“…More traditional poststructuralist spatial theories are connected with concepts and methods of Actor-Network Theory in a compelling account of the skyscraper’s evolution as reflected in fictional media from early 20th-century short stories via a range of action, disaster and horror films to selected city novels of the 1990s and 2000s…”

Tabla de Contenidos: “…The Top Ten Reasons to Write With a Partner; Chapter 2 A Film School Survival Kit or How Collaboration Helps You Get In, Get Along, and Get Ahead; Chapter 3 Finding the Right Writing Partner; Chapter 4 Making the Creative Relationship Work; Chapter 5 Solving the Space-Time Conundrum; Chapter 6 Choosing the Right Project; Chapter 7 Co-Creating Character; Chapter 8 Co-Creating Story and Structure; Chapter 9 Co-Drafting the Script; Chapter 10 Co-Writing the Rewrite…”

“…Existenzielles Leiden in Literatur und Film der Gegenwart…”

Tabla de Contenidos: “…God talks -- Evangelical film auteurs -- Methodist and ecumenical films -- Reformed and dissenting images -- The studio era of Christian films -- The master filmmakers -- Mark IV and apocalyptic film -- Global film evangelism -- Conclusion: a modest renaissance before the end…”

“…Pur indulgendo di tanto in tanto a qualche punta d’ironia, Io, Daniel Blake non è un film comico. Non si limita a stigmatizzare un sistema assistenziale che rasenta l’assurdo e spesso lo oltrepassa. …”

Tabla de Contenidos: “…Cover; Langford's Starting Photography: The guide to great images with digital or film; Copyright; Contents; Introduction; About the authors; 1 Picture Making; 1 Seeing and photographing; 2 Using the viewfinder - framing up; 3 Creating a point of emphasis; 4 Picking lighting conditions; 5 Pattern, texture and shape; 6 Using color; PROJECTS: Developing a personal approach; 2 Camera, Sensors and Film; 7 Camera principles; 8 The camera; 9 Sensors; 10 Films; 11 Scanners; 3 Creative Use of Camera Controls; 12 Shutter speeds and movement; 13 Focus and aperture; 14 Choice of exposure…”

Tabla de Contenidos: “…; Filter Categories for Color Films; Reflections: Polarized and Unpolarized Light; Ultraviolet Light Filters; Special Effects Filters; Fluorescent and Other Gas-filled Lights…”

Tabla de Contenidos: “…Cover; Title Page; Copyright Page; Table of Contents; Preface; Acknowledgments; Artist Contributors; CHAPTER ONE COLOR PHOTOGRAPHY CONCEPTS; Newton's Light Experiment; Separating Light; Dual Nature of Light: Heisenberg's Uncertainty Principle; Young's Theory/RGB; How We See Color; How the Brain Sees Color; Color Blindness; Young's Theory Applied to Color Photography; How Film Produces Color; How Digital Cameras Record Color; Color Reality; Absence of Color Film Standards; Talking About Color; Color Description-Hue, Saturation, and Luminance (HSL); Color Relativity; Color Contrast…”

Tabla de Contenidos: “…Cover; Changing Direction A Practical Approach to Directing Actors in Film and Theatre; Copyright; Table of contents; Foreword; Preface; Acknowledgments; 1. …”

Tabla de Contenidos: “…Introduction: Narrating encounter -- Framing the copy: media industries and the poetics of resemblance -- Managing exchange: geographies of finance in the media industries -- The theater of influence: reimagining Indian film exhibition -- Economies of devotion: affective engagement and the subject(s) of labor -- Conclusion: Close encounters of the industrial kind…”

Tabla de Contenidos: “…Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- Acknowledgments -- Introduction -- Chapter 1: The Final Rewrite -- First Man -- The Screenplay -- Notes -- Chapter 2: Best Intentions and Excellent Fails -- Not Quite Heaven -- How to Help Your Characters Succeed -- Notes -- Chapter 3: The Well of Coverage -- The Dailies -- Coverage -- Permutations of the Script -- Organization -- Chapter 4: The Scene and an Approach to Dailies -- A Word about Scenes -- Writing the Scene -- First Steps -- The First Draft -- Notes -- Chapter 5: Another approach -- The Gift of Memory and Its Limits -- Beyond "Cut" -- Keep Rolling -- Discovering What to Lose -- Movies Move -- Note -- Chapter 6: What Writers Know -- Structure -- Genre -- Sense and Setting -- Notes -- Chapter 7: What Editors Know -- Power of the Shot -- Sculpting the Story -- Establishing Tone -- Notes -- Chapter 8: Tricks of the Editor's Trade -- The Magician -- Repurposing Shots -- The Intercut -- Point-of-View -- Notes -- Chapter 9: The Essence of Time -- Clock Time versus Film Time -- Notes -- Chapter 10: The Filmic Moment -- Note -- Chapter 11: Aspects of Dialogue -- Dialogue and Subtext -- Subtext -- The Sound of Silence -- Chapter 12: Dialogue and Character Issues -- Space -- The Ensemble -- Improvisation -- Voiceover -- Notes -- Chapter 13: When "Cut to" Isn't Enough -- Transitions -- Chapter 14: Following the Line -- Non-linear Trajectories -- Notes -- Chapter 15: Formula but Not Formulaic -- Genre -- Ritual Objects and Story -- Formula -- Notes -- Chapter 16: The End Is the Beginning -- Where to Begin -- The End -- Notes -- Chapter 17: Hindsight Is 20/20 -- Emotional Logic -- Creativity and Inspiration -- Notes -- Index…”

“…Contemporary film and television series…”

“…Greatest film scenes of all time and why…”