Tabla de Contenidos: “…My last affair (2:33) -- Jivin' the vibres (2:19) -- The mood that I'm in (2:40) -- Stomp (3:07) -- Buzzin' 'round with the bee (3:04) -- Whoa babe (2:50) -- Stompology (2:59) -- On the sunny side of the street (3:14) -- Rhythm, rhythm : (I got rhythm) (2:49) -- China stomp : (Chinatown, my Chinatown) (2:46) -- I know that you know (2:55) -- I'm confessin' (3:26) -- Drum stomp : (Crazy rhythm) (3:06) -- Piano stomp : (Shine) (2:55) -- I surrender dear (3:21) -- The object of my affection (3:12) -- Judy (3:03) -- Baby, won't you please come home (2:49) -- Everybody loves my baby (2:48) -- After you've gone (3:02) -- I just couldn't take it, baby (3:06) -- My last affair : (alternate take) (2:45) -- The object of my affections : (alternate take) (3:09)…”

Tabla de Contenidos: “…Conté (Volum 2): The AA, Yale and early influences / Team 4, p.6; Science Campus Project, Yale University, New Haven, Connecticut, 1961, p.20; Pill Creek Retreat, Feock, Cornwall, 1963, p.22; Wates Housing Project, Coulsdon, Surrey, 1965, p.24; Creek Vean, Feock, Cornwall, 1964-1967, p.28; Pill Creek Housing, , Feock, Cornwall, 1964-1966, p.38; Jaffe House, Radlett, Hertfordshire, 1964-1966, p.40Murray Mews Housing, London, 1965-1967, p.44; Reliance Controls Electronics Factory, Swindon, Wiltshire, 1967, p.50; Visions and experiments, and a commitment to research / Richard + Su Rogers, p.58; Spender House, Ulting, Essex, 1967-1968, p.68; Rogers House, London, 1968-1968, p.72; Zip-Up Enclosures (1968 & 1971), p.82; Universal Oil Products (UOP) Factory, Ashford, Kent, 1969-1971, p.86; Design Research Unit Roof Extension, London, 1969-1971, p.88; The Practice and the Pompidou Centre / Piano & Rogers, p.90; Pompidou Centre, Paris, 1971-1977, p.102; IRCAM, Paris, 1971-1977, p.134; ARAM Module, 1971, p.140; B&B Italia Offices, Como, Italy, 1972-1973, p.142; UOP Factory, Tadworth, Surrey, 1973-1974, p.146; Park Road Development, London, 1973, p.152; PA Technology Laboratory, Melbourne, Cambridgeshire, 1975, p.154; Milbank Riverside Housing, London, 1977, p.160; Origins, philosophy and ethos: a design community / Richard Rogers Partnership, p.162; Lloyd’s of London, London, 1978-1986, p.174; Third Generation Office, 1978, p.210; NAPP Laboratories, Cambridge, 1979, p.212; Fleetguard Factory, Quimper, France, 1979-1981, p.214; Coin Street Development, London, 1979-1983, p.220; Free Trade Wharf Development, London, 1981, p.226; Inmos Microprocessor Factory, Newport, Wales, 1982, p.228; National Gallery Extension, London, 1982, p.236; PA Technology Laboratories, Princeton, New Jersey, 1982-1985, p.242; Arno Masterplan, Florence, Italy, 1983-1984, p.248; Industrial Units, Maidenhead, Berkshire, 1984-1985, p.252; Thames Wharf, London, 1984-1989, p.254; Linn Products, Glasgow, 1985-1987, p.272; Billingsgate Securities Market, London, 1985-1988, p.274; Centre Commercial St. …”

Tabla de Contenidos: “…CORDERO -- EL 30 DE JUNIO. VALS PARA PIANO FORTE P.R (...) -- LOS OJOS TIERNOS. MINUÉ. …”
Enlace del recurso

“…Prólogo Prefacio y agradecimientos Glosario CAPÍTULO 1 Columna y pelvis Prueba de Spurling Prueba de distracción Prueba de depresión del hombro Signo de Bakody Prueba de Valsalva Prueba de Lhermitte Prueba de Jackson Prueba de compresión del plexo braquial Prueba de Aspinall Prueba de inestabilidad lateral atlantoaxial Prueba de la arteria vertebral Prueba de Hautant Prueba de Naffziger Prueba del escaleno Prueba de deglución Prueba de Johnson Prueba de Wadsworth Prueba de aproximación escapular Prueba de compresión costal bilateral Prueba de compresión costal anteroposterior Prueba de inspiración/espiración Prueba de Laségue Prueba de Brudzinski-Kernig Prueba de Naffziger II Maniobra de Valsalva Prueba de Cram Prueba de la caída Prueba de Betcherewis Prueba de Milgram Prueba de tracción del nervio femoral Prueba de Pheasant Prueba del cuadrante Prueba de Hoover Prueba de los pulgares ascendentes Prueba de estrés sacroilíaco Prueba de Piedallu Prueba de Gaenslens Prueba de supino o sentado Prueba de Yeoman Prueba de Tréndelenburg Prueba de la nalga Prueba de Gillet Prueba de la bicicleta CAPÍTULO 2 Hombro Prueba del cajón anterior Prueba de compresión y deslizamiento Prueba del cajón posterior Prueba del surco Paieba de deslizamiento anterior Prueba de liberación anterior Prueba de aprensión Prueba de recolocación Prueba de Rockwood Prueba de fulcro Prueba del bíceps Prueba de Rowe Prueba de aprensión posterior Prueba de empuje/tracción Prueba del resalte Prueba de Kibler Prueba dé Neer Prueba de Hawkins-Kennedy Prueba de Yocum Prueba de Jobe Prueba de la caída del brazo Prueba de Gerber Prueba de Patte Prueba de Gilcreest Prueba de Yergason Prueba de Ludington Prueba de luxación bicipital Prueba de Speed Prueba de atrapamiento supraescapular Prueba de aducción cruzada Maniobra de Adson Maniobra de Alien Maniobra de Halstead Maniobra de hiperabducción Prueba de Roos Prueba de Wright Prueba del arco doloroso Prueba de Ellman CAPÍTULO 3 Codo, muñeca y mano Prueba de Boyes Prueba de Elson Prueba de Durkan Prueba de la arruga Prueba activa de epicondilitis Maniobra de Mibes Prueba activa de epitrocleítis Prueba pasiva de epitrocleítis Prueba de hiperextensión Prueba de la tecla de piano Prueba de disociación radiocubital Signo de Tinel Prueba de inestabilidad lateromedial del codo Pirot Shiftpar-d el codo Maniobra de compresión del supinador corto Maniobra de compresión del pronador redondo Prueba de Phalen Prueba de Watson Prueba de Bunnel Prueba de rechinamiento Prueba de inestabilidad mediocarpiana Prueba de bamboleo Signo de Froment Prueba de percusión Prueba de Finkelstein Prueba de inestabilidad lateromedial del pulgar Prueba de inclinación cubital forzada CAPÍTULO 4 Cadera Prueba de Faber Prueba de Craig Dismetrías de miembro inferior Maniobra de Weber-Barstow Prueba de Thomas Signo de Ludioff Prueba de contractura del recto anterior Prueba de Ober Prueba de Noble Prueba de Renne Prueba del piriforme Prueba de acortamiento isquiotibial Prueba del piriforme II Prueba de Phelp Prueba del fulcro CAPÍTULO 5 Rodilla Prueba de Me Murray Prueba de Apley Prueba de extensión total Prueba de Lachman Prueba del cajón posterior Prueba del cajón anterior Prueba de inestabilidad lateral: varo forzado Prueba de inestabilidad medial: valgo forzado Prueba de derrame Prueba de Macintosh Prueba de Noyes Prueba de Jakob Prueba activa del cajón Prueba de Godfrey Prueba de Dejour Prueba de Losee Prueba de Arnold Prueba de aprensión de Smillie Signo de Clarke Prueba de Me Connell Prueba de inclinación rotuliana Signo de Zohier Prueba de Hughston Prueba de 0'Donoghue Prueba de Bragard Prueba de Anderson Signo de Cabot Prueba de la plica mediopatelar Prueba de la plica de Hughston Prueba de Oni Prueba de Loomer Prueba de traslación posterior dinámica Prueba de Slocum Prueba de Slocum II CAPÍTULO 6 Pie y tobillo Prueba de Thompson Prueba de los peroneos laterales Prueba de Copeland Prueba de dislocación de los tendones peroneos Prueba de cajón anterior de tobillo Prueba de cajón anterior de tobillo II Prueba de inclinación astragalina Signo de succión Prueba de Kleiger Signo de Mulder Signo de Homans Prueba de 0'Brien Ángulo aquíleo-calcáneo Prueba de alineación antepié-retropié Línea de Feiss To…”

“…L'Italia è fortemente impegnata nell'azione multilaterale e utilizza il suo potere di mobilitazione e la sua esperienza nel campo della cooperazione affinché il Paese sia un attore di primo piano su questioni come l'agricoltura e il patrimonio culturale. …”

Accés lliure (IFMUC)

Tabla de Contenidos: “…Mark's Road / Jeremy y Fenella Dixon ; Rue des Hautes Formes / Christian de Portzamparc y Georgia Benamo ; Conjunto de viviendas Noisy II / Henri Ciriani ; Atlantis Condominium / Arquitectonica ; Byker Wall / Ralph Erskine y Vernon Gracie & Associates ; Viviendas para personas mayores / Steidle + Partner ; Edificio Nemausus / Jean Nouvel et Associés con Jean-Marc Ibos, Frédéric Chambon y Jean-Rémi Nègre ; Pence Place / Gwathmey Siegel & Associates ; Conjunto de viviendas IJ-Plein / OMA ; Edificio Espiral / Zvi Hecker ; Edificios de viviendas en Nexus World / Steven Holl Architects ; Conjunto de viviendas en Rue de Meaux / Renzo Piano Building Workshop ; Torre Horizon / Harry Seidler and Associates…”

Tabla de Contenidos: “…Conté: Shinro Ohtake: Naoshima Public Baths, Naoshima, Kagawa, Japan; OMA*AMO/Rem Koolhaas: Prada Transformer, Seoul, South Korea; OMA*AMO/Rem Koolhaas: CCTV Television Station and Headquarters, TVCC Television Cultural Center, Beijing, China; Paredes Pedrosa Arquitectos: La Olmeda Roman Villa, Pedrosa de la Vega, Palencia, Spain; Dominique Perrault: EWHA Womans University, Seoul, South Korea; Renzo Piano: Emilio and Annabianca Vedova Foundation, Venice, Italy; Plasma Studio: Flowing Gardens, Xi'an World Horticultural Fair 2011, Xi'an, China; Rudy Ricciotti: Villa Navarra, Le Muy, France; Peter Rich: Alexandra Heritage Center, Johannesburg, Gauteng, South Africa; Peter Rich: Mapungubwe Interpretation Center, Mapungubwe National Park, Limpopo, South Africa; Rotor: RDF181, Brussels, Belgium; Hiroshi Sambuichi: Miyajima Office, Hatsukaichi, Hiroshima, Japan; Sanaa/Kazuyo Sejima + Ryue Nishizawa: Serpentine Pavilion, Kensington Gardens, London, UK; Sanaa/Kazuyo Sejima + Ryue Nishizawa: Rolex Learning Center, EPFL, Lausanne, Switzerland; Germán del Sol: Termas Geométricas Hot Springs Complex, Coñaripe; Germán del Sol: Villarrica National Park, Los Lagos Region, Chile; Skidmore, Owings & Merrill: Burj Khalifa, Dubai, UAE; Splitterwerk: Frog Queen, Graz, Austria; Hiroshi Sugimoto: Izu Photo Museum, Nagaizumi, Shizuoka, Japan; Supersudaka: Kiltro House, Talca, Chile; Masaharu Takasaki: Tenchi House, Mono Cosmology, Nagoya, Japan; Yoshioka Tokujin: Swarovski Ginza, Tokyo, Japan; Yoshioka Tokujin: Waterfall, Tokyo, Japan; De Vylder Vinck Taillieu: Production Facilities for Les Ballets C de la B and LOD, Ghent, Belgium…”

Tabla de Contenidos: “…(Comprehensive Office Building, Zhujiajiao Administration Center, Quingpu, Shangai, China, 2004-06), p. 334 ; PAULO MENDES DA ROCHA (Our Lady of the Conception Chapel, Recife, Pernambuco, Brazil, 2004-06), p. 340 ; CORINNA MENN (Conn Viewinf Platform, Flims, Switzerland, 2005-06), p. 346 ; MERKX + GIROD ARCHITECTEN (Selexyz Dominicanen Bookstore, Maastricht, The Netherlands, 2005-07), p. 352 ; JOSÉ RAFAEL MONEO (Prado Museum Extension, Madrid, Spain, 2001-07), p. 358 ; MORPHOSIS (Hypo Alpe-Adria Bank Headquarters, Udine, Italy, 2004-06), p. 364 ; MVRDV (GYRE Building, Shibuya-ku, Tokyo, Japan, 2006-07), p. 372 ; MANFREDI NICOLETTI (New Arezzo Hall of Justice, Arezzo, Italy, 2001-07), p. 378 ; VALERIO OLGIATI (Atelier Bardill, Scharans, Switzerland, 2006-07), p. 382 ; STUDIO PEI – ZHU (Digital Beijing, Control Center for the 2008 Olympics, Beijing, China, 2005-08), p. 386 ; RENZO PIANO (The New York Times Building, New York, New York, USA, 2005-07), p. 394 ; PTW ARCHITECTS (The Watercube, National Swimming Center, Beijing, China, 2003-08), p. 404 ; STUDIO ARNE QUINZE (Uchronia Message out of the Future, Burning Man Festival, Black Rock City, Black Rock Desert, Nevada, USA, 2006), p. 412 ; RCR ARQUITECTES (The Edge, Bussines Bay, Dubai, United Arab Emirates, 2008-), p. 418 ; ROJKIND ARQUITECTOS (Nestlé Chocolate Museum (Phase I), Toluca, Mexico City, Mexico, 2007), p. 424 ; MARC ROLINET (Chapel of the Deaconesses of Reuilly, Versailles, France, 2004-07), p. 430 ; HANS-JORG RUCH (Chesa Madalena, Zuoz, Switzerland, 2001-02), p. 438 ; SANAA/SEJIMA + NISHIZAWA (De Kunstlinie, Theater and Cultural Center, Almere, The Netherlands, 2004-07 / New Museum of Contemporary Art, New York, New York, USA, 2005-07), p. 442 ; THOMAS SCHÜTTE (Model for a Hotel, Fourth Plinth, Trafalgar Square, London, UK, 2007-08), p. 456 ; SCOPE CLEAVER (Princeton University Gallery of the Arts, Princeton University (120, 204, 24), “Second Life”, 2007), p. 460 ; ÁLVARO SIZA VIEIRA (Adega Mayor Winery, Argamassas Estate – Campo Maior, Portugal, 2005-06 / Iberê Camargo Foundation, Porto Alegre, Rio Grande do Sul, Brazil, 1998-2008), p. 466 ; SNØHETTA (Oslo Opera House, Oslo, Norway, 2003-08), p. 484 ; TONKIN LIU (Singing Ringing Tree, Crown Point, Burnley, UK, 2005-06), p. 492 ; BERNARD TSCHUMI (Zénith Concert Hall, Limoges, France, 2005-07), p. 496 ; UNSTUDIO (Hotel Castell, Zuoz, Switzerland, 2001-04 / Theater Agora, Lelystad, The Netherlands, 2004-07), p. 502 ; URBANIS (Dafen Art Museum, Dafen Village, Shenzhen, China, 2006-08), p. 516 ; PEKKA VAPAAVUORI (KUMUU, Main Building of the Art Museum of Estonia, Tallinn, Estonia, 2003-06), p. 524 ; VARIOUS ARCHITECTS (Make It Right/Pink Project, New Orleans, Louisiana, USA, 2007-), p. 530 ; WANDEL HOEFER LORCH (Ohel Jakob Synagogue, Jewish Center in Munich, St.…”

Tabla de Contenidos: “…Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Table of Contents -- List of Figures -- List of Tables -- List of Contributors -- Introduction: Worlds of Imagination -- Media Tourism: Past and Present -- New Developments -- Understanding Media Tourism -- An Eye for Diversity -- Towards a Holistic, Multi-Actor Perspective -- Notes -- References -- Part 1 Imagining Place in Popular Culture: Representation, Travel and Media -- 1 The Runaway Production of A Daughter of the Gods: Film, Tourism and Empire in Early Twentieth-Century Jamaica -- Introduction -- Setting the Scene: Colonial Travelogues and the Cinema of Exotic Attractions -- The Production of A Daughter of the Gods: Colonial Hospitality and Exotic Tropicality -- A Daughter of the Gods as Early Film Tourism: The Spectacle of Production and Exhibition -- Conclusion -- Notes -- References -- 2 More Than Just Home of Middle Earth: The History of Film Tourism in Aotearoa New Zealand -- Introduction -- The Sublime and the Picturesque: The Early History of Film and Tourism in New Zealand -- Landscape for Export: The Piano as 100% Pure New Zealand -- The Tourist Spin-Off of Lord of the Rings: New Zealand's Conflation With Middle Earth -- Concluding Remarks -- Notes -- References -- 3 Where East Becomes West: Imaginative Geographies of Eastern Europe in Popular Indian Cinema -- Introduction -- Mapping Cinematic Imaginaries: Indian Film's Representation of Europe and the Construction of Imaginative Geographies -- Research Method -- Figurative Value of Polish Landscapes in Indian Films -- Location Unawareness and Exoticism -- Fostering Imaginative Geographies: The Role of Film Commissions and Destination Marketing -- Conclusions -- Acknowledgements -- Notes -- References…”

Tabla de Contenidos: “…CORREZIONI DI BILANCIO -- La manovra di bilancio per il 1998 e il piano a medio termine -- Tavola 9. Obiettivi fiscali di medio termine delle Amministrazioni pubbliche -- Tavola 10. …”

Tabla de Contenidos: “…. -- See also -- Using interactive widgets - a piano in the notebook -- Getting ready -- How to do it... -- How it works... -- There's more... -- See also -- Creating a custom JavaScript widget in the notebook - a spreadsheet editor for pandas -- Getting ready -- How to do it... -- How it works... -- There's more... -- See also -- Processing webcam images in real time from the notebook -- Getting ready -- How to do it... -- How it works... -- There's more... -- See also -- 4. …”

Tabla de Contenidos: “…JULIO DE 2015. primera edición de encordass -- 4. referencias -- Capítulo V -- Nuevas perspectivas didácticas en la enseñanza del uso del pedal de resonancia en las Enseñanzas Profesionales de Piano -- Óliver Curbelo González -- Universidad de Las Palmas de Gran Canaria -- 1. …”

Tabla de Contenidos: “…Vol. 1: Projects featured: Museum of Contemporary Art, Denver (Adjaye Associates) - Active Nature, Saclay, France (Agence Babylone) - Chichu Art Museum, Naoshima, Japan (Tadao Ando) - Toku Tokoyo Line Shibuya Station, Tokyo (Tadao Ando) - Papertainer Museum, Seoul Olympic Park, South Korea (Shigeru Ban) - Svalbard Global Seed Vault, Norway (Barlindhaug Consult AS) - King Abdullah International Gardens, Riyadh (Barton Willmore) - CaixaForum Vertical Garden, Madrid (Patrick Blanc) - Anti-Smog, Paris (Vincent Callebaut Architectures) - Perfumed Jungle, Hong Kong (Vincent Callebaut Architectures) - Westraven office complex, Utrecht, Netherlands (Cepezed) - Phantom House, Southwestern USA (Diller Scofidio + Renfro) - Samir Kassir Square, Beirut (Vladimir Djurovic) - Tree Tower, Los Angeles (Dennis Dollens) - Ecoboulevard of Vallecas, Madrid (Ecosistemo Urbano) - Jinji Lake, Suzhou, China (Edaw) - Shark Alley Retreat, Great Barrier Island, Auckland, New Zealand (Fearon Hay) - Petronas University of Technology, Seri Iskandar, Malaysia (Foster + Partners) - Little Ajax affordable housing, Aspen, Colorado (Peter Gluck) - Schweiger House, Sistrans, Austria (Monika Gogl) - E.ON Energy Research Department, RWTH Aachen, Germany (Zaha Hadid) - Linsdale Beach House, Great Barrier Island, Auckland, New Zealand (Herbst Architects) - Handmade School, Rudrapur, Bangladesh (Anna Heringer and Eike Roswang) - 474 Wing House, Santa Monica Mountains, Malibu, California (David Hertz) - Nk'Mip Desert Cultural Centre, Osoyoos, British Columbia (Hotson Bakker Boniface Haden) - Vertical Farm, Harlem, New York (Chris Jacobs) - Hedge Building, Rostock, Germany (Kempe Thill) - Sidwell Middle Friends School, Washington DC (KieranTimberlake) - Telefonica District C, Las Tablas, Madrid (Rafael De La-Hoz) - Water+Life Museums Campus, Hemet, California (Michael B Lehrer) - Environmental education centre, Hoorn, Netherlands (MIII Architects) - Wood house, Ville-d'Avray, France (Marchi Architectes) – San Francisco Federal Building (Morphosis) - BIP Computer Office & Shop, Providencia, Santiago de Chile (Alberto Moro) - Putrajaya Precinct 4 waterfront development, Kuala Lumpur (Manfredi Nicoletti) - Helios House, Los Angeles (Office DA) - Macallen Building, Boston, Massachusetts (Office DA) - Zhong-Xiao Boulevard Urban Ecological Corridor, Taipei (Sergio Palleroni) - Renovation and expansion of the California Academy of Sciences, San Francisco (Renzo Piano) - Heifer International World Headquarters, Little Rock, Arkansas (Polk Stanley Rowland Curzon Porter) - Digestible Gulf Stream, 11th Venice Architecture Biennale (Philippe Rahm) - World Wide Fund for Nature, Zeist, Netherlands (RAU) - Hybrid Earthship, Tao, New Mexico (Michael Reynolds) - Westend Grun, Berlin (Roswag & Jankowski) - Christine's House, Mason's Bend, Alabama (Rural Studio) - Inujima Art Project Seirensho, Inujima, Japan (Hiroshi Sambuichi) - Fondazione Pierto Rossini Pavilion, Briosco, Italy (Site) - Streetscape in a new world, Beijing (Site) - Masdar Headquarters, Abu Dhabi (Adrian Smith + Gordon Gill Architecture) - Orange County Great Park, Irvine, California (Ken Smith Landscape Architect) - H16, Tieringen, Germany (Werner Sobek) - Hotel Remota, Puerto Natales, Patagonia, Chile (German del Sol) - Salam Center for Cardia Surgery, Soba, Sudan (Studio Tamassociati) - Forest House, Titirangi, Auckland, New Zealand (Chris Tate) - Vigilius Mountain Resort, Lana, Italy (Matteo Thun) - Mosaic House, Meguro-ku, Tokyo, Japan (TNA) - IBG and Tax Offices, Groningen, Netherlands (UNStudio) - Post Rotterdam, Netherlands (UNStudio) - ASLA Green Roof, Washington DC (Michael van Valkenburgh) - Olympic Sculpture Park, Seattle (Weiss/Manfredi) - Grand Rapids Art Museum, Michigan (Why Architecture) - Mewah Oils Headquarters, Pulau Indah Park, Port Klang, Salangor, Malaysia (Ken Yeang) - The New National Library Board Building, Singapore (Ken Yeang) - Rafflesia Zero Energy House, Kuala Lumpur (Zoka Zola) - Solar Tower, Chicago (Zoka Zola)…”

Tabla de Contenidos: “…Accessibilità ambientale-configurazionale del Parco / Luca Marzi, Nicoletta Setola -- English abstract -- 1 Le aree di indagine e la rete dei percorsi -- 2 La rete analizzata, nodalità interne e poli d'interesse -- 3 Analisi accessibilità ambientale - Aspetti prestazionali -- 4 Analisi accessibilità ambientale - La fase di valutazione prestazionale -- 5 Analisi accessibilità ambientale - Aspetti configurazionali -- 6 Il grado di accessibilità ambientale -- 7 Suggerimenti per il piano di gestione e azioni correttive proposte -- Bibliografia -- Biografie degli autori…”

Tabla de Contenidos: “…Railway Sheds, Expo Pavilions, Terminals - Spatial Landscapes of the Future, p. 58 ; Railways Conquer Architecture, p. 62 ; Euston Station, London, p. 64 ; Lime Street Station, Liverpool, p. 66 ; Gare d’Austerlitz, paris, p. 68 ; Station Designed by german Master Builders, p. 70 ; Field of Experimentation Expo Pavilions, p. 72 ; Crystal Palace, London, p. 74 ; Glass Palace, Munich, p. 74 ; Palais des Machines, World Exhibition, Paris, p. 78 ;Interim Worlds: The Avant-garde and Fascination with Construction, p. 80 ; Main station on Santa Maria Novella, Florence, p. 82 ; “Tensegrity” Structures for Wide Halls – Richard Buckminster Fuller and the Consequences, p. 84 ; Olympic Stadium, Munich, p. 86 ; US Pavilion, Expo Osaka, p. 88 ; A New Type of Terminal: Station and Airport Buildings, p. 90 ; Roofing Over the Postal Vehicle Shed, Chur, p. 92 ; Waterloo lnternational Terminal, London, p. 94 ; Lehrter Main Station, Berlin, p. 98 ; New Stations for Deutsche Bahn - Visions, p. 100 ; How Concrete Became Lighter - 100 Years of Concrete Pioneers, p. 102 ; Concrete: The Building Material of the 20th Century, p. 106 ; The ldeal Industrial City - Citè Industrielle, p. 108 ; The Magazine ABC, p. 110 ; The Domino Model, p. 112 ; Système Hennebique: The Strength of Reinforced Concrete in Design, p. 114 ; Apartment House, 25bis rue Franklin, Paris, p. 116 ; Bally Shoe Factory, Dottikon, p. 118 ; Fiat Automobile Factory Lingotto, Turin, p. 120 ; Key Buildings of Dutch Modernism, p. 122 ; Bauhaus Dessau, p. 126 ; The Invention of the “Mushroom Column”, p. 124 ; Van Nelle Tobacco, Tea and Coffee Factory, Rotterdam, p. 128 ; Johnson Wax, Administration Building, Racine, Wisconsin, p. 130 ; The Further Development of a Modern Culture of Building in Concrete: Concepts for Free Spatial Forms, p. 132 ; Pier Luig Nervi - Engineer Architect, p. 134 ; Angelo Mangiarotti - The Design Impact of Concrete: Structural Systems, p. 136 ; Franz Dischinger and Concrete Shell Technology, p. 138 ; Eduardo Torroja - The Logic of Form, p. 140 ; Eladio Dieste - Thin-shell Brickwork Structures: Using Concrete Technology, p. 142 ; Heinz Isler - Spatial Form and Shell Technology, p. 144 ; Concrete and Architectonically Shaped Space, p. 146 ; Portuguese Pavilion, World Exposition on the Theme of the Oceans, Lisbon, p. 148 ; Menil Collection Museum, Houston, Texas, p. 150 ; Hochschule fïr Technik und Wirtschaft and Commercial Building on Ottoplatz, Chur, p. 152 ; Transitions - From Tectonics to Morphology, Andermatt, p. 154 ; The “Liberated Façade” - From Wall to Partition to Skin, p. 156 ; Iron Skeleton Structure and Curtain Wall, p. 160 ; Office Buildings Liverpool, p. 162 ; Menier Chocolate Factory Noisiel-sur-Marne, p. 164 ; From the New York Iron Works to the “Chicago Frame”, p. 166 ; First Leiter Building and Fair Building; Chicago, Illinois, p. 168 ; The Chicago School of Architecture, p. 170 ; The “'façade libre” - A Project of Modernism, p. 172 ; The Luxfer Prism Company - Frank Lloyd Wright's Studies and Projects, p. 174 ; The Industrial Building Culture in Germany, p. 176 ; “Le mur rideau” - Studies and Projects by Le Corbusier, p. 178 ; Industrial Façade Technology - Studies and Projects by Jean Prouve, p. 180 ; The Lightness of Post-war Modernism, p. 182 ; Ludwig Mirs van der Rohe: IIT Campus and Skyscraper Technology in Chicago, p. 184 ; An American School of Thought of Post-war Modernism: Skidmore, Owings & Merrill, p. 186 ; From “Liberated Space” to Transparent Skin: Egon Eiermann and Sep Ruf, p. 188 ; After 1973 - The Future of the Intelligent Building Envelope, p. 190 ; The Technology of Structural Glazing - Peter Rice and RFR, p. 192 ; Experiments in the Field of Material Technology - the Buildings of Renzo Piano Building Workshop, p. 194 ; Concepts for New Glass Façades, p. 196 ; Transformation Strategies, p. 198 ; The “Communicative” Building Envelope, p. 200 ; Process Thinking Conquers Construction – lndustrialisation from the Balloon Frame to the Skyscraper, p. 202 ; Balloon Frame and Skyscraper: The First Symbols of Successful Industrial Building, p. 206 ; Wooden Frame Construction: Balloon Frame and Western Frame, p. 208 ; The McCormick Factory: “Interchangeable Parts” as the Forerunner of Industrial Building, p. 210 ; The Chicago Frame and the lnvention of the Skyscraper, p. 212 ; Frank Lloyd Wright – Ballon-frame Construction Technique and Tectonic Design, p. 214 ; Mass Production and the Industrial Programme of Modern Architecture, p. 216 ; Albert Kahn and the 'Industrial Office', p. 218 ; Major and Model Developments, p. 220 ; Case Study Houses, p. 224 ; Empire State Building, New York, p. 226 ; Construction System Mindset Between the “Sputnik Shock” and the “Oil Shock” - Precursors and Consequences, p. 228 ; Jean Prouve: from the “baraque demonlable” to the “2CV de l'habitat”, p. 230 ; The General Panel System, p. 232 ; The USM Construction System, p. 234 ; Concrete Construction Systems, p. 236 ; Structuralism, p. 238 ; From Mass-made to Customised Production, p. 240 ; Bercy 2 Shopping Centre Charenton le Pont near Paris, p. 242 ; Spheres, Blobs and Digital Tectonics, p. 244 ; Combination of Industrial and Manual Techniques, p. 246 ; "Sustainable Building Design" - A Future Project, p. 248 ; Efficiency and Effectiveness of Systems, Structures and Elements, p. 252 ; The Invention of the Joint, p. 254 ; The Renault Distribution Centre, Swindon, p. 256 ; Aluminium Jubilee Pavilion, Paris, p. 258 ; IBM Travelling Exhibition Pavilion, p. 260 ; Air as Construction Material, p. 262 ; Material and Technology, Resources and Processes, p. 264 ; Shigeru Ban: The “Paper Tube Structure” Technique, p. 266 ; Profiling: a Constant Theme of Industrial Design, p. 268 ; Plastics, New Materials, Composities, p. 270 ; Metamorphoses in Glass, p. 272 ; “Light Tech” and “Low Energy” - A Watershed in The Way of Thinking, p. 274 ; The “New Atrium” , p. 276 ; The City Mall, p. 278 ; The Green Skyscraper, p. 280 ; The Newsirit and Peak_Lab Research Projects, p. 282 ; Regarding the Question of Habitat, p. 286 ; 10 Points Regarding a Culture of Sustainability, p. 288 ; Learning from Nature, p. 290 ; Low-energy Strategies, p. 292 ; The Sustainable Skin Concept, p. 294 ; Jean-Marie TJibaou Cultural Centre, Nouméa, p. 296 ; Sir Ove Arup: The Key Speech, 1970, p. 298 ; Notes, p. 306 ; Bibliography, p. 313 ; Index, p. 318 ; Picture Credits, p. 318 ; lndex of Names, p. 318 ; Index of Places and Projects, p. 320 ; Exhibition and Expo Projects, p. 322.…”

Tabla de Contenidos: “…Conté "Casas unifamiliares aisladas": Kisho Kurokawa : Casa Cápsula Karuizawa, Kita-Saku, Nagano ; Alison & Peter Smithson : Casa Sudgen, Watford ; Peter Eisenman : Casa II, Cardhouse II (Falk), Hardwick, Vermont ; Peter Eisenman : Casa III, Cardhouse III (Miller), Lakeville, Connecticut ; Álvaro Siza : Casa António Carlos Siza, Santo Tirso ; Renzo Piano, Richard Rogers : Cusago, Milán ; van berkel & bos: Villa Willbrink, Amersfoort ; Katsuhiro Miyamoto, Atelier Cinquième : Aida-Sou, Takarazuka, Hyogo ; Shigeru Ban Architects : Casa 2/5, Osaka ; van berkel & bos: Casa Möbius, Het Gooi ; Rem Koolhaas, OMA : Floirac, Burdeos ; heide von beckerath alberts architekten: Casa de Ensueño 1, Hamburgo-Sülldorf -- URV…”

Tabla de Contenidos: “…EL ESTILO -- PARA LAS DAMAS -- LA SUBASTA'' -- SOCIALES Y PERSONALES -- VAYA, VAYA CON -- NOTAS DE POLICÍA -- TÍTULOS DE DRAMAS, COMEDIAS -- NÚMERO 13, 24 DE OCTUBRE DE 1918 -- CONOCER AL ENEMIGO PARA LUCHAR -- LA FILOSOFÍA CIENTÍFICA EN LA ORGANIZACIÓN -- A UNA NIÑA -- PIANO", "PRIMER VIOLÍN -- WAGNER -- A LAS GATAS ANÓNIMAS DE -- FUNDAMEMOS DE LA REACCIÓN DE -- A MARGARITA -- PROSAS. …”

Tabla de Contenidos: “…Vivien Swan leads the singing at Canterbury in 1989, with Tilmann Bechert at the piano with, left to right, Brian Dobson, David Breeze and Jeff Davies -- Figure 61. …”

“…Definitive version of the Fantasia Contrappuntistica for two pianos III. Concerto for Orchestra: Completion and orchestration of the Fantasia Contrappuntistica…”