Tabla de Contenidos: “…Dialogue/the dialogical; Appendix I: On performance: theater, film versus ritual; Appendix II: The public face of anthropology; PART II: Death drives in the city; 3. …”

Tabla de Contenidos: “…; Traditional Prints; Digital Prints; Presentation of Panoramic Photos; Distribution of Images on the Internet; Books and Display Cases; Exhibits; Slide Projection; Archival Storage of Originals; Negatives; Color Transparency Film; Storing Digital Files; Appendix A: Resources; Directory of Photographers; Sources of Supplies; Bibliography; Appendix B: Photographic Credits; Index…”

Tabla de Contenidos: “…Contents; Preface; The Evolution of an Industry; The changing face of graphic design; How it all started; From letterpress to litho; Advances in typesetting; The font wars; Film technology; Filmless technology; The offset litho process; Other printing methods; Four-Color Printing Explained; A word about paper weights and sizes; Imposition; CMY... …”

Tabla de Contenidos: “…Processing Equipment; Sinks; Water Quality; Temperature Regulation; Automatic Temperature Regulation; Processing Trays and Tongs; Wet-Side Accessories; Roll Film Tanks and Reels; Washers; Timing Systems; Chemical Storage and Waste Disposal; 8. …”

Tabla de Contenidos: “…Overview; Choosing Hybrid Digital Photography; Sensor Size Versus Film; Color Interpolation Versus Scanned Color; Spectral Sensitivity; Electronics; Storage; Hybrid Digital Imaging; Dynamic Range; Color Gamut; Workflow; Comparison; Summary; Glossary; Photographers' index; Index…”

Tabla de Contenidos: “…Conversa com Lopes Barbosa, Ana Cristina Pereira -- Catembe-O Filme Como Corpo de Delito: Conversa com Faria de Almeida, Maria do Carmo Piçarra -- A Descolonização dos Ecrãs: Conversa com Américo Soares, Diana Manhiça -- Então Começámos a Viver Cinema. …”

Tabla de Contenidos: “…Intro -- Cover -- Title -- Contents -- Introduction -- Tapputi-Belatikallim: Fragrance Distillation -- Maria Sibylla Merian: Biological Illustration/Metamorphosis -- Laura Bassi: Air/Electricity -- Eunice Newton Foote: Greenhouse Gases -- Fanny Hesse: Agar Growth Median -- Agnes Pockels: Surface Tension -- Marie Curie: Elemental Extraction -- Susan La Flesche Picotte: Public Health/Houseflies -- Mary Agnes Chase: Agrostology/Grasses -- Ynés Mexía: Plant Collection/Identification -- Lise Meitner: Nuclear Fission -- Alice Ball: Organic Separation -- Gerty Cori: The Cori Cycle -- Katharine Burr Blodgett: Thin Films -- Cecilia Payne-Gaposchkin: Star Material -- Dora Priaulx Henry: Barnacles -- Maria Goeppert-Mayer: Nuclear Shell Model -- Mary Golda Ross: Aerospace Engineering -- Rachel Carson: Environmental Contaminants -- Chien-Shiung Wu: Symmetry -- Anna Jane Harrison: Organic Compounds/Ultraviolet Light -- Ruby Payne-Scott: Sunspots -- Rosalind Franklin: DNA Structure -- Margaret S. …”

Tabla de Contenidos: “…(Fabrice Preyat)Saints, martyrs et intercesseurs en tous genres dans la littérature arabe contemporaine : le cas de l'Irak (Xavier Luffin); Figures de martyrs catholiques dans le film Des dieux et des hommes Vers un nouveau paradigme? …”

Tabla de Contenidos: “…Mediating Culture: Indigenous Media, -- Ethnographic Film, and the Production of Identity 210 -- Faye Ginsburg --Part IV Active Audiences 237 -- 14. …”

Tabla de Contenidos: “…Of queens, soldiers, nuns, and bullfighters: nationalist stories in the fiction films of the Franco regime (19391963): Gabriela Viadero Carral -- 13. …”

Tabla de Contenidos: “…181 Die (zu) schaffende Gratwanderung zwischen Steuerung und Offenheit in partizipativ angelegten künstlerischen Bildungsprojekten 187 Rede zur Ausstellungseröffnung "Expedition STADTraum" 193 Last, Lust und Frust: das Modellprojekt aus der Sicht der ehrenamtlichen Kassenwartin 196 Die Kooperation zwischen der Kunstschule IKARUS und dem Gymnasium Oedeme 200 "Expedition STADTraum": Film im öffentlichen Raum - "Wenn Sophie Calle das darf, dann dürfen wir das auch!" …”

Tabla de Contenidos: “…-- Chapter 3 Roles and Responsibilities -- ID the IP -- Help Design the Golden Path -- Establish Structure -- Establish Characters and Worlds -- Identify Story Mechanisms and Devise Their Rulesets -- Plan and Manage the Content -- Reinforce the Theme -- Write, Revise, and Polish the Content -- Assist in the Localization of the Written and Spoken Content -- Direct Voice-Over Sessions and Filmed Content -- Voice-Over -- Filmed Content -- Other -- Notes -- References -- Chapter 4 Game Writing at the Ground Level -- Example Spreadsheet for Narrative Content -- Asset ID -- Category -- Character -- Line -- Character Count -- Notes -- Pipeline -- Chapter 5 Conflict -- The Engine of a Story -- Conflict in the Home World -- Conflict in the New World -- Conflict Vs. …”

Tabla de Contenidos: “…3.7 Fokussieren: automatisch, manuell - bitte schnell und scharf -- Mit Einzelbild-AF die beste Trefferquote -- Kontinuierlicher AF: gute Trefferquote bei mobilen Motiven -- Manuell scharfstellen: sicher ist sicher -- 3.8 Filme drehen mit der Z 5 -- Ein paar einfache Tricks für jeden Anspruch -- Belichtungsprogramme: von »A« bis »P« -- Die richtige Kamerahaltung -- Szenen filmisch umsetzen -- Tonkontrolle -- 3.9 Zubehör für Fortgeschrittene -- Stativ und Kopf -- Vari-ND-Filter -- LED-Licht -- 4 Objektiv-Tipps -- 4.1 Die Augen Ihrer Nikon -- Tipp 1: Das Superzoom für die Z 5: Z 4-6,3/24-200 mm VR -- Tipp 2: Weitwinkel satt: Z 4/14-30 mm S -- Tipp 3: Alternative zum »kleinen« Setzoom: Z 4/24-70 mm S -- Tipp 4: Lichtstark, schnell und teuer: Z 2,8/70-200 mm VR S -- Tipp 5: Perfekter Porträt-Begleiter: Z 1,8/85 mm S -- Tipp 6: Das gute, alter 35er: Z 1,8/35 mm S -- Index…”

Tabla de Contenidos: “…Cover -- Table of Contents -- 1 Business -- Accounting -- Branding -- Careers -- Customer Service -- Entrepreneurship and Small Business -- Franchising -- Home-Based Business -- Intellectual Property -- International Business -- Management Consulting -- Nonprofit Business Resources -- Office Management -- Patents and Trademarks -- Sales and Marketing -- Trade Publications -- Videoconferencing -- Women in Business -- 2 Computers and Electronics -- Computer Manufacturers -- Electronics -- Email -- Games -- General Blogging -- Instant Messaging -- Internet Security -- Macintosh -- Multimedia -- Music Resources -- Personal Computing -- Search Engines -- Software -- Virtual Worlds -- Web Browsers -- 3 Current Events/Political Science/News -- Current Events -- Emergency Preparedness -- Financial News -- Government -- Military -- Money Management -- Politics -- Science/Tech News -- State Governments -- Underground News -- World Affairs/Diplomacy -- 4 Education -- Colleges and Universities -- Continuing Education -- Distance Learning -- Financial Aid and Scholarships -- Graduate Schools -- Home Schooling -- K-12 Educator Resources -- K-12 Homework Help -- K-12 Language Arts -- K-12 Math and Science -- K-12 Private Education -- K-12 Public Education -- K-12 Social Studies -- Language and Linguistics -- Libraries -- Preschool -- Reference Resources -- Research Help -- Tutoring -- 5 Entertainment -- Actors and Actresses -- Celebrities -- Comedians and Humor -- DVDs -- Film Festivals -- Gaming -- Movies -- Independent Films -- Movie Reviews -- Movie Theaters -- Music -- Music Genres: Alternative -- Music Genres: Bluegrass -- Music Genres: Christian and Gospel -- Music Genres: Classical and Opera -- Music Genres: Country -- Music Genres: Hip-Hop and Rap -- Music Genres: Jazz -- Music Genres: Rock and Pop -- Music Genres:World Music…”

Tabla de Contenidos: “…Fazit -- Literatur -- Filme -- Beiträger/-innen und Herausgeber/-innen…”

“…LA SEGUNDA PARTE se ocupa de un autor: Ignacio del Moral (biobibliografía, contextualización, etc..) y un análisis completo de su obra "La mirada del hombre oscuro", su puesta en escena por Ernesto Caballero analizada y su versión cinematográfica por Imanol Uribe, incluye entrevistas con estas personas, estudio del montaje y lectura estructural del film, además de valoración técnico-artística, etc.. …”
Enlace del recurso

“…Desde el espectador común al historiador y alcrítico, cada visión de un mismo film puede y debe enriquecer el placer de ver yel ejercicio de discutir sobre el cine, con la condición de que todo tenga su puntode partida sólo y exclusivamente en esas dos horas de cada proyección, en cada unode sus planos, en cada encuadre, en la elección entre lo incluido y lo excluido, entre lovisible y lo oculto. …”

“…His analysis spans various aesthetic texts and cultural products, from literature and film to architecture and music. The book requires attentive reading due to its complex style, aiming to foster a deeply engaged critical understanding. …”

“…It also discusses her portrayal in art and film and reflects on her significance in contemporary Catholic tradition. …”