …”

“…Dallegret's own life and work denies anything so predictable as a neat synopsis, but in essence his work, beginning in Paris in the late 1950s and early 60s, and later taking in New York and Montreal, absorbs everything from intricate line drawings for a series of astrological vehicles and designs for a number of machines (from those that assist in cooking a meal to others that generate literature) to the 'A Home Is Not a House' collaboration with the critic Reyner Banham; a drugstore/gallery in Montreal; proposals for a new Montreal Palais Metro; designs for chairs, more cars and yet more machines; a film collaborative set up to shoot a western; contributions to the Montreal 67 Expo; engraved bars of soap; subversive credit cards; 'ironique' villas and light installations.0Exhibition: Architectural Association Gallery, London (05.11.2011-14.12.2011)…”

“…Les publications satiriques de l'époque, et surtout les caricatures de Faustin, de Gill et de Le Petit, donnent le véritable contexte de ces esquisses subversives…”

“…In parts of sub-Saharan Africa, radical Islamists are targeting fragile and conflict-affected states and encouraging the formation of groups which act against the state (either violently or subversively). These processes exacerbate existing fragility and increase conflicts among communities in countries that already suffer from poor social cohesion and integration. …”

“…Making use of a variety of sources (including works of literature, poetry, newspapers, paintings, and speeches) to access spatialization processes on several sociocultural scales, the book presents a careful exploration of the parameters that inform(ed) the creation, affirmation, and subversion of spatial imagination of the American West throughout the nineteenth century from the perspective of American Studies…”

“…Darüber hinaus gibt der Autor Tipps und Hinweise für den Umstieg von Subversion sowie einen Überblick über verschiedene grafische Git-Programme. …”

“…Exploring these ancient texts in new ways, he takes the reader on a journey from the 'fix-it fic' endings of the Gospel of Mark to the subversive fan fictions of the Testaments of the Twelve Patriarchs, and from the densely populated storyworld of early Christian art to the gatekeeping of Christian orthodoxy. …”