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“…Text and illustrations describe the equipment, budgeting, directing, and editing techniques, and other aspects of film production for beginners…”

Tabla de Contenidos: “…« -- 2.4.1 Ausstellen eines filmischen Stils -- 2.4.2 Der Filmarchitekt als Maler -- 2.5 »Internationale Tentoonstelling op Filmgebied« (1928): Absage an das Museum -- 2.6 Ausstellung »Film und Foto« (FiFo, 1929): Filmische Herausforderung -- 2.6.1 Das Neue Ausstellen und der Werkbund -- 2.6.2 Rauminszenierung gegen Exponate -- 2.7 Filmstill als Exponat -- 2.8 Coda: Film und Kunstmuseen in den 1930er Jahren -- 2.8.1 »Film und Foto (Die Kamera)« 1936 -- 2.8.2 Musealer Einsatz von Film -- 2.9 Zusammenfassung -- 3 Technikmuseen -- 3.1 Filmsammlungen / Filmarchive: Die Lehren der KIPHO -- 3.2 Filmarchive in Museen -- 3.3 Sammlung Will Day im Science Museum -- 3.4 Oskar Messter im Deutschen Museum -- 3.5 Französische Filmgeschichte im Cnam -- 3.6 Nationales Technikmuseum Prag…”

Tabla de Contenidos: “…The Overlapping Uncertainties of Film Professionals -- 6. A Festival at the Interstices of Value Regimes -- 7. …”

Tabla de Contenidos: “…Cover; Contents; Preface: Retracing Our Steps; Acknowledgements: Standing Together; 1 Closed; 2 In and Around Dwelling; 3 From Machines to Mine; 4 The Confinement of Sense; 5 Hiding in the World; 6 Open; Coda: Out and back; Bibliography; Films; Index…”

“…In addition, its inherent contradictions of extreme violence and beauty and of discipline and excess have long been a source of inspiration for writers and film makers. Essential reading for anyone interested in the sociology of sport and cultural representations of gender, Boxing, Masculinity and Identity brings together ethnographic research with material from film, literature and journalism. …”

“…Häxan is a film that travels along the winding path of art and science rather than between the narrow division of “documentary” and “fiction.”…”

“…"Title sequences are the most obvious place where photography and typography combine on-screen, yet they are also a commonly neglected part of film studies. Semiotics and Title Sequences presents the first theoretical model and historical consideration of how text and image combine to create meaning in title sequences for film and television, before extending its analysis to include subtitles, intertitles, and the narrative role for typography. …”

“…The authors examine how the performance of intimate male friendships functions within broadly 'Western' celebrity culture from three primary perspectives: construction of persona; interactions with audiences and fans; and commodification. Case studies from film and television are used to illustrate the argument that, regardless of their authenticity (real or staged), bromances are useful for engaging audiences and creating an extension of entertainment beyond the film the actors originally sought to promote. …”

“…The first account of the history of film activism in post-1945 South Korea, Celluloid Democracy shows how Korean film workers during the Cold War reclaimed cinema as an ecology in which democratic discourses and practices could flourish…”

“…Parish delivers the real goods: all the gossip, the grosses, and the egregious ego battles behind these benchmark fiascos-and gives film buffs the most entertaining and informative book of the year. …”

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Tabla de Contenidos: “…Contingut dels extres: interview du réalisateur, entretientavec Jean Duvignaud auteur de Chebika, version commentée du film, Tricot "La Branlette" (1er court métrage de Jean Louis Bertuccelli), galerie d'images, bandes annonces, chapitrage…”

Tabla de Contenidos: “…Introduction -- The press as a mass medium -- The development of the film industry -- The growth of radio broadcasting -- The rise of advertising -- Propaganda in peace and war -- Cold war and communication -- Television and consumer societies -- Media, information, and entertainment -- Media, war, and international relations -- New media -- Globalization and media…”

Tabla de Contenidos: “…memory as photograph -- Moving pictures : the filming of history -- Angles of vision : comic-book histories -- Random access memory : history in a multimedia age -- Towards a political economy of historical truthfulness…”