“…Written in a unique and engaging style with film at the heart of the character of the book, this is an essential read for anybody who wants to start and grow a business and more specifically how to do that in the fast growing tech industry...or any industry which is seeing exponential growth. …”

“…Google SketchUp Workshop includes all the wide variety of projects that SketchUp can be used for-architectural visualization, landscape design, video game and film conception, and more. SketchUp masters in every field will get you up to speed in this agile and intuitive software and then show you the real uses with through projects in architecture, engineering, and design…”

Tabla de Contenidos: “…Categories and Concepts -- Categories and Concepts in Context -- Research Design, Data, and Analysis -- Case Selection -- Archival Data -- Text Corpus -- Interview Records -- Descriptive Findings: Informational Privacy in the United States -- First Wave - Analog Technologies -- Second Wave - Government Record Keeping and Digital Data Banks -- Third Wave - Internet and Beyond -- Analytic Findings: Translation Processes in Informational Privacy in the United States -- Orders of Worth Evoked in United States Privacy Discourse -- Orders of Worth and Institutional Translation -- Discussion and Future Research -- Notes -- References -- The Importance of Being Independent: The Role of Intermediaries in Creating Market Categories -- Theoretical Foundations -- Data and Methods -- Findings and Analysis -- Background and History: The US Film Industry before Sundance -- The Sundance Institute -- The Labs -- Analyzing the Impact of the Labs: Defining the Boundaries and Attributes of the Category -- The Importance of Being an Independent Intermediary (The Labs) -- The Festival -- Analyzing the Impact of the Festival: Setting and Disseminating Quality Standards for the Category -- The Importance of Being an Independent Intermediary (The Festival) -- Analysis of the Combined Impact of the Labs and the Festival -- The Development of a Market Ecosystem for the Independent Cinema Category -- Discussion and Conclusions -- Notes -- References -- Further Reading -- Things That Last? …”

“…Lee examines the history of lighting as applied to the fine arts, film, photography, and 3D animation. He discusses the use of light color, light location and direction, and light shadow types to recreate specific locations and to generate moods. …”

Tabla de Contenidos: “…Edit with CapCut -- Always have a list -- Film B-roll content (and make it a habit) -- Think of ONE story to share per day -- Use the BE SEEN framework -- Behind the scenes (BTS) -- Enemy -- Storytelling -- Expertise -- Experience -- Newsjacking -- Chapter 11 TOFU strategy #6: TikTok ads -- 10x your followers and engagement -- Objective -- Budget -- Audience -- Optimisation goal -- Ad creation -- Chapter 12 TOFU strategy #7: Instagram -- 1. …”

Tabla de Contenidos: “…ACEVEDO, 1947) -- GRAN COLOMBIA FILMS -- MELODÍAS DEL CARIBE COLOMBIANO AL CINE -- LA CUMBIA SAMPUESANA -- RAFAEL CAMPANELLA RODRÍGUEZ -- SOCIEDAD FÍLMICA (1946-1947) -- HANS MÖLLER -- 1950-1960 PARA UN ALIENTO A TEMAS DEL CARIBE -- FILMACIONES EN BARRANQUILLA, CARTAGENA DE INDIAS Y (...) -- EL CINECLUB DE COLOMBIA Y CINECLUB CARTAGENA -- ÁLVARO CEPEDA SAMUDIO (1926-1972). -- LA LANGOSTA AZUL (1954) -- NEREO LÓPEZ MEZA (1920-2015). -- IDEARIO CINÉFILO DE GABRIEL GARCÍA MÁRQUEZ (...) -- PRIMERAS FILMACIONES DE LA DÉCADA EN CARTAGENA DE (...) -- GUSTAVO IBARRA MERLANO (1919-2001) -- JAIME MUVDI ABUFHELE -- CARNAVAL DE BARRANQUILLA (1952) -- 1960-1970 FILMACIONES EN CARTAGENA DE INDIAS -- LAS MURALLAS DE CARTAGENA -- A PROPÓSITO DE QUEMADA (1969) -- GABO, EL GUIONISTA -- LA MÚSICA EN EL CINE NACIONAL Y COMPOSITORES (...)…”

Tabla de Contenidos: “…Conté: Brugge pavilion, Bruges, Bélgica (2000-2002), p.22; Architects competition vestbanen, Oslo, Noruega (2002), p.26; Serpentine gallery Pavilion 2002, Londres, Reino Unido (2002), p.30; Shinonome canal court CODAN Block 2, Koto, Tokyo, Japón (1999-2003), p. 34; Matsumoto performing Arts Centre, Matsumoto, Nagano, Japón (2000-2004), p. 38; TOD’S Omotesando building, Shibuya, Tokyo, Japón (2002-2004), p. 48; Forum for music, Dance and visual culture competition, Ghent, Bélgica (2004), p. 52; Gavia park in Madrid, Madrid, España (2004-), p. 58; Island city central park “GRIN GRIN”, Fukuoka, Japón (2002-2005), p. 60; Dormitory for SUS Company Fukushima Branch, Sukagawa, Fukushima, Japón (2004-2005), p. 66; MIKIMOTO Ginza 2, Chuo, Tokyo, Japón (2003-2005), p. 70, ‘Meiso no Mori’ Municipal Funeral hall, Kakamigahara, Gifu, Japón (2004-2006), P. 74; VivoCity, Singapur (2003-2006), p. 80; Hôpital Cognacq-Jay, Paris, Francia (2000-2006), p. 88; Tama art university library (Hachioji Campus), Hachioji, Tokyo, Japón (2004-2007), p. 92; “Les Halles” Competition, Paris, Francia (2007), p. 100; Extention for “the fair of Barcelona Gran via venue”, Barcelona, España (2005-2008), p. 104; ZA-KOENJI Public theatre, Suginami, Tokyo, Japón (2005-2008), p. 112; SUMIKA PAVILION / SUMIKA PROJECT by TOKYO GAS, Utsunomiya, Tochigi, Japón (2007-2008), p. 120; The new Deichman main library competition, Oslo, Noruega (2009), p. 122; BAMPFA University of California, Berkeley Art Museum and pacific film archive, California, U.S.A (2009), p. 128; White O, Marbella, Chile (2004-2009), p. 132; Facade renovation “Suits Avenue Aparthotel”, Barcelona, Spain (2003-09) p.138; Kaohsiung national stadium, Kaoisihung, Taiwan, R.O.C. (2006-09), p. 140; Belle vue residences, Singapore (2006-10), p.148; TORRES PORTA FIRA, Barcelona, Spain (2004-10), p.152; Toyo Ito museum of architecture, Imbari, Ehime, Japan (2008-11), p.156; House H, Hokkaido, Japan (2009-11), p. 162; Ken Iwata mother of child museum, Imbari city, Imbari, Ehime, Japan (2009-11), p.164; Yaoko Kawagoe museum (Yuji Misu memorial hall), Kawagoe, Saitama, Japan (2009-11), p. 168; Tokyo mother’s clínic, Setagaya, Tockyo, Japan (20019-11), p. 172; ITO JUKU Epsi Studio, Shibuya, Tokyo, Japan (2012-13), p.174; “Home-for-all” projects, Tohoku and Kumamoto, Japan (2011-), p. 176; Hermès Pavilion, Basel, Switzerland (2011-13), p. 180; Products, p.182; Set design, p. 183; New national stadium Japan International design competition, Shinjuku, Tokyo, Japan (2012), p.184; Crematorium and Akayama historic nature park in Kawaguchi, Kawaguchi, Saitama, Japan (2011), p.188; National Taiwan University, College of social sciences, Taipei, Taiwan, R.O.C. (2006-13), p. 192; Songshan Taipei new horizon building, Taipei, Taiwan, R.O.C. (2008-13), p.200; New athletic field and sports park in Aomori, Aomori, Japan (2013), p.204; Museum + /West Kowloon cultural district competition, Hongkong, China (2013), p.208; Interior design for the reconstruction project of Jikido in Yakushiji Temple, Nara, Japan (2013), p. 212; The Shinano Manichi Shimbun Matsumoto Head Office, Matsumoto, Nagano, Japan (2014), p. 214; CapitaGreen, Singapore (2007-14), p. 216; Residential Hall in Nanyang Drive, Nanyang Technological University, Singapore (2011-14), p.220; K-por / Isoya Suisan Minatomachi 1chome Branch, Kesen’numa, Miyagi, Japan (2012-14), p.224; New national stadium Japan Proposal, Shinjuku, Tokyo, Japan (2015), p.226; ‘Minna no Mori’ Gifu media cosmos, Gifu, Japan (2011-15) p.232; Yamanashi Gakuin University International College of Liberal Arts, Kofu, Yamanashi, Japan (2013-15), p.242; Fubon Sky Tree, Taichung, Taiwan, R.O.C. (2010-16), p. 246; Miyagi Gakuin Preschool “Mori no Kodomo-en”, Sendai, Miyagi, Japan (2014-16), p. 250; Museo Internacional del Barroco, Puebla, México (2012-16), p. 254; Mito Civic Hall, Mito, Ibarki, Japan (2016), p. 264; National Taichung Theater, Taichung, Taiwan, R.O.C. (2005-16), p. 268; List of Works (2002-16), p.280…”

Tabla de Contenidos: “…part, Architecture -- chapter A great Chinese ‘rural’ metropolis—the unity and contradictions in Beijing’s urban identity -- chapter Architectural ornaments in the twenty-first century: An analytical study -- chapter Conservation strategies to revive the imageability of the Kumbakonam historic town -- chapter Envisioning the unseen: Interdisciplinary approach between painting and architecture -- chapter Heritage management: Investigating current practices in sustainable retrofitting of built heritage, methodologies, tools and approaches -- chapter New urbanism and its reflection on residential interior design in Egypt -- chapter Place identity/place making in the built environment—towards a methodological perspective -- chapter Sustainable urban heritage conservation strategies—case study of historic Jeddah districts -- chapter The correlation between art and architecture to promote social interaction in public space -- chapter The miniatures of Lahore Darbar -- chapter The potential of the eco-passive construction technique for the Western Desert in Egypt -- chapter Towards public identity and climate awareness architecture -- chapter Vernacular culture and its contribution to the identity of Auresian houses in Algeria -- chapter The historical symbolizing of Istanbul city through its iconic buildings -- part, Interior design -- chapter Anticipating possible future visions in interior architecture -- chapter Contemporary Egyptian theatre and heritage -- chapter Design ideology through architectural identity: A hybrid dynamic potential -- chapter The mutual influence of the Mamluk interior architecture and urban planning in Damascus -- chapter Usage of Arundo Donax L. as a sustainable material in interior design and architecture -- part, Architectural identity and globalization -- part, Architecture -- chapter Authenticity of the physical environment that influences a sense of place: A qualitative study at Ampel Street Corridor, Surabaya, Indonesia -- chapter Back into the future: The city improvement board of Hyderabad -- chapter Drama as a conservation tool for architectural heritage -- chapter Human response and the complex city scene -- chapter Interactions between urban dynamics and new spatial patterns: The case of Istanbul -- chapter Investigating a sense of place at a historic commercial street corridor: Visitor perception of social aspects -- chapter Jammu—the city of temples -- chapter Nature and physical configuration: A study of topographical influences on the physical configuration of mountain settlements in the Iraqi Kurdistan region -- chapter The effect of social and environmental factors on the urban form of a place: A fishing village in Hurghada, Egypt -- chapter The nature of cities -- chapter The Potential of Pavements in the Identity Conflict of a City -- chapter Towards sustainable slum development: A performance evaluation approach for slum upgrading plans in Egypt -- chapter Urban identity and lifestyles of gated communities in Egypt -- part, Graphic -- chapter From national disgrace to cultural heritage and international film set. The case of Matera (Italy) -- chapter Strategies of creative thinking for solving design problems in the field of graphic design -- part, History and arts -- chapter A process of urban regeneration from below. …”

Tabla de Contenidos: “…2.11 History Effects2.12 Self-Heating; 2.12.1 Drain Current; 2.12.2 Thermal Resistance; 2.12.3 Thermal Coupling; 2.12.4 AC Behavior; 2.13 Transient Behaviors; 2.13.1 Floating-Body Induced; 2.13.2 History Effect; 2.14 Summary; References; Problems; 3 SOI CMOS Devices-Part II; 3.1 Hot Carriers; 3.1.1 NMOS; 3.1.2 PMOS; 3.1.3 Substrate Current; 3.1.4 Back Gate Bias; 3.1.5 Device Structure Dependence; 3.1.6 Stress Time; 3.1.7 Isolation Structure; 3.1.8 SOI Wafers; 3.1.9 Lifetime; 3.2 Accumulation-Mode Devices; 3.2.1 DC Behavior; 3.2.2 AC Behavior; 3.2.3 Thin-Film Thickness…”

Tabla de Contenidos: “…Luminescent Hydrogel Based on Silver Nanocluster/Malic Acid and Its Composite Film for Highly Sensitive Detection of Fe3+ -- Penghui Zhang, Yiran Liu, Xinkuo Fang, Li Ma, Yuanyuan Wang and Lukang Ji Stoichiometric Ratio Controlled Dimension Transition and Supramolecular Chirality Enhancement in a Two-Component Assembly System -- Bengu ̈ ̈Ozug ̆ur Uysal, S ̧eyma Nayır, Melike Ac ̧ba, Betu ̈l C ̧ıtır, Su ̈meyye Durmaz and S ̧evval Koc ̧og ̆lu et al. 2D Materials (WS2, MoS2, MoSe2) Enhanced Polyacrylamide Gels for Multifunctional Applications -- Mattia Vitale, Cosimo Ligorio, Ian P. …”

Tabla de Contenidos: “…-- Le mémorial, cadre de légitimation du témoignage -- Le mémorial : cadre privilégié d'une communauté discursive -- Le Mémorial : un lieu, des discours -- Sédimentation temporelle et construction mémorielle -- Une architecture "performative" -- De la "déterritorialisation" à la "reterritorialisation" -- Communauté mémorielle, communauté testimoniale, communauté discursive -- Autorité énonciative et communauté discursive -- Des positionnements adossés à une temporalité et à un lieu -- Le lieu d'archive, garant de la visibilité et de la lisibilité des discours -- Une instance organisatrice des discours -- Une instance régulatrice des discours -- Une instance validante -- Le mémorial : lieu de partage de l'autorité énonciative des discours testimoniaux -- Le choix des témoignages -- Choix et spécificité -- La question de l'auctorialité -- Genre, hypergenre et modèles d'écritures -- Scène d'énonciation des témoignages et profil de témoins -- Scénographie familiale -- Scénographie hybride -- Scénographie pré-auctoriale -- Volonté d'inscription dans une scène englobante -- Évolution des légitimations dans l'espace public -- Vers le contrôle d'une o "polyphonie testimoniale" -- Se mettre en scène, investir un genre -- Les patrons discursifs des récits de vie -- Captation et modélisation : le récit oral et l'interview filmée -- Modèle des récits d'expériences personnelles -- Modèle de l'interview filmé -- Retranscire la voix, inscrire le corps -- Les modèles rédactionnels scolaires dans les témoignages d'enfants cachés -- Les exercices d'écritures des manuels scolaires : un patron discursif dans les récits de vie de rescapés -- Récit d'enfance et dimension axiologique -- Motifs des récits d'enfance et modélisation -- Ethos de l'enfant caché et tension pamtopique -- Des modèles d'écriture "collective"? …”

Tabla de Contenidos: “…Chapter 7 Distribution Dimensions Codecs Web publishing: Websites, Web Communities, Social Media Getting your real critiqued DVDs Getting it into the right hands Networking Guilds and Unions Trade Associations Film Festivals Competitions and Contests Trade Shows and Conferences Pointers from Industry (Recruiters, employees, leads, etc.) …”

Tabla de Contenidos: “…1.3.1.1 Charge Transporting Materials1.3.1.2 Principle of Xerography; 1.3.2 Optical Properties; 1.3.2.1 Polarization Rotators; 1.3.2.2 Enhanced Photorefractive Performance; 1.3.2.3 Hologram Images; 1.3.2.4 Holographic Recording Medium; 1.3.2.5 Effect of Molecular Weight of PVK on Photorefractive Performance; 1.3.2.6 Fluorescence Quenching; 1.4 Applications; 1.4.1 Electrophotographic Films; 1.4.1.1 Photoconductivity; 1.4.1.2 TNF-PVK Complexes; 1.4.1.3 Photoconductive Copolymers; 1.4.1.4 Copolymers; 1.4.2 Polymeric Light-Emitting Diodes; 1.4.2.1 Förster Energy Transfer; 1.4.2.2 Service Time…”

Tabla de Contenidos: “…Gronau</i>10 Unexpectedly withdrawn and still engaged: reflections on the experiences of the Roman writer and politician Marcus Tullius Cicero<br><i>Gesine Manuwald</i>11 The Gallic Sack of Rome: an exemplum for our times<br><i>Elizabeth McKnight</i>12 On Spinalonga<br><i>Panayiota Christodoulidou</i></p><p><b>Part III: Performance, identity and the screen</b>13 The thing itself<br><i>Alexander Samson</i>14 Towards a new history: The corona-seminar and the drag king virus<br><i>Helena Fallstrom</i>15 'In spite of the tennis': Beckett's sporting apocalypse'<br><i>Sam Caleb</i>16 Screening dislocated despair: projecting the neoliberal left-behinds in <i>100 Flowers Hidden Deep</i><br><i>Nashuyuan Serenity Wang</i>17 A digital film for digital times: some lockdown thoughts on <i>Gravity</i><br><i>Stephen M. …”

Tabla de Contenidos: “…Digitaler Vermittlungsgap -- Vermittlung mit und ohne Verständigung -- Zur didaktischen (Un&#x2011;)Steuerbarkeit von Vermittlungsprozessen im Digitalen -- DERLA als (digitales) Vermittlungs&#x2010; und Bildungsprojekt -- DERLA als digitales Archiv -- DERLA und dynamische Rezipient:innen&#x2010;Ebenen -- Erinnerungsarbeit: unabgeschlossen und unabschließbar -- Historisches Lernen mit der Digitalen Erinnerungslandschaft DERLA -- Einleitung -- Zeitgeschichte und Geschichtsdidaktik -- Zeitgeschichtliches Lernen mit der Digitalen Erinnerungslandkarte DERLA -- Digitale Geschichtskulturen als historische Lernanlässe -- Geschichtskulturelle Kompetenz als Grundlage zeithistorischen Lernens -- Zeitgeschichte lernen mit der Digitalen Erinnerungslandkarte -- Subjektorientierung -- Kompetenzorientierung -- Wissenschaftsorientierung -- Ein Beispiel: »Transformationen der Erinnerungskultur seit 1945 in der Steiermark« -- Fazit -- Reiseberichte aus (Post)Digitalien -- Zeitreisen -- Gegenwärtige Zeiten und Geschichte(n) in (Post)Digitalien -- Feedbackschleifen der »Kulturmaschine« -- Anderswerden in (Post)Digitalien - Historische Bildung und ihre Ambivalenzen -- Geschichte ist Beziehung -- Vorbemerkung -- Digitale Milieus -- Digitalisierung -- Computergestützte Film&#x2010; und Bildanalyse -- Digitales Kuratieren -- Ausblick -- GAMS, DERLA und Data Science -- Einleitung -- Digitale Editionen und Nachhaltigkeit -- FAIR&#x2010;Prinzipien -- Technische Infrastrukturen -- Bestehende Infrastrukturen in Österreich -- DERLA als Digitale Edition am GAMS -- DERLA und OAIS -- DERLA, FAIR und Open Science -- DERLA und Datenanalyse -- Conclusio -- Inhalte explorativ durchsuchen -- Einleitung -- Exploratives Erforschen -- GAMS: Standardisierte Abläufe der Digitalen Geisteswissenschaften -- Datenmodellierung -- Datenprozessierung -- Datenanalyse…”

Tabla de Contenidos: “…Private Cultural Foundations as Actors of Soft Power in Times of Austerity<BR><EM>Olga Kolokytha</EM></P><P>26. The Role of Film Auteurism Within The Mechanisms of Soft Power In Spain -- <BR>Carlos Saura As A Representative Of Spanish Culture Abroad<BR><EM>Gabriel Doménech González</EM></P><P>27. …”

“…Also covers advanced workflows for managing clips and media, and working with film. DVD-ROM includes lesson and media files Focused lessons take you step-by-step through professional, real-world projects Accessible writing style puts an expert instructor at your side Ample illustrations and keyboard shortcuts help you master techniques fast Lesson goals and time estimates help you plan your time Chapter review questions summarize what you’ve learned and prepare you for the Apple Certified Pro Exam…”

Tabla de Contenidos: “…Watching Video with TV -- Buying Digital Media the Apple Way -- Chapter 14 Focusing on Photos -- Delving into Photos -- Working with Images in Photos -- Import images 101 -- Organize mode: Organizing and sorting your images -- A new kind of photo album -- Working with People &amp -- Pets -- Organizing with keywords -- Digging through your library with keywords -- Searching by locations where photos were taken -- Edit mode: Removing and fixing stuff the right way -- Rotating tipped-over shots -- Crop 'til you drop (and a whole lot more) -- Enhancing images to add pizzazz -- Removing rampant red-eye -- Retouching like the pros -- Using filters and adjustments to add a mood -- Exploring iCloud Photos -- Putting iCloud Shared Albums to Work -- Creating an iCloud Link on the Web -- Chapter 15 Making Film History with iMovie -- Shaking Hands with the iMovie Window -- A Bird's-Eye View of Moviemaking -- Importing the Building Blocks -- Pulling in video clips -- Making use of still images -- Importing and adding audio from all sorts of places -- Importing iOS iMovie projects -- Building the Cinematic Basics -- Adding clips to your movie -- Marking clips -- Removing clips from your movie -- Reordering clips in your movie -- Editing clips in iMovie -- Transitions for the masses -- Even Gone with the Wind had titles -- Adding maps and backgrounds -- Creating an Honest-to-Goodness Movie Trailer -- Browsing Your Video Library -- Sharing Your Finished Classic -- Chapter 16 Recording Your Hits with GarageBand -- Shaking Hands with Your Band -- Composing Made Easy -- Adding tracks -- Choosing loops -- Looking for just the right loop -- Second verse, same as the first -- Resizing, repeating, and moving loops -- Using the Arrangement track -- Tweaking the settings for a track -- Sharing Your Songs -- Creating song files in Music -- Exporting a project…”

“…With iLife, you can turn a home movie into an Oscar-worthy film, compose and record original music, create Web sites and blogs, and do so much more. …”